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Maggie is the very shy and polite one out of her and Dee. Maggie was the character that lived with mama, during the story it says that Maggie was burned in a house fire. This character is a character that would just blend into the background because of how shy she was, she wouldn’t talk to much; so she would rather just blend in with the surroundings. Maggie was a foil character because her and mama didn't change nothing throughout the six years that passed, while Dee did change a lot; throughout those six years. Maggie is a good hearted kid, she would rather let Dee have the quilts that were promised to her, instead of fighting over them.…
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When mama had her last straw she stood up to Dee about the quilts. Dee was ungrateful and a spoiled child that didn’t care about anyone but herself. Maggie was use to Dee getting her way. Mama realized that Maggie deserved the quilts and she stood up to Dee and gave them to Maggie. At that point mama had made a positive change by putting Dee in her place and taking up for Maggie who was so sweet and innocent her being a honest person and staying true to herself showed mama she deserved better.…
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Gloria Naylor writes of a community that is endowed with southern traditions and values that makes it hard to believe that she was born in New York and attended colleges in the North, Brooklyn College and Yale University, without mention of any southern connection when she wrote the novel Mama Day in 1993. The fluency of her pen gives a voice in southern literature through her love of land for Willow Springs, violence and turmoil in history of descendants, and race relationships throughout the community. A brilliantly written story of a distinctively feminine nature, Webster’s Ninth New Collegiate Dictionary, 1985, p. 342), who is the matriarch of Willow Springs for its people and the survivor of an uncharted community that holds claim to a…
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The central idea in this story seems to be the mother’s search of an understanding of her daughter’s personality and outlook on life. The majority of the story is the mother trying to depict reasons for why her daughter is the way she is, so delicate, reserved, needless, and even unhappy at times. She seems to also defend her parenting choices by making excuses or blaming the urges of others in order to not have all the blame on her. She speaks about how she had no other option but to put her in the care of someone else at the age of two, even though she knew the teacher was “evil” (Pg. 925). “It was the only place there was…the only way I could hold a job” (pg. 925).…
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Mama describes herself by saying, “In real life I am a large, big-boned woman with rough, man-working hands.” She is a hard working woman taking care of both her daughters. She was not well educated. Mama explains her educational background saying, “I never had an education myself. After second grade the school was closed down. Don’t ask me why: in 1927 colored asked fewer questions than they do now.” Mama did not have the privilege to an education like Dee because of racial differences in the past. She also knows the true meaning of her heritage and would not allow Dee to take the quilts. Mama understands that her heritage is not dead and is forever living and asks her daughter, “What would you do with them?” Mama knew that Dee would treat the quilts as if it was something to preserve. Mama describes Maggie’s shyness and lack of confidence by stating, “Have you ever seen a lame animal, perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him? That is the way my Maggie walks. She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground.” The house fire has impacted Maggie’s life tremendously compared to her sister Dee. She is kind- hearted and is usually over looked as described…
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She thinks to herself, “I didn’t want to bring up how I has offered Dee (Wangero) a quilt when she went away to college. Then she had told me they were old-fashioned, out of style”(320). The mother is in disbelief at Dee, who only wants to use her heritage as something for show and tell. Those same blankets she had once refused she now wanted because they fit her own aesthetic, and not at all for the value and meaning behind those quilts. The mother then decides to do something unheard of and, “hugged Maggie to me, then dragged her on into the room, snactched the quilts out of Miss Wangero’s hands and dumped them into Maggie’s lap”(321). The mom has chosen her true heritage over the false, glamorized one that her eldest daughter has decided to create. She gives the quilts to Maggie because in her heart she knows that Miss Wangero does not deserve them, that Maggie can truly appreciate them and know who she is and where she’s come…
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The story starts shifting when Dee tells her mother she has changed her name. Near the end, the mother realized that Dee is a fantasy child who is still frivolously careless of other peoples’ lives. (Baker, Pierce-Baker). Mama finally gains increasing emotional distance from Dee and is ultimately able to tell her “no.” (Hirsch). Mama snatches the quilts from Dee and gives them to Maggie, which makes Maggie smile sincerely. Mama knows that Maggie will truly appreciate and use the quilts instead of hanging them as a wall mounting as a symbol of a “simple upbringing”. Mama realizes that Maggie has had a better understanding of the meaning of heritage from the very…
