Preview

Pdf Silence! the Court Is in Session - Vijay Tendulkar

Powerful Essays
Open Document
Open Document
2592 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Pdf Silence! the Court Is in Session - Vijay Tendulkar
Research Journal of English Language and Literature (RJELAL)
A Peer Reviewed International Journal - http://www.rjelal.com
RESEARCH ARTICLE

Vol.1.Issue.1.;2013

ISSN 2321 –3108

VIJAY TENDULKAR’S ‘SILENCE! THE COURT IS IN SESSION’: A MOCKERY AGAINST EXISTING JUDICIAL SYSTEM
Dr. MEDIKONDA SAMBAIAH
Assistant Professor in English, Department of Humanities and Social Sciences, JNTUACEP,YSR Kadapa (Dist), Andhra Pradesh, India

Mrs. KATUMALA SANDHYA
Department of Humanities and Social Sciences, JNTUACEP,YSR Kadapa (Dist),Andhra Pradesh, India ABSTRACT A criticism against Indian Judicial system that ‘the failure of modern legal theory and practice lies in its understanding of what it is to be a human being’ can be undoubtedly attributed to the themes of Vijay Tendulkar’s play Silence! The Court Is In Session. The play barbs against existing judicial system at two levels. Firstly, it can be studied as a ‘legal plea’ which demands for emancipation, equality and liberation of women and stresses the need for a social transformation of law, culture, and social patterns which release women’s potential, where the legal curriculum has neglected issues of central concern of women like: rape, domestic violence, reproduction, unequal pay, sex determination and sexual harassment, from Benare’s ‘case study’: Secondly, the play can be a thesis on elite-court relations in India as an unsatisfactory arrangement, where being structurally part of the state, the courts are expected to maintain a high degree of independence and to be ensured of a democratic policy. The play is highly relevant as it discusses the present atrocities occurring on women throughout India including Delhi ‘Nirbhaya’ gang rape case and demands for verdict and bits the elite society to ponder on the issue seriously. Key words: Judicial system, Unequal treatment, Legal plea, elite-court relations, Play within the play

Dr. MEDIKONDA SAMBAIAH

Mrs. KATUMALA SANDHYA

Article Received on : 26/03/2013



References: 1. Vijay Tendulkar. “Drama: The Most Difficult, But the Most Powerful Medium.” Interviews with Indian Writers, New World Literature Series, B-18, p.280 2. Vijay Tendulkar. Collected Plays in Translation: Silence! The Court is in Session, translated by Priya Adarkar, New Delhi, Oxford University Press, 2003, p.55. 3. Quoted in “System on the Verge of Collapse”, India Abroad , New York, February 4, 1994. 4. Deborah Rhode. “Justice, Gender and the Justice” in Crites Lawra L, and Hepperle Winifred L (eds), ‘Women, The Courts and Equality’. 1978, p.10. 5. Roma Mukherjee. Women, Law and Free Legal Aid in India, Deep & Deep Publications Pvt. Ltd., New Delhi, 1998, p.64. 6. Sect. (2), Adoptions and The Hindu Maintenance Act, 1956. 7. Ved Kumari. “Place of Women and Child in Guardianship” in Lotika Sarkar and B. Sivaramayya (eds), ‘Women and Law: Contemporary Problems’ Vikas PublishingHouse Pvt. Ltd. New Delhi, 1994, p.242. 8. Sudhir Sonalkar. “Vijay Tendulkar and the Metaphor of Violence”, The Illustrated Weekly of India, November 18-24, 1993, p.20. 9. Veena Noble Dass. “Women Characters in the Plays of Tendulkar”, New Directions in Indian Drama (ed) Sudhakar Pandey and Freya Barva, Prestige publications, New Delhi, 1994, p.11. 10. Vijay Tendulkar. “Interview”, The Indian Literary Review, Vol.I, p.12. 105 VIJAY TENDULKAR’S ‘SILENCE! THE COURT IS IN SESSION’...| Medikonda Sambaiah et al

