(Scene 6 )Ck’s room Ck’s mother holding an outfit of wedding for her & mother noticed that Ck’s upset her mother says your upset now because you don’t know how blissfull marriage can be her mother tries to Convinced her for wearing the outfit and her mother also warned ck and umang for not doing magic..umang tries to cheer up ck and made her smile and tell her to check her outfit after seing the outfit umang says my best friend is getting married and wearing this poor dress umang tried to make
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The Missing Scene From Macbeth: Act III‚ Scene 4 Enter FLEANCE [FLEANCE walks in‚ clearly distraught‚ tired and grief written on his face.] FLEANCE Father was right! Macbeth is a traitor. He had my father killed for knowing too much Macbeth might have even killed Duncan. [FLEANCE stops‚ looking at his surroundings] Enter HECATE. [Appears out of nowhere to FLEANCE‚ puff of smoke where she enters.] HECATE It is not for you to wonder about things you would not understand‚ child of Banquo‚ heir to
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Whiles I threat‚ he lives; ...Words to the heat of deeds too cold breath gives. How this scene contributes to our understanding of character and play: So far‚ the play has hurdled through seven scenes of mounting tension and now tithers on the threshold of regicide. At this point‚ Shakespeare freezes the action. In the tension of silence‚ both character and play develop on new levels. For Macbeth‚ this soliloquy‚ in A.C. Bradley’s words: "is where the powerful workings of his imagination rises to
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HOW SHAKESPEARE PRESENTS ROMEO’S FEELINGS IN ACT 1 SCENE 1 AND ACT 2 SCENE 2 Love is an important theme in most of Shakespeare’s play‚ including in Romeo and Juliet because love is a stronger force than all the animosity and forces of fate in Romeo and Juliet. In Romeo and Juliet‚ Shakespeare’s play‚ Shakespeare explores Romeo’s change in attitude to love between Rosaline and Juliet. In Act 1 Scene 1 Shakespeare introduces us to Romeo’s passionate desire towards Rosaline through the use of oxymoron
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The Tempest Act 1:2 The first of the play’s sub-plots continues the theme of usurpation introduced in Act I scene 2. There is a clear parallel between Antonio’s coup against his brother Prospero‚ Sebastian’s pledge to murder his brother‚ and the plot devised by Caliban‚ Stephano and Trinculo against Prospero. On the island‚ natural order seems to have descended into chaos‚ and man’s natural instinct for power and liberty inspires a series of murderous plans. The reference to the marriage
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Clip 1‚ “Task 2 Engaging Class Discussion‚” illustrates a time during my lesson that I engaged students to construct meaning from two film adaptations of the same scene‚ Act 3 Scene 4‚ from Hamlet. I engaged the class by asking questions to draw inquiry‚ and it initiated a class discussion‚ where students were drawing on their initial reactions and interpretations that they had from just reading the text and comparing them to their interpretation now after watching both clips. I wanted the students
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all recurring and Act 4 scene 2 presents all of these views. These three views are manhood‚ flight‚ and betrayal. The first begins in the beginning of the play‚ but is recognized in Act 4 scene 2 just like the rest of these symbolic views. To many this scene is seen as one of the most crucial parts of the play. Drawing on the major scenes of the play Macbeth it pushes for action and ultimate conclusion. Numerous times irony is displayed in this passage. Contained in one scene is three symbolic views
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Iago is one of the main characters in the play Othello. His personality consists of being the personification of the moral behavior. Shakespeare goes a lot deeper than that‚ he gives Iago this colour that makes him more than just a stock character. Iago gains complexity throughout the play through having multiple motives‚ his ability to manipulate others and being generally just unsympathetic. Shakespeare shows us exactly what kind of person Iago is right from the beginning of the play. The reader/spectator
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The soliloquy is performed in Act III‚ scene i. It has historically been considered as the most renowned of all quotes in Shakespearean literature‚ perhaps in all literature. That being said‚ much of the soliloquy signifies paradox. Hamlet is questioning life and death‚ being alive and not being alive. For Hamlet‚ it seems that each occurs upon its own principle and crosses over at the same instance. When living‚ one is nearing closer to demise with time. It is only in passing when one halts having
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This scene develops further the important issues of loyalty and courage found in the preceding scene‚ and it is structured in two halves: the first concerns the testing of Macduff’s loyalty by Malcolm; the second evokes the great passion of Macduff in the face of terrible grief and his sworn revenge on Macbeth. It is helpful to think of this scene as a job interview. Malcolm begins by suggesting that Macduff may be prepared to betray him as "a sacrifice" to his previous leader‚ Macbeth. Macduff
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