Preview

L. S. Lowry's painting: Waiting for the shop to open

Satisfactory Essays
Open Document
Open Document
367 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
L. S. Lowry's painting: Waiting for the shop to open
IV/ Written work:
2. Waiting for the Shop to Open

Waiting for the shop to open (1943) is a painting by L. S. Lowry. Laurence Stephen Lowry was an English painter and became well-known for his oil paintings of industrial and urban landscapes of the North of England in the mid-20th century.
The scene of the painting takes place in a street which is in front of a greengrocer's shop called “fish and fruit”. Furthermore, the number of the street, 117, on the door’s shop was the same as Lowry’s house: 117 Station Road, Pendlebury.
In the foreground, there are people queuing outside and waiting for the shop to open. Scenes of waiting in queues were very common during the wartime in England. In this line of customers there are elderly people and also middle-aged with their children. The shop is on the left hand-side of the painting, it has a placard with the name of the greengrocer’s shop and beneath it there is the number of the street which is significant because it’s a reference to the place where the scene is happening and where J. S. Lowry lived. Most of his work are scenes of life in Pendlebury and its surroundings (Greater Manchester).
In the background, there are factories and houses with chimneys and aerials, very frequent and characteristic landscape in Lowry’s style, such as the crowds of simple dark figures, also referred to as “matchstick men”.
Besides, the lack of colours in the background contrasts with the foreground since in the front there are plenty of colours and dark tones, however, in the background there is an absence of them, the artist uses the white for the environment and a few other colours to shape the scene. This is why L. S. Lowry was known as a “Sunday painter” due to the simple human figures and the lack of weather effects.
In Waiting for the shop to open we can clearly see the war artist’s style, a landscape of an industrial district during a shortage in 1940s and how L. S. Lowry remarked: "If people call me a Sunday painter,

You May Also Find These Documents Helpful

  • Good Essays

    The painting is made up of very warm colours, of browns, yellows and oranges. There is an interesting patch of blue sky in the to right hand corner, and definitely doesn't match the rest of the sky which is very dark and almost like a sunset. The constable looks very out of place with his formal uniform, quite opposite to Ned Kelly who seems like a natural part of the scenery.…

    • 578 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The small streaks that are only visible if seen in person allow the viewer’s attention to be easily directed to the content. Without the visualization of Clements’ brush stokes the viewer would not have an as clear next point to focus on which may lead to a different content. The work is surrounded by similar floral paintings done by Clements. Because the artwork is purposed to be sold in a gallery, the situation the artwork is in has its own positive and negative aspects depending on perspective. The gallery shows many artworks which can be viewed free of charge, but the main purpose of the art is to be eventually be sold for profit one again having a pleasant exterior and a darker center.…

    • 947 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The mood of this painting is created by, in my opinion, a thought-provoking combination. Although glazing and wet into wet is compatible couple of techniques, the usage of them in this particular painting are so visually diverse. The soft edged light pastel colors established by the wet into wet technique gives a soft and hazy mood. In contrast, the glazing technique uses bolder color with hard edge horizontal and vertical shapes, which creates an energetic mood. McCullough did an excellent job of using tone and edges to create a mood of morning at the beach.…

    • 381 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    What is the colonial response when the British arrive? Use evidence from the painting to justify your response.…

    • 337 Words
    • 2 Pages
    Powerful Essays
  • Good Essays

    Whereas the objects found in Oldenburg’s store once symbolized the mystique of the Kennedy era, they now are more representational of American poverty and incompetence, at least in Vincent’s comparative analysis and criticisms. This is, no doubt, what Oldenburg hoped to accomplish with his comical, yet contemplative interpretations of mass-produced consumer goods and products. Take for example, Pepsi-Cola Sign (1961). Painted in the same red, white and blue as the American flag, painted expressively with industrial enamel that could be bought in a hardware store; a practice he attributes to Jackson Pollock’s use of “direct - real paint” (152).There is a level of patriotism behind his imitation that he both affectionately portrays and mocks. With one symbol, he effectively exposes the contradictions and ambiguities of our modern society.…

    • 541 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The oil paints of the background have been sporadically applied and strewn across the picture plane. Having said that, the backdrop is still representational; it does not adopt a holistic approach as in an abstract painting. There is a degree of unevenness in the distribution of colours across the backdrop. The green and white oil paints, from the top of the plane, have been applied in a vertically linear manner and coat the majority of the backdrop. The mixture of fine and thick streams of…

    • 706 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    This painting was inspired by a restaurant on New York’s Greenwich Avenue where two streets meet, the painting depicts an all-night diner in which three customers, all lost in their own thoughts, have congregated. Hopper’s understanding of the expressive possibilities of light playing on simplified shapes gives the painting its beauty.…

    • 754 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Davis, Stuart. New York Mural. 1932. Oil on Canvas. Norton Museum of Art, West Palm Beach.…

    • 2263 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    Maestro Essay

    • 1138 Words
    • 4 Pages

    Likewise McLean has utilised particular metaphors to broaden reader’s minds upon the personal experiences of Vincent Van Gogh. The metaphor ‘Portraits hung in empty halls’ proves that Van Gogh’s paintings were unappreciated whilst he was alive. This metaphorical language therefore depicts an image of emptiness towards Van Gogh proving the defining statement that McLean comments on historical and emotional values through the use of imagery.…

