This paper seeks to compare and contrast the philosophical views of two great philosophers‚ namely Albert Camus and Franz Kafka. The works involved in this argument are Kafka’s The Metamorphosis and Camus’ The Outsider. The chief concern of both writers is to find a kind of solution to the predicament of modern man and his conflict with machines and scientific theories. Death‚ freedom‚ truth and identity are themes to be studies here in the sense of absurdity. Kafka was born in Prague in 1883.
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“Suicide and Atheism: Camus and The Myth of Sisyphus‚” Richard Barnett describes the existential value of choice: “It is in making choices‚ in asserting our ultimate freedom in the face of an uncaring world‚ that human life can be lived in its fullest and richest sense” (2). This principle can be applied to many literary characters‚ including Jean Anouilh’s modern adaptation of Antigone in the eponymous play‚ Snowman of Margaret Atwood’s novel Oryx and Crake‚ and Albert Camus’ Meursault in The Stranger
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In the second part of “The Stranger‚” Meursault is on trial for the assassination of an Arab man. Camus simply utilizes the trial as a metaphor for life to promote his notion of the absurd. Camus believes that the absurdity of our inherently meaningless life is our quest to find meaning or validity in a world where there is no absolute truth. Similar to our ambition to find meaning in our life‚ the trial attempts to search for Meursault’s motive to murder the seemingly innocent Arab. As the case
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Outline: Background analysis: • Camus and French theatre of early 20th century • Existentialism • Existentialism philosophy • Existentialism and Camus • Expressing the message of existentialism through character • Historical background • Caligula historical and cultural background • Tragedy background • Other famous tragedy characters and their portrayal Preparing the role: • Stanislavsky method for actors • Theory • Practical exercises • Script and language analysis of Caligula
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on definite individual existence and freedom of choice. Developed between the nineteenth and twentieth centuries‚ this ideology influenced literature greatly. A prime example of the incorporation of certain aspects of existentialism is witnessed in Albert Camus’s The Stranger. The use of existentialism within his work assists in the development of his characters; it determines how they will act and respond to their surroundings. The aforementioned actions are often unique due to the influence of existentialism
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In The Stranger by Albert Camus‚ Meursault is a young guy that lives in Algeria. In part one‚ Meursault’s mother dies and he is completely unemotional about it. He becomes friends with his neighbor Raymond. Meursault ends up shooting and killing an Arab. In part two‚ Meursault is on trial for the murder. In both parts of this novel there is conflict. Meursault’s major conflicts were society trying to change him‚ religion‚ and honesty. Society tries very hard to change Meursault when he is on trial
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Famous Thinkers: Camus and Sartre Camus and Sartre‚ Nobel Laureates of 1957 and 1964 respectively‚ were both of French descent and were authors of considerable influence during the era of World War II. Creative thinking is the process of generating new ideas that work as well or better as previous ideas‚ and critical thinking skills facilitate the ability to make reasoned judgments about problems and situations. Camus and Sartre are considered to be great thinkers‚ both creatively and critically
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portrayed in Robert Bolt’s A Man For All Seasons‚ and Albert Camus’ Meursault from The Outsider‚ an apparent murderer who does not believe in God‚ possibly have in common? For starters‚ both men have led similar lives in a search for the truth‚ and have very strong personal belief systems. It is for this that they are persecuted and “who‚ without any heroic pretensions‚ agree...to die for the truth” (The Outsider‚ Camus‚ p. 119). Both characters‚ More and Meursault refuse to
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The real standard of existentialism is the dismissal of God‚ which is extremely apparent in Camus’ The Stranger‚ where the protagonist‚ Meursault‚ declines the idea of God’s existence. Most of the existentialists believed that there are two replacements for the issue of God‚ either individuals are not free and God‚ the supreme‚ is in charge of shrewdness; or individuals are free and dependable yet God is not supreme. When it comes to Meursault‚ the second option appears to be a more grounded likelihood
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In Albert Camus’ The Stranger the Meursault is clearly disillusioned of life and two examples of this disillusionment occurred in the instances of his mother’s death and an offer to be transferred to another work environment. The novel The Stranger by Albert Camus portrays how Meursault is disillusioned about things that seem to be the most normal basic human concepts of understanding such as his mothers death. With his mother’s death‚ he seemed indifferent at the loss of her life in every way
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