Such is the subtitle that accompanies Mary Shelley’s classic, Frankenstein. We’ve all heard of the famous monster created by Dr. Victor Frankenstein. But, not many know why the story is subtitled, “Or, The Modern Prometheus”. In fact, many may not even make the connection to the story of the ancient Greek god who brought fire to humans, his own creation, and was eternally punished for it. However, rhetorical analysis reveals quite a few similarities between the characters, and proves Shelley’s subtitle to be accurate. Both stories deal with topics of overstepping limits, harsh consequences, and lessons learned, which contribute to the overall theme…
Frankenstein and Prometheus don’t even tell the same story. They both have unique characters, and the setting is totally different. Despite the differences, I saw many similarities in the themes, plot and characters of the movie. Many of the characters have similar character traits to those of Victor Frankenstein and the Creation.…
If everyone’s life is a story, Mary Shelley’s is a best selling novel, literally. However, the horror aspect is not what draws readers in, but the timeless relatability and insight into the scientific world. The most captivating part is knowing that the novel is based off the author's tragic life. Mary Shelley uses her own hardships, fears, insights, perspectives and passions to form the basis of Frankenstein and construct the characters of Victor and his monster.…
Both texts are eponymous, and in their titles, or subtitle, reveal the fate of the protagonist, suggesting almost immediately the dangers of aspiring beyond our limitations. The intertextual subtitle of Frankenstein - ‘The Modern Prometheus’ foreshadows Victor Frankenstein (VF) by doom; this reference is mirrored throughout the text, the more VF transgresses the norms of science which leads to his inevitable fall from grace as he is plunged into lunacy. This allusion to Paradise Lost within the epigraph suggests that the novels motif…
Shelley heeds the destructive thirst for knowledge in the pursuit of superiority, foreshadowing the moral ramifications as a result of this unnatural intervention and disruption of both the physical nature and the innate spiritual self. The Promethean ambition possessed by man ultimately leads to loss of the essence of humanity in an attempt to usurp the natural order of the world. The connotation of the subtitle, “Modern Prometheus” foreshadows the heavenly retribution and consequences Victor Frankenstein has wrought upon himself in his obsessive quest for knowledge and power. His God-like transgression against nature through his ‘ardent desire for acquisition for knowledge’ unleashes a cycle of tragedy leading ultimately to his mortal downfall of mental and emotional instability. Shelley furthermore emphasises the cruelty of mankind when conscience and moral responsibility are abandoned through the symbolic creation of the Monster as the very condemnation of unchecked industrialized ‘progress’. The juxtaposition of the classical Promethean myth with the dystopic realm Victor Frankenstein has created is highlighted through the rejection of the Monster as ‘breathless horror and disgust filled [his] heart’, further underlining the moral irresponsibility Frankenstein has shown towards his…
Mary Shelley’s novel is also reference to as the “Modern Prometheus”. Similarly, Prometheus and Victor Frankenstein both attempted to create something to benefit humanity; however,…
The story of the Prometheus is about a titan, a large and godly being, who created man through clay and water. Prometheus taught man the essentials to living and cared for them as their creator. However, he managed to trick Zeus by having him accept the humans ' low-quality sacrificial goods. Zeus 's response was the confiscation of fire from mankind; Prometheus, being the caring creator, stole fire from Zeus and gave them to the humans. Zeus sentences Prometheus eternal torment; His punishment is to have his liver eaten every day by an eagle, only to have it regrow and consumed again because of his immortality. Prometheus became a figure of anyone who sought to improve humanity through the means of scientific knowledge, but suffers from the risk that follows because of his well-known tragedy. Victor Frankenstein, the protagonist of Mary Shelley 's Frankenstein, becomes the modern Prometheus since his tragedy is parallel to Prometheus ' story. Victor Frankenstein created man, something no other human could possibly fathom. This act reflects that of Prometheus since he,…
Mary Shelly’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.…
The novel Frankenstein is also called the modern Prometheus. The reason why the novels subtitle is called the modern Prometheus is because in Greek mythology, Prometheus was the titan who stole fire from god and gave it to man. Victor stole the secret of creation of life from god in a way because he created a being in the likeness of a man. He stole this ‘fire’ or power and bought it to man just like Prometheus did.…
The 1818 Gothic novel ‘The Modern Prometheus’ or more famously renowned as ‘Frankenstein’ was written by the British novelist, Mary Shelly (born Mary Wollstonecraft Godwin), on the 30th August 1797. Her parents were political philosopher, William Godwin and feminist, Mary Wollstonecraft. Mary’s mother died 11 days after her birth which left her father in charge of her upbringing for the next four years until he remarried his neighbour, Mary Jane Clairmont. In 1814 Mary had fallen in love with the married Percy Bysshe Shelly, one of her father’s political followers, and together with Mary's stepsister, Claire Clairmont, they left for France and travelled through Europe. Their return to England brought with it the pregnancy of Mary and Shelly’s child and two years of hardship as they had to deal with ostracism, constant debt, and the death of their prematurely born daughter. The suicidal death of Percy’s wife allowed the couple to marry in 1816. The couple famously spent that summer with Lord Byron, John William Polidori, and Claire Clairmont near Geneva, Switzerland, where Mary conceived the idea for her novel ‘Frankenstein’. Mary’s second and third child died before she gave birth to her last and only surviving child in 1819. In 1822 her husband also died when his boat was struck during a storm. Mary returned to Britain a year later upon which she devoted herself to the upbringing of her son and being a professional author. On 1st February 1851, at the age of 53, Mary died from Brain tumour.…
Cited: Bloom, H. “Frankenstein: or, The New Prometheus.” EXPLORING Novels. 2003. Gale Group Databases. Northwest High School Library, OH. 28 November 2007 .…
The gothic genre has many defining qualities and features, and as a gothic novel, Frankenstein (or the Modern Prometheus) exhibits some of these traits. However, due to the time period in which it was written by Mary Shelley there are also many features of Romanticism apparent in the novel, such as the emphasis on the beauty and restorative powers of nature in chapters 8 and 9. Therefore it is questionable which aspects of the Gothic genre are to be found within Frankenstein.…
The romantic writer Mary Shelley published Frankenstein, in 1818. Her novel encompasses sympathy between a tragic science creation of a monster and his creator, Victor Frankenstein. Frankenstein is written in two parts, first from the narration of Frankenstein himself, then from the view of the monster, which allows in depth analysis of the characters feelings. Shelly uses sympathy and beauty to illustrate the dynamic relationship between Frankenstein and his creation.…
Mary Wollstonecraft Godwin Shelley's Frankenstein is a novel that was published in 1831. The story seems to center around Victor Frankenstein. As a reader, however, one does not appreciate the creature's perspective until the climax of the book. The monster is abandoned by his creator and is left to fend for himself in world that does not understand him. This paper will focus solely on the opposing side of the story. The creature's path is examined from his creation, outcast, learning process, voyage to locate Victor, request for a mate, and the subsequent revenge against Victor for not upholding his promise.…
When Mary Shelly wrote her 1818 classic Frankenstein, she subtitled it “The Modern Prometheus.” She compared the character of Dr. Victor Frankenstein a highly intelligent scientist to the Greek Titan Prometheus the wisest of the Titans. There are numerous parallels between Dr. Frankenstein and Prometheus which could be the reason why Mary Shelly subtitled her novel “The Modern Prometheus”. Dr. Frankenstein and Prometheus both create a male human being, they both sought glory from their creations, and they were both very intelligent beings. In view of these attributes Mary Shelly used to create character Dr. Victor Frankenstein it is obvious to see why she would subtitle her novel “The modern Prometheus.”…