You May Also Find These Documents Helpful

  • Satisfactory Essays

    "The Marxist Notion of Law as the Handmaid of Exploitation Is Everywhere in Evidence" (Keith Dickson). Discuss This View of Der Kaukadische Kreidekreis.…

    • 2748 Words
    • 11 Pages
    Satisfactory Essays
  • Better Essays

    Aboriginal Women in Canada

    • 1382 Words
    • 6 Pages

    Reviews the amendments of the 1868 Indian Act, highlighting the conflicts of superiority of rights to Indian men over women. Discusses the avoidance of violence and discrimination against women within communities and the need for an equal relationship between genders…

    • 1382 Words
    • 6 Pages
    Better Essays
  • Better Essays

    The fundamental issues of caste not only affect the privileged and the working peoples, ethnic and racial minorities, and religious piety, but also the roles of men and women within the framework of gender relations. Through male domination of the public sphere, specific female roles were constructed. The primary concept of caste supported depictions of oppressed and subordinate women, which can be examined through the early literature of India. Women were no longer independent and free; they became a male commodity necessary for perpetuating hereditary elitism.…

    • 1477 Words
    • 6 Pages
    Better Essays
  • Powerful Essays

    By examining the lives of these two different women, one who lives in the modern society and the other who lives on a reservation, we can see that regardless of where they live, a women is expected to act and behave in a manner that is approved by society. There is a danger to stepping out of line.…

    • 1712 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Annotated Bibliography

    • 870 Words
    • 4 Pages

    Dutta Roy, D. (March 20, 2001), lecture at department of Humanities and social Sciences at Indian Institute of Technology, Kanpur.…

    • 870 Words
    • 4 Pages
    Good Essays
  • Good Essays

    **************************************************************** By P. Baburaj, Senior Lecturer, Dept. of English, Sherubtse college, Bhutan Author of: Language and writing, DSB Publication Thimphu Communicative English, P. K. Books, Calicut A perception on Literary Criticism, P.K. Books, Calicut ******************************************************************…

    • 472 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    akkarmashi

    • 426 Words
    • 2 Pages

    Santosh Bhoomkar (Translator) Reader and Head, Department of English,and In-charge, Postgraduate Faculty of Arts, Shri Saraswati Bhuwan Arts and Commerce College, Aurangabad.…

    • 426 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    Macbeth Probably composed in late 1606 or early 1607, Macbeth is the last of Shakespeare 's four great tragedies, the others being Hamlet, King Lear and Othello. It is a relatively short play without a major subplot, and it is considered by many scholars to be Shakespeare 's darkest work. Lear is an utter tragedy in which the natural world is amorally indifferent toward mankind, but in Macbeth, Shakespeare adds a supernatural dimension that purposively conspires against Macbeth and his kingdom. In the tragedy of Lear, the distraught king summons the goddess of…

    • 3900 Words
    • 16 Pages
    Better Essays
  • Powerful Essays

    Water

    • 39073 Words
    • 157 Pages

    This thesis examines Deepa Mehta’s trilogy—Water, Earth, Fire—and the trilogy’s exploration and contestation of colonial, anti-colonial nationalist, and religious ideologies as intersecting with patriarchal norms to enact symbolic and actual violence on the bodies of women. I argue that Mehta’s trilogy foregrounds the ways in which patriarchal nationalism legitimizes violence against women’s bodies and sexualities through different social and cultural practices and discourses which are interconnected. To explain the historical and contemporary contexts of Indian women’s domination and the ways they resist this domination, Mehta’s films unveil the underlying power relations among social forces such as colonialism, anti-colonial reform movements, post-colonial nationalism, religious and patriarchal heteronormative discourses which make women’s domination an acceptable cultural norm. Through an analysis of the experiences of women portrayed in Mehta’s films, I posit that the constructions of the Indian nation, in terms of national culture, tradition and identity, are gendered in specific ways that construct the Indian woman, both symbolically and physically, as a site where nationalist ideology provokes their political liberation, self-representation and agency. Mehta’s films disrupt these historical and contemporary practices, discourses and norms through the depictions of women’s multiple identities, experiences and sexualities. Her works demonstrate the ways in which women constantly resist, contest and negotiate with this domination and violence through their daily activities and narratives.…

