Dan Bussiculo November 19‚ 2005 Ancient Civilizations Museum Project For this project I visited the Metropolitan Museum of Art‚ on at least four different occasions‚ September 20th being the first visit‚ the subsequent three I didn’t write down. I chose to examine the Ancient Egypt civilization‚ which is extremely rich in everything from hieroglyphics and statues to jewelry and tombs. The first item I examined was the royal acquaintance Memi and Sabu‚ from Dynasty 4 2575-2464 BCE. It
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"your accent... A Parisian‚ if I may be so rude" "not rude at all... A Parisian born and bread... It is back to Paris for me" "a distaste for academics... I can hardly blame you... I think they are at best‚ an evil necessity. But I’m afraid I’m stuck with the old mater. You see I’m studying for a position at Scotland Yard... A luietenient will be my rank upon completion of my studies here" "The famous Scotland yard" "the very same one" "ah... Leutinient you say?" "yes" "if I may be forgiven
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“OPEN this damned door! If you don’t open this door right now I’ll knock it to hell and you along with it you little lying‚ cheating‚ bastard!” The flimsy door bowed‚ the windows rattled‚ and the whole wall shook as Miguel and his 265 pounds of fury slammed into the door for the third time. Neither I nor the flimsy mobile home door would be able to hold up to much more of this pounding. I could see the top two hinges already tearing away and coming in past the door frame. “Listen to me “Z” I
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It’s rare that a single work of art can change the course of art history in such a concrete and dramatic way. Marcel Duchamp’s painting "Nude Descending a Staircase (No.2)" is one rare piece that has perplexed and awed many critics. It was widely regarded as a Modernist classic and has become one of the most famous of its time. In this essay‚ this piece of work will be analyzed‚ not only for its famous creator‚ but also for its form as well as its foundations of cubism and futuristic aspects. When
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On November 3‚ me and friend went at the Institution of the Arts museum to research some artifact/ painting for my Arts formal analyst paper. When we took the closer look about those artifacts‚ I saw one painting that was interesting. It called “Y” from the private collection. When I saw the painting and the described the thing that I felt interesting was that there was a “Y” alphabet in the painting and then when I saw read the didactic the named of that painting was “Y” which was kind of interesting
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Arts-based group therapy is a form of expressive therapy that can be used with clients‚ so they can take a creative approach when expressing their feelings. The purpose of art-therapy as for anything a part of social work is for healing. However‚ art therapy allows clients to express their physical‚ mental‚ or emotional problems‚ diseases‚ and disorders‚ while still focusing on the creative process and the analysis of expression from patient to therapist interaction. In America‚ there is a significant
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Zone‚ written by Marcel Dubé‚ is an important novel in French literature which‚ in the first act‚ presents internal conflicts of love and importance of band. The story unfolds in the early 90’s in Quebec in the fall‚ in a suburb of the city. Based on the introduction; "The beings we see evolving in this sad landscape" (pg 16)‚ it demonstrates the environment vitality and disorder of the social system established in their society‚ which influences adolescents to participate in illegal affairs. This
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Pieces of artwork contain an assortment of pictorial conventions that tells us the story about the object. Such is the case for Marble capital and finial in the form of sphinx. This work was believed to have been from the Greek culture during the Archaic period in ca. 530 B.C. This marble capital and sphinx was initially placed on the grave of a youth and a little girl. The sphinx is a legendary creature that has a lion’s body and a human head. This figure was acknowledged in a variety of forms throughout
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ART 104 1200 NAME: COLLINS OSEI MENSAH CLASS: ART 104 1200 RESEACH PAPER TITLE: UGOLINO AND HIS SONS PROFESSOR: DR. FLORENCE QUIDEAU. DATE: APRIL 14TH‚ 2016. Fig 1. Ugolino and His Sons Artist: Jean Baptiste Carpeaux (French‚ Valenciennes 1827- 1875). Date: 1865-1867. Medium: Saint-Beat Marble. Classification: Sculpture. Ugolino and His Sons.
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desire for knowledge can deny an interest in the arts‚ even if it is slight. Art is one of the most powerful vehicles for communication. It expresses visions that are beyond the capacity of words‚ thus attaching pieces of its creator to each creation. The evolution of art parallels the evolution of the human being. Economy and rationality rule temporarily‚ but art is forever. Because art is the expression of societal life‚ it is important to survey the art of today. Modernism (late 1800s-mid 1950s) has
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