    • 1138 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Cited: "Gallery Talk: Morris Museum of Art." Interview by John R. Barney. 24 Sept. 2013…

    • 1260 Words
    • 6 Pages
    Better Essays
  • Better Essays

    Warhol: the Flatness of Fame

    • 2586 Words
    • 11 Pages

    THANK YOU all for being here this brisk March afternoon. I’d like to thank the GRAM for the invitation to speak in conjunction with such a wonderful exhibition, and especially Jean Boot for all of her diligent coordination on my behalf. (There are 3 parts to my presentation. First, a virtual tutorial on the process of screen-printing; secondly, a discussion of the formal and conceptual potential inherent to printmaking, and the way in which Warhol expertly exploited that potential. Finally, I will conclude with an actual demonstration of screen-printing in the Museum’s basement studio.) In coming weeks, you’ll have an opportunity to hear much more about the cultural-historical context for Andy Warhol’s work from two exceptional area scholars, beginning next Friday evening with a lecture by my colleague at GV, Dr. Kirsten Strom, and on _______ Susan Eberle of Kendall College of Art & Design. As Jean indicated in her introduction, I teach drawing and printmaking at GVSU. In other words, I’m approaching Warhol’s work very much as a studio artist. As a printmaker in particular, I’m predisposed to note the large degree (great extent?) to which the innate characteristics of the medium – in this case screen-printing - enable and inform the meaning of Warhol’s work. At the outset of each printmaking course I teach at Grand Valley, I provide students a brief overview of the social history of the print; I divulge its rich heritage in the service of dispensing and preserving our (collected cultural discourse, from…) verbal and pictorial languages, knowledge and history, cultural discourse, from ancient scripture to textile design to political critique. In addition I cite the formal qualities specific to the print – multiplicity, mutability, and its recombinant capabilities. I open with this background as a means of framing the work students will produce in the course. I’d like to provide a similar overview here, as a means of framing the work of Warhol, which is so richly…

    • 2586 Words
    • 11 Pages
    Better Essays
  • Good Essays

    Murals by Jackson Pollock

    • 537 Words
    • 2 Pages

    As I rose up along traffic and over a view of LA, ascending up to the Getty Museum, which I had never been to - knew it was going to be exciting to discover an eclectic of different artworks and which one would compel me to pick and analyze for this assignment. When the doors of the Getty's subway-like transportation opened there was a sign stating they had a Jackson Pollock exhibit. Feeling comfortable with Pollock's work I took it as a metaphoric sign that I should definitely head over there early on to see if it was something worth writing about. Being in front of Jackson Pollock's 8' x 20' painting " Mural " located in the West Pavilion, Plaza Level, Getty Center was memorizing. Mural was made in 1943 when Pollock used Oil and casein on canvas. My expectations of the museum being big we're blown away seeing the place was actually gigantic and made this visit a lot of fun and ultimately educational.…

    • 537 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Art Appreciation

    • 718 Words
    • 3 Pages

    The painting Going Home is a two dimensional space. When looking at Jacob Lawrence’s painting, it is easy to see everything all at once. There is no available space. He used very bold colors that stood out. This painting can also be categorized…

    • 718 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Artist: Damien Hirst

    • 6033 Words
    • 25 Pages

    Damien Steven Hirst[1] (born 7 June 1965) is an English artist, entrepreneur and art collector. He is the most prominent[2] member of the group known as the Young British Artists (or YBAs), who dominated the art scene in Britain during the 1990s.[3] He is internationally renowned,[4] and is reportedly Britain's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List.[5][6] During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to a head in 2003 and the relationship ended.[7]…

    • 6033 Words
    • 25 Pages
    Good Essays
  • Good Essays

    The symbols:He has used a variety of line, round and curvy in some areas but straight in others. I think he has done this to make the place seem more realistic because if he had just used straight or curvy lines then it wouldn't seem realistic. In the painting there are 9 or more nudes, some on the rug, the sculptures, and the person on the bed, the sketches and a few more. This might show that this is one of the main topics he paints. The sculpture in the picture symbolises that Brett didn't just do paintings but also drew sketches, as shown in the painting from the sketch book leaning on the chair, and sculptures from the 2 sculptures in the painting. In the artwork the colours used are bright, vibrant colours like dark blue, yellow, red, white and yellow. The dark blue and the yellow might symbolise the beach-blue for water and yellow for sand. The yellow could also stand for happiness. The red could mean love or romance and because there is a female figure on the bed maybe it is directed at her. In this case the white is representing the light coming from the roof light. It is also used for the sketch books paper, the scrolls on the wall and the paper he is painting on. The hanging scrolls are painted on the back wall. There is a contrast between the white scrolls and the blue wall. This make the scrolls stand out more. The scrolls are a symbol of Japanese and Chinese art. The windows in the painting overlook Sydney harbour and we know this because Sydney Harbour Bridge is noticeable. If he hadn't used the harbour bridge then we wouldn't have know where he was painting or that he was painting at his apartment. The chair in the painting is also the chair from his studio. This also symbolises that he is painting in his apartment. The chair is stationed by its self on the rug. Because it is in the middle of the room this might symbolise its importance and that its just not any ordinary chair.…

    • 1039 Words
    • 3 Pages
    Good Essays