Fernando Botero Essay Example
Botero, Fernando (1932- ), Colombian painter and sculptor who is noted for the round, slightly comic figures that began to appear in his works during the 1960s.
Born in Medellín, Colombia, Botero attended a school for matadors from 1944 to 1946. He first exhibited his paintings in 1948 in Medellín with other artists from the region. At that time he was influenced by the work of Mexican artists Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco. After working briefly as a theater set designer, he moved in 1951 to Bogotá, Colombia's capital. His paintings of this period show the influences of French painter Paul Gauguin and of early work by Spanish artist Pablo Picasso. In 1952 Botero began studies at the Academy of San Fernando in Madrid, Spain, visiting the Prado Museum daily. He went to Paris in 1953, studying the old masters in the Louvre Museum. Later that year, he traveled to Florence, Italy, where he studied such Italian masters as Giotto and Piero della Francesca.
Botero first visited the United States in 1957, buying a studio in New York City in 1960. A number of the works he executed from 1959 to 1961 show the influence of the New York abstract expressionism movement in their visible brushwork. After this long period of development, the painting style he is best known for emerged around 1964. It is characterized by inflated, rounded forms, painted with smooth, almost invisible brushstrokes, and typically depicting human figures, as in The Presidential Family (1967, Museum of Modern Art, New York City). In its composition, this work was influenced by the official portraits of monarchs and members of the royal family painted by Spanish artists Francisco de Goya and Diego Velázquez. Throughout his career Botero has looked to the work of past masters, often quoting aspects of their works, but exaggerating the proportions to fit his own humorous and voluptuous style.
Although he continued to paint, Botero moved his studio from New York City to
Born in Medellín, Colombia, Botero attended a school for matadors from 1944 to 1946. He first exhibited his paintings in 1948 in Medellín with other artists from the region. At that time he was influenced by the work of Mexican artists Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco. After working briefly as a theater set designer, he moved in 1951 to Bogotá, Colombia's capital. His paintings of this period show the influences of French painter Paul Gauguin and of early work by Spanish artist Pablo Picasso. In 1952 Botero began studies at the Academy of San Fernando in Madrid, Spain, visiting the Prado Museum daily. He went to Paris in 1953, studying the old masters in the Louvre Museum. Later that year, he traveled to Florence, Italy, where he studied such Italian masters as Giotto and Piero della Francesca.
Botero first visited the United States in 1957, buying a studio in New York City in 1960. A number of the works he executed from 1959 to 1961 show the influence of the New York abstract expressionism movement in their visible brushwork. After this long period of development, the painting style he is best known for emerged around 1964. It is characterized by inflated, rounded forms, painted with smooth, almost invisible brushstrokes, and typically depicting human figures, as in The Presidential Family (1967, Museum of Modern Art, New York City). In its composition, this work was influenced by the official portraits of monarchs and members of the royal family painted by Spanish artists Francisco de Goya and Diego Velázquez. Throughout his career Botero has looked to the work of past masters, often quoting aspects of their works, but exaggerating the proportions to fit his own humorous and voluptuous style.
Although he continued to paint, Botero moved his studio from New York City to