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Mrs. Johnson’s older daughter, Dee, is a self-centered woman who believes she is superior to her mother and sister. Growing up, the older daughter was the only educated woman in the house. Being educated, she often read stories to her two relatives without pity. Dee’s mother described her daughter as a pretty individual with a full figure and nice hair. Knowing that her mother bragged about her compared to Maggie, Dee talked down to her mother and sister. The arrogant woman resented her family and the house that they were raised in, until the church and her mother raised enough money for her to attend school.…
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I’m an African-American woman, I grew up in the rural South, the characters of Mama, Dee, and Maggie remind me of my mother, my sisters, and I. The three of us look alike, share some DNA, and have spent most of our lives together, but other than that, we have nothing in common. While it would be expected for three closely related women to have much in common, Mama, Dee, and Maggie each have a very different life story, perspective on life, and concept of history. Walker informs mothers and daughters that bonding between family members is important by her endearing tone, the symbol of the quilt and the relationship between mothers and daughters.…
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As the story begins, Maggie and her mother are extremely proud of who they are and where they come from. Dee, on the other hand, seems somewhat embarrassed to have the background of an African American. Maggie’s mother refers to her as “a large, big boned woman with rough,…
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The mother is the narrator of the story and she shows the audience their differences. She also seems to be jealous of Dee in multiple ways. The mother describes herself to be “a large big-boned woman with rough, man-working hands” (Everyday Use. 256). Both girls are beautiful in their own way, but Maggie is jealous of Dee’s beauty and it seems as if Maggie is ashamed of the way she looks also due to her scars. Maggie and Dee have completely different physical appearances than each other. Maggie has a thin body figure, and…
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Mama tells of how she never had an education. The school she attended in the second grade closed down. She and her church raised money to send Dee to school. Instead of showing her mother appreciation for the sacrifices she made to ensure she got an education she often made her mother feel ignorant. Dee went off to school with a thirst for knowledge and led a very different life than Mama and Maggie. This lack of understanding led to Mama feeling intimidated and rejected by Dee.…
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The mother is the narrator of the story and she shows the audience their differences. The mother describes herself to be “a large big-boned woman with rough, man-working hands” (pg.65). Both girls are beautiful in their own way. Maggie is jealous of Wanergo’s beauty and it seems as if Maggie is ashamed of the way she looks. Mama then goes on to say that, “she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eyeing her sister with a mixture of envy and awe” (pg.64). Mama then compares Wanergo’s beauty to Maggie’s looks, she says, “Dee (Wanergo) is lighter than Maggie, with nicer hair and a fuller figure” (pg.65). In the story, Mama and Maggie are waiting at home for a visit from Wanergo, Mama explains Maggie as being nervous while her sister is around. The difference in the way Maggie and Wanergo look plays a large…
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The story ends with the question “What the hell happened to Maggie?” Maggie, the mute kitchen girl at the orphanage where the two girls where raised, is a reoccurring issue that continues to haunt their adult lives. The woman who foreshadowed all of the problems in Twyla’s life, the woman whose bowed body and strange hat were the long-time vessel of Twyla and Roberta’s arguments, became what Twyla was both afraid of and mourning about. The issue of what happened to Maggie seems to be both literal and figurative, and though non-conclusive, is somehow vital to the story. At certain points, it seems that both Roberta and Twyla use Maggie to defend their own views regarding race. Twyla, regardless if she is black or white, maintains that she was innocent and that the older girls where to blame. Perhaps the older girls are a metaphor for society. This might be a metaphor of how one thinks that they are not to blame, that the rest of society is the one to blame. It was Maggie’s disability that caused such a resonance in the minds of these little girls; and which caused her persecution to begin with. This woman’s life and death were the opening and closing of Twyla’s eyes to the world of disability beyond race and even beyond body, it just took three decades for her to realize…
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Alice Walker makes a skilled showing with obscuring the contrast between the generalizations of provincial dark American ladies with the substances that make up their lives. To the easygoing viewer, Mom's old residence looks decrepit: a generalization of the humble existences of poor dark subsistence ranchers of the Old South. Mother's yard is in any case clean and she discovers her homestead and unwinding. In spite of the fact that Mother's eldest girl Dee and her "companion" Hakim-a-stylist will look down in transit she lives, her world is her own and she is glad for what she has fulfilled. Telling the story in first individual permits the peruser to get inside Mother's point of view without judgment. As Mom clarifies her circumstance in…
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