One of these techniques is known as free and indirect discourse. As noted by Christopher Taylor in his article “Inescapably Propaganda”, “Sinclair uses free indirect discourse in two ways. In many instances, the narrator paraphrases information accredited to a character but does so while maintaining an ironic distance from the character’s ideas” (Taylor 173). In using this technique, the narrator speaks for Jurgis, declaring, “All that a mere man could do . . . was to take a thing like this [the slaughterhouse] as he found it, and do as he was told; to be given a place in it and share in its wonderful activities was a blessing to be grateful for” (Sinclair 40–41). Free and indirect discourse such as this gives the reader a much larger understanding about particular issues than if they were to be explained by the novel’s
One of these techniques is known as free and indirect discourse. As noted by Christopher Taylor in his article “Inescapably Propaganda”, “Sinclair uses free indirect discourse in two ways. In many instances, the narrator paraphrases information accredited to a character but does so while maintaining an ironic distance from the character’s ideas” (Taylor 173). In using this technique, the narrator speaks for Jurgis, declaring, “All that a mere man could do . . . was to take a thing like this [the slaughterhouse] as he found it, and do as he was told; to be given a place in it and share in its wonderful activities was a blessing to be grateful for” (Sinclair 40–41). Free and indirect discourse such as this gives the reader a much larger understanding about particular issues than if they were to be explained by the novel’s