Women on the Verge of a Nervous Breakdown

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La película de Pedro Almodóvar Mujeres al borde de un ataque de nervios nos enseña un perspectiva inversa sobre el carácter del hombre y la mujer. Esta película carece del los hombres masculinos tradicionales y nos ilustra que las mujeres ya no son el sexo débil. A pesar del título, las mujeres en esta película son retratadas como personajes fuertes e independientes y los hombres son retratados como los personajes débiles que son responsables por las desgracias de las mujeres.
La razón principal por el hecho de que las mujeres están a punto de sufrir de un ataque de nervios es que los hombres en las vidas de ellas son débiles e inútiles. Iván es un cobarde, quien está demasiado atemorizado de confrontar a Pepa y por esa razón no va al departamento de Pepa para colectar sus valija llena de su pertenecías. El no tiene las agallas para decirle a Pepa que la va dejar y se va ir de viaje con otra mujer. Igualmente, no tuvo las agallas de decirle que él tenía un hijo con su primera esposa. Lo más fácil para Iván es evitar a Pepa y esconderse para poder deshacerse de sus responsabilidades no solo con ella pero también con su hijo Carlos. Su cobardía e irresponsabilidad son demostradas en su facilidad de dejar sus problemas y responsabilidades atrás sin preocupación. Es más, durante la mayoría de la película él esta ausenta y parece ser un fantasma. El carácter y las acciones cobardes de Iván no son típicos de un hombre tradicional, el cual tomaría responsabilidad por sus acciones y por lo seguro no se escondería de una mujer.
Pepa, la protagonista de esta película, al principio representa la imagen de la mujer clásica que es muy emocional. El carácter de Pepa y sus acciones de quemar la cama y romper la conexión del teléfono son instigados por el furor que siente por Iván. Aunque sus acciones iníciales son típicas de una mujer débil y emocional pronto descubrimos que todo cambia a lo contrario y ella termina transformándose en una mujer sorprendentemente

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