    • 39073 Words
    • 157 Pages
    Powerful Essays
  • Powerful Essays

    References: words, sentences, ideas, setting, orientations, contextualized from revised edition by Sraboni Ghosh and Ms. Nagpal.)…

    • 1267 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    Justice is rapidly and continually slipping in Indian Country. With the rise of crimes against Native women, including rape or domestic abuse, tribal jurisdiction is not granting women the justice they need. While the justice system is seen as the main reason for the absence of justice and protection for Native American women, some believe that Native women need to have roles in the justice system or the system needs to be changed. In this paper, I will analyze two articles, “Tribal Jurisdiction by Gender Parity” and “Will the Violence Against Women Act Close a Tribal Justice ‘Loophole’?”, that both have opinions on the protection of Native women. I will explain both authors’ use of rhetorical strategies they utilized to make their main points and present their central enthymeme. The authors show an overall knowledge of their argument through their sympathetic appeal, invented ethos and venue. Both authors strongly rely on their invented ethos, venue and central enthymeme to help convey their arguments to their audiences.…

    • 1853 Words
    • 8 Pages
    Powerful Essays
  • Satisfactory Essays

    Political Protest

    • 869 Words
    • 4 Pages

    Submitted to Trina Nileena Banerjee Political Theatre By Akhila Vimal C MA Arts & Aesthetics Winter semester 2012…

    • 869 Words
    • 4 Pages
    Satisfactory Essays
  • Better Essays

    Bcom 275 Final Paper

    • 1698 Words
    • 7 Pages

    Kumar, R. (1993). The history of doing: An illustrated account of movements for women’s rights and feminism in India 1800-1990.…

    • 1698 Words
    • 7 Pages
    Better Essays
  • Powerful Essays

    Through ages, the patriarchal society has always referred to the woman as the weaker sex, the fairer sex, or the second sex. Simone de Beauvoir in the ‘Introduction’ to The Second Sex says, “…she is simply what men decree;… she is the incidental, the inessential as opposed to the essential.” (Beauvoir 16) In the Indian context, women as gendered subalterns have a very limited role to play within the society. They are mere objects of desire to men. Gayatri Chakravorty Spivak in her essay “Can the Subaltern Speak?”, originally published in Cary Nelson and Lawrence Grossberg's Marxism and the Interpretation of Culture (1988) says, “As object of colonialist historiography and as subject of insurgency, the ideological construction of gender keeps…

    • 1402 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    They are compelled to be muted. Their voices do not get an opportunity to speak out of the women’s problems and needs. Their desires always get lost before the grand narratives of patriarchy, even the national history and narrative rarely recognize the major contribution of the females in the texts or document. Whenever the woman is portrayed, she is put in the second position below the man. She is always kept silent. Identifying this issue, Indian critic and feminist Gayatri Chakravorty Spivak asks— can the subaltern speak? in her essay ‘Can the Subaltern Speak?’. To answer this question, she says: “There is no space from which the sexed subaltern subject can speak . . . The subaltern cannot speak” (Spivak 103-104). The reason, Spivak shows, is that Indian woman is always given a label of Sati or good wife. “Sati as a woman’s proper name is in fairly widespread use in India . . . Naming a female infant ‘a good wife’ has its own proleptic irony . . .” (102). By giving a great woman portrayal to the Indian woman, the grand narrative of patriarchy stereotypes the status of woman in the society. Through this, a boundary is imposed on the Indian women’s lifestyle and so-called freedom. While examining the power and position of Indian women, Spivak observes a fragile…

    • 780 Words
    • 4 Pages
    Good Essays

Related Topics