At no point in this book is there any kind of narration except first-person, allowing you to see Leonard’s sarcastic, brash, hypocritical, sometimes downright sexist, and uncensored view of the world at all times. This point of view, ironically, makes it possible to see how important life is to Leonard. To him, life is confusing because no adult that he has ever followed on the train appeared happy (45), yet he cares about the lives of the recipients of his gifts enough that he tries to make his suicide more bearable for them (5). Leonard, however, doesn't tell you why these particular people mean so much to him until later in the
At no point in this book is there any kind of narration except first-person, allowing you to see Leonard’s sarcastic, brash, hypocritical, sometimes downright sexist, and uncensored view of the world at all times. This point of view, ironically, makes it possible to see how important life is to Leonard. To him, life is confusing because no adult that he has ever followed on the train appeared happy (45), yet he cares about the lives of the recipients of his gifts enough that he tries to make his suicide more bearable for them (5). Leonard, however, doesn't tell you why these particular people mean so much to him until later in the