MODERN ARCHITECTURE: MOMO TO POMO ESSAY Topic 14: How was modern architecture regarded by the Nazi regime in Germany in the 1930s? What effect did their attitude have on the development of modern architecture? NAME: ZHIHENG YANG STUDENT NUMBER: 351874 SUBJECT: ABPL 30050_MODERN ARCHITECTURE: MOMO TO POMO 1 Modern architecture plays a very significant role in the world architecture history. This new architectural style affected the most western countries in 20 th century after the World
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MODERN ARCHITECTURE De Stijl Architecture De Stijl architecture was formed by a group of young artists who created the new movement in 1917; calling both the movement and the magazine they published De Stijl. The group promoted utopian ideals and group members believed in the birth of new age in the wake of WWI. They felt it was a time of balance between individual and universal values. The work was completely abstract as well. The goal was total integration of art and life. GERRIT THOMAS RIETVELD
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repoliticization span the late 19th century through and into the 21st century. Evolving from humble beginnings into the commercial behemoth it’s become to today this essay will explore graphic design’s evolution and the politics that affected this growing art movement during this influential timeline. Graphic design set its first roots in Germany in 1455 with the introduction of the Blackletter typeface and Johannes Gutenberg’s Gutenberg Bible. Coined as the godfather of printing Gutenberg helped to spread Blackletter
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where they filmed was in Berlin and also in a studio. I found this fact remarkable - the opening scene shows a building that looks like the castle Sans Souci in Potsdam. There is also a lot of Bauhaus architecture and style present. Walter Gropius was one of the persons who tried to popularize the Bauhaus style. He was director of the art school from 1919 to 1928. He believed that the union of art and technology could induce new social conditions through creation of a new visual surrounding. This
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Erik Nitsche Erik Nitsche definitely left a stamp on the world of design during his wonderful 60 year career. He worked in pretty much every field of design. He worked as an illustrator‚ book designer‚ typographer‚ art director‚ advertiser‚ photographer‚ and as a packaging designer. Some of specific work in graphic design included magazine covers‚ exhibitions‚ film‚ signage‚ and posters. Nitsche’s work greatly influenced America’s young generation of designers in the mid-20th century and is still
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values will give some directions of how the envelope or the massing of the buildings will be (Master of Architecture). By 1900 the influence of the Gothic Revival and critics such as Ruskin was declining‚ but the values of the Arts and Crafts movement still dominated criticism. An international tendency toward classical and Renaissance forms in larger buildings was accepted tacitly in architectural debate‚ and many architects reacted against earlier‚ highly personal criticism by John Horbury Hunt
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design by combining art and industry. Although these principles were inherited from English reformers like William Morris‚ Gropius was able to implement them when he reorganized the Arts and Crafts School in Weimar‚ which became the world-famous Bauhaus. The unique educational
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constantly changing points of the view and an inner space with the outer one in the moving viewer’s eyes creates the impression of four-dimensionality. To be able to realize my dreams‚ I tried to create the design expressed in the Manifesto of the Bauhaus‚ Walter Groupius utopia "of the new future building that will be an all in one form: architecture‚ sculpture and
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During the Progressive Movement‚ alcoholism became a major issue. Many people‚ especially Christians believed alcohol was damaging to families‚ resulted in physical abuse‚ poor health‚ and increased poverty. In the 1820s‚ a Temperance Movement was started to encourage Americans to reduce the amount of alcohol that was being consumed. The Second Great Awakening is one cause for the movement. It focused mainly on Christians‚ they wanted our jobs‚ education‚ and family to reflect in good morals. The
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Reading 2 || Josef Albers‚ To Open Eyes Extract on The Vorkurs : Design at the Bauhaus In this reading‚ we are exposed to some of Alber’s design pedagogy at the Bauhaus. He was without a doubt a progressive educator‚ having introduced the concepts of constructivism and de stijl. Although the works produced as a result of his classroom methodologies seemed more like works of engineering and art‚ his careful training allowed his students to develop a design process which was not merely
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