Selma Hougeir Art History- Reflection paper #1 Learning about African arts was very interesting to me. I was born in North Africa and have seen a lot of North African arts‚ but never really knew much about the sub- Saharan African arts. The most interesting part of African history for me was the history of the Nigerian arts. I could not believe that the earliest known sculptures in Africa were from the 5th century. The remarkable Terra cotta pottery heads were made from fired clay. They came
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present African world‚ openness of mind. Basic knowledge of Central Africa Colonial History. Main themes : The first part of the course follows a chronological plan. We shall then pass in review the history of pre-colonial Africa‚ the first (15th-18th centuries) and second (19th-20th centuries) colonial periods; the time of independences (around 1960) and the most recent period. Certain particular subjects‚ such as the slave trade‚ evaluation of the rôle of missionnaries‚ the pan-African movement
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African art constitutes one of the most diverse legacies on earth. Though many casual observers tend to generalize African art‚ the continent is full of peoples‚ societies‚ and civilizations‚ each with a unique visual special culture. The definition also includes the art of the African Americans. Despite this diversity‚ there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa. The origins of African art lie long before recorded history
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Exhibition Review Throughout the course of African history there has been a significance contribution to the art of the different cultures. After reading and studying about various regions and cultures the similarities and differences all seem to link to a fascinating group of people. Exploring different groups of objects and cultures broadened my knowledge of particular traditions within the African culture. Visiting an actual exhibition contributed to a deeper level of understanding with the
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Contemporary African Art merges the past with the present and is used as an expression to commonly define the sum of style and the national production of the African continent that is done through the use of contemporary African art. This type of art can be traced all the way back to the Sub-Sahara region within the continent where artist have found a way to combine ancient art forms with creative mediums. You may not be able to recognize the meaning in traditional African art‚ and the contemporary
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forces each student to begin to analyzing and enjoy the art in their community that they might not notice otherwise. I for one‚ am not a huge art fan. However‚ the assignment does bring me a step closer to becoming one. Swapping out lenses to take notice of the many different works of art in the community is truly eye opening. Instead of glancing over the painting in the lobby‚ for instance‚ now I take a moment to interpret the piece of art and the significance of the work. Now‚ most important to
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at different times in what appears to be the same room‚ their faces‚ bodies and clothing blurring and flickering as each figure moves to a silent rhythm‚ is the opening piece to the Fowler Museum’s Winter 2016 exhibit “Disguise: Masks and Global African Art.” Titled “Double Quadruple Etcetera Etcetera I and II‚” the video is the work of artist Sonra R. Perry‚ a Black woman‚ New Jersey native‚ and current Harlem resident. To the side of the video is a plaque displaying a quote from Perry: “I make performances
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Art has been part of our life as long as humanity has existed. There are so many ways to define art. The majority believes that art being only what they see in paintings or drawings on museum. Art is a diverse range in creating visual‚ auditory‚ and performing artifacts expressing the artist’s creative skill. Art is of much objective‚ scope; however‚ art can include visual arts‚ painting‚ drawing‚ music‚ sculpture‚ architecture‚ literature‚ dance‚ computer arts‚ photography‚ and many more. Art is
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The magical power of African Art‚ illustrated in the nkisi nknode figure is unfamiliar to Westerners because we don’t know the context of the art and the intention of the artist. Westerners are interpreting that illustration without any real knowledge of the culture. Due to these figures been in museums in West‚ the culture has lost a great deal of their history and memory. The Westerners in return have gained some knowledge and have created there own interpretation of the figures. The culture also
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Ancient African rituals vary largely in their performance and meaning. The term Egungun often refers to all masked figures found among the ritual‚ which are those targeted by Leonce Raphael Abgodjelou in his art exhibit. The Egungun ritual is a performance funeral‚ marking the passage of the deceased to the spirit world . These gatherings are community-wide‚ drawing both dancers and audience members to participate. According to Dr. Charles Fore‚ senior lecturer in the history of African art‚ Egungun
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