Antigone Analysis Antigone is a strong willed woman that defies her uncle’s orders and buries her dead brother Polyneices‚ who fought against Thebes in the civil war. She goes and buries her brother‚ and performs the rituals of the dead. I believe Antigone buried her brother out of divine edict‚ and not to defy the king. She may have been incredibly angry about the way her brother’s body had been treated‚ but I believe she done what she has done out of her own beliefs.
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Jean Anouilh’s version of the play Antigone follows the main protagonist Antigone as she attempts to bury her brother’s dead body‚ but is foiled by her uncle Creon’s edict that the body must remain outside‚ and rot in the sun‚ and be eaten by scavengers. A major character trait of Antigone’s is that she is rebellious‚ and continues to attempt to bury her brother’s body even after she has almost been caught. Anouilh utilizes the conflict between Antigone and Creon‚ and the repercussions that it has
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Antigone Antigone deals with the conflicts arising from three demands made upon the human psyche: the demands of religion (Zeus); the demands of the state (Thebes); and the demands of human instincts (Aphrodite). Characters like Antigone represent how firm beliefs and a strong sense of religion can impact an individual’s thoughts and actions. When Antigone was put before King Creon to defend herself she says to him “But all your strength is weakness itself against the immortal unrecorded
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Antigone 1. The action of the play begins immediately with a conflict between Antigone and Ismene. What is the conflict? Antigone wants Ismene to help her bury her brother but Ismene is afraid of death and says they are only women and says she doesn’t want to die with everyone hating her. 2. Antigone and Ismene are strongly contrasted in this scene. What can you tell about their characters? Antigone is a leader and wants to do the right thing. Ismene
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guards—all that your can do is to have me killed. The political heroism in Antigone’s resistance is her refusal of state power. Antigone says no to all she finds vile‚ and in this sense she is more powerful than the ruler beholden to his throne. Despite all his trappings of power‚ Creon finds himself helpless‚ unable to act on his own. He wants not to execute Antigone but cannot help ordering her death. Having said yes to state power‚ he is circumscribed by his own kingship‚ by very the throne that
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Antigone Life has a way of becoming complicated. Problems between friends‚ foes‚ and even family members develop everyday for people of all walks of life. It is part of human nature to disagree‚ cause conflict and fight for what we believe in even if that means stepping on someone else’s toes along the way. Aristotle had thoughts on complication dating back to 335 B.C when he wrote Poetics- the earliest surviving work of dramatic theory. In it he analyzed tragedies and theorized that every tragedy
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someone they see as inferior to them‚ they usually feel obliged to preserve their power through displaying their dominance. Thus‚ when Creon‚ in Sophocles’ Antigone‚ is disobeyed by a woman‚ he feels the need to inflict punishment to not only her‚ but also the people connected to her. Throughout Scene II‚ although Creon is notified that Antigone was the caught trying to bury her brother‚ he seems to be doubtful of the possibility. Even when she is questioned and “den[ies] nothing‚” he does not
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In the play‚ Antigone‚ written by Sophocles‚ the tragic hero presented is Creon‚ the king of Thebes. Creon’s obstinate personality led him to avoid listening to anyone else’s reasoning. Creon has used bad judgment while he was ruling over Thebes. However‚ Creon went to great lengths to correct his mistakes. Creon’s personality‚ wrong conduct‚ and effort to reverse his mistakes make him a tragic hero. Creon’s stubborn‚ stern‚ and tyrannizing personality is a reason why he is a tragic hero. Creon
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An Analysis of Two Key Passages in Antigone During the Nazi occupation of France‚ Jean Anouilh produced an adaptation of Sophocles’ tragedy‚ Antigone‚ as a representation of the struggle between those collaborating with the occupants and those resisting them. While it is possible to read Anouilh’s Antigone as a ‘texte de la Resistance’‚ it can also be interpreted as an apologia for the Nazis’ severe‚ authoritarian behavior. The two key passages selected are crucial to the development of the play
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Antigone Compare and Contrast Essay Sophocles’ and Jean Anouilh’s versions of the famous Greek tragedy; “Antigone” raise some interesting themes‚ motifs‚ and topics. The most prevalent theme throughout both versions was Human law Vs. Divine law. This helped me conclude that; in both versions of Antigone‚ characters that only adhere or favour man-made law or divine law‚ lead unstable lives and themselves suffer through isolation‚ loss‚ and deterioration. Both versions have a tragic hero that only
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