I. Work Analysis Being an admirer of the music of Wolfgang Amadeus Mozart‚ I chose to analyze Mozart ’s Symphony No. 40 in G Minor. An early analyst and critic of Mozart ’s music‚ Otto Jahn called the Symphony No. 40 "a symphony of pain and lamentation." Another critic said it was "nothing but joy and animation" (Kramer 480). While these two remarks may be used as extreme ways to interpret the symphony‚ its character and mood are captivating and touching. The standard instrumentation for this piece
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OUTLINE 1. INTRODUCTION (FEMI) 2. BACKGROUNDS OF TWO COMPANIES (FEMI) 2.1 HUGO BOSS 2.2 LAURA ASHLEY 3. PERFORMANCE ANALYSIS 3.1 VERTICAL AND HORIZONAL ANALYSIS (BOYE) 3.1.1 HUGO BOSS 3.1.2 LAURA ASHLEY 3.2 RATIOS ANALYSIS (HANH & ANDREA) 3.2.1 PROFITABILITY (HANH) 3.2.2 LIQUIDITY (HANH) 3.2.3 EFFICIENCY (ANDREA) 3.2.4 CAPITAL STRUCTURE (ANDREA) 3.2.5 INVESTOR (ANDREA) 4. RECOMMENDATION (BOYE) --CHOOSING HUGO BOSS 5. LIMITATION OF THE ANALYSIS (BOYE) -- RELIES ON SLIDES 54 PAGE 54 6. CONCLUSION
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Schoenberg: Peripetie from ‘Five Orchestral Pieces’ Opus 16 (1909) Analysis section by section Score reading task Find 4 examples of hexachords on your scores (you should have notes on this). Annotate them to tell me whether they use verticalisatoin or melodic treatment You only have 3 minutes to do this Expressionism so far How did WW1 impact the way artists‚ composers‚ poets etc created their work? Composers started to use lots of chromatics in their pieces. What are chromatics
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but also toward the nature of life and death. Another composer who was acutely well-known was Wolfgang Amadeus Mozart. Mozart’s work during this time reflected the changes of events during the Enlightenment. The Marriage of Figaro is a piece by Mozart that went very well with the events. In this piece‚ Mozart illustrates common issue of the Enlightenment‚ like the egalitarian views. Mozart recognizes the position of women in society‚ and that is something that not a lot composers felt strongly about
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capacity to destroy is represented through the distinctly visual. In the Shoehorn Sonata and Dulce Et Decorum Est the writers have invited the audience to examine societies role in acknowledging humane treatment and the importance of reflecting on suffering experienced. The horror of the war experience is represented visually through the anecdotes. In Dulce Et Decorum Est (Wilfred Owen) and in the Shoe-Horn Sonata (John Misto) the traumatic experience is recreated through the use of symbolism.
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no name Composer: Wolfgang Amadeus Mozart Born: 1756; Salzburg‚ Austria Died: 1791 Personal Life: Family: Mozart’s father showed eagerness to show him off‚ and profit from his son’s great talent. Mozart had a loving father and mother‚ and he was introduced to music early on from them. Health and Physiognomy: Mozart was ill many times. Suffering from a variety of illnesses ranging from smallpox‚ to rheumatic fever which has been deemed what killed him. Personality: Mozart’s personality in
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Misto‚ playwright of the Shoe-Horn Sonata has clearly brought forward the women’s story to the audience. Shoe-Horn is a very powerful Australian play that seeks to commemorate the endurance and heroic struggle of women interned in Japanese POW camps during World War II. Misto achieves this through a combination of dramatic techniques‚ themes‚ characterisation and settings making the past vivid and understandable. The characters presented in the Shoe-Horn Sonata are fictional‚ but the events are based
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Rongsheng Yuan MGMT250 Hector Martinez Case analysis#2 03/27/13 Amelia Rogers‚ the account director for Tassani Communication‚ worked with the Marketing director‚ Guy Johnson. Johnson informed her that Dave Burns‚ the creative director had phoned him to discuss the direction of the “Rust No More Muffler” project. The problem is if Amelia need to take up the situation with Jim Paglia‚ the COO of Tassani Communications. Rogers‚ Burns and Johnson worked on a variety of ideas for the “Rost No
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Analysis of Hydrocarbons Myra Gurango‚ Geneva Guy‚ Micah Hernandez* and Joyce Lagarde Department of Chemistry‚ University of Santo Tomas‚ Manila‚ Philippines Abstract The organic compounds hexane‚ toluene‚ cyclohexene and naphthalene in hexene were subjected to parallel chemical testing to differentiate their intrinsic physical properties in terms of structure and behavior. The physical state and color were noted by simple physical observation. Nitration Testing was conducted for preliminary
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position to experience the different impacts and emotions associated with the texts. These techniques allow the distinctively visual to have the power to manipulate the audience’s expectations and strong feelings towards the texts. The Shoe-horn Sonata written by John Misto and the short film‚ ’Lovefield’ directed by Mathieu Ratthe allows the responder to experience both positive and negative themes associated with the texts such as power‚ war‚ friendship and bravery which therefore enables them
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