Symbolism behind the Phantom of the Opera Throughout the story and the original novel‚ the symbolic use of mirrors abound. I think much deeper it’s dealt with in the original book by Gaston Leroux‚ and somewhat alluded to in different terms in the movie. Nevertheless‚ let’s take a look at the reflection in the mirror and see what’s there. What is a mirror? Basically‚ it’s just a smooth shiny surface that forms an image by reflection. When we gaze into a mirror‚ our reflection returns to us‚ and
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SBA Journal 1. Title: The Phantom of the opera 2. Author: Gaston Leroux 3. Publisher: Random House 4. Text-type: Print-fiction 5. Genre: Mystery/thriller 6. Summary of the book: This book is about a boy who has a face like a skull‚ nose is sunk in‚ eyes are small and yellow and the body is a skeleton with skin. Moreover‚ he has a lovely voice and smart. His father and mother never love him. One day‚ he ran away from home and he leaned many things in the trip‚ but when he
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were already important musical alternatives to opera by the mid-seventeenth century‚ but differed in nearly every respect from the genres of the same names found in the early eighteenth century. As genres late in the period‚ they both bespoke the traditions from which they originally sprang and permitted new recombination of the musical elements of these same traditions. The oratorio and cantata of the eighteenth century were both linked‚ unlike opera‚ to religious themes. Although intended for very
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In the 18th century‚ Opera evolved and could be split into two major types: Opera Buffa and Opera Seria. In the early 18th century‚ short one-act interludes called ‘intermezzi’ were performed between acts during an Opera Seria. The intermezzi were so popular‚ composers began developing them‚ and by the later 18th century‚ it became it’s own genre known as Opera Buffa. Opera Buffa‚ also known as Comic Opera‚ was a full-length work that was sung throughout. It was a genre that was enjoyable for
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Music 101 MWW Study Questions MWW 54: Rationalistic Distaste for Opera 1. Italianate Opera did not conquer every European center without resistance‚ especially in countries (like France and England) with strong traditions of spoken drama. What exactly does St.-Evremond (p. 201-3) object to about opera‚ and why? Exactly what parts of a drama does he say should NOT be set to music‚ and why? People observe the justness if the cincirds; and amidst all the varieties that unite to make the sweetness
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A Night at the Opera Analysis Paper A Night at the Opera is a 1935 American comedy film starring the Marx brothers. Groucho Marx‚ Chico Marx and Harpo Marx. The Marx brothers influence on comedy can still be seen in todays films. There is very few comedians that have ever had as long a lasting influence or been as well-known as they are. It is absolutely astonishing that after over seventy years‚ it still portrays the same amount of enjoyment and laughter in "modern" viewers as it did when the
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Western European Baroque Era and today’s society In today’s world modern art has been a big factor in the society today‚ whether or not we know it looking at Western European Baroque Era‚ naming some of the best Baroque artist such as Bernini and Caravaggio‚ they used great illustrations such as drama‚ motion and even feeling in the work they presented. It showed life in the time and the effort they put forward. Most of all it showed the truth and the reality in what they work on. Comparing today’s
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Baroque Era and Rock Music To understand the correlation between Rock music and the Baroque Era‚ one must look more in-depth towards each culture’s history and social norms. The Baroque Era’s musical style was prevalent during 1600 - 1750. It can be described as a time when the music went hand in hand with the architecture‚ paintings‚ and literature of its time. It was a time when musicians brought out more intense emotions within their Rock music‚ which was created during the 1950’s in the United
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Classical Opera THE question of what sort of music should be employed in opera is a fundamental one‚ and has given rise to more controversies‚ heart-burnings‚ and recriminations than any other matter‚ since it lies at the root of all differences between schools or individuals. In the earliest times‚ we find a declamatory style; in the works of the Venetians‚ melody asserts itself; with Scarlatti‚ musical learning is pressed into service; in the epoch of Handel‚ a conventional form dominates the
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Proposed Merger between Utah Opera & Utah Symphony 1. Illustrate how Bill Bailey‚ chairman of the board of the Utah Opera Organization‚ might use one theory of motivation to oppose or support the merger. The word “motivation” represents a psychological stimulus that causes one to voluntarily act‚ the direction has to be goal oriented and attainable for the behavior to be successful. The theory that Mr. Bailey could use to oppose this merger would be the process theory “equity” component.
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