In the Parlor scene from Hitchcock’s Psycho, where Marion and Norman are talking during her first and last night at the hotel, the mise-en-scene expresses the true nature and, to a certain extent, the intentions of both characters. The illumination in this scene adds to the movies suspense and significance, the props foreshadow what’s to come, as well as what is said by Norman. This scene is where the viewers are introduced to Norman Bates and his strange life, and allowing them realize that there’s something not right about him.…
Considering the differences in a film shot in 2960 to one shot in 2001, the earlier movie had less technology. There were more camera angles in the movie. In The Shower- Psycho (5/12) Movie CLIP (1960) HD, classical editing style is used in making sure the shot is covered from numerous angles (Goodykoontz, & Jacobs, 2011a, Sec. 5.4; para. 7). You can tell where there was editing and two different shots were put together. The movie relied heavily on sound effects and camera angles. This scene follows the continuity editing style and of that established shots, as described by Goodykoonts and Jacobs (2011), “an established shot is a shot in a scene that sets up, or establishes, where a scene is taking place and who is in it, usually done in a longshot, possibly with some camera moves” (Sec. 5.4; para. 7). Hitchcock uses extreme clos-up shots with medium shots; he describes his technique as “transferring the menace from the screen into the mind of the audience” (Schickel, 2001, p. 293). A direct cut by the editor was used between shots. For example, it shows Marion in the show, then cuts to a shot of just the faucet flowing. The continuity of editing and the quick transitions between scenes causes suspense in the viewer. This method worked for the movie, especially because the viewer never saw the knife enter the skin, only blood flowing down the drain. Movies now are more graphic, and that is what people expect. There is so much more technology and special effects when it comes to a horror film.…
The only sound playing is the rapid flapping of the soft black feathers. It feels as though it will never cease. All that is shown is a black, shiny wall of furious birds. It traps viewers and develops a feeling of helplessness. They feel as though they are suffocating from torn feathers cluttering their airways even though their rational side tells them none of it’s real. This is what audience members of the movie, “The Birds”, reported feeling during the immersive experience. Some felt so claustrophobic that they had panic attacks. Cinema: the art of tapping in to an audience’s deepest emotions and using it to provoke a specific sensation. Few are able to master this fine art, however, “The Birds” by Hitchcock is a perfect example of a…
For example, when Hooper started to approach the boat. The music got more intense and right when a human head pops out from the hole in the boat the music stops and it makes it very climatic because you were expecting the shark to come and attack him but instead a scary head pops out from the hole in the boat. Spielberg makes you think that the shark is going to attack Hooper because Hooper finds a huge shark tooth in the side of the boat. So when the music stops and the head pops out it is very surprising and scary.…
According to The Film Experience " … a film bears the creative imprint of one individual, usually the director …" and that it " … is taken to reveal the personality of its director …" such that the director is referred to as an auteur (p. 464). Certain decisions made by the director Alfred Hitchcock to employ similar idealistic themes throughout the movies Psycho, The Birds and Rear Window let him express his creative style. Voyeurism is undoubtedly the most recognizable feature in Hitchcock’s movies, similarly addressed in each movie in the form of an assault, where the audience’s dimension of voyeurism feels somewhat compromised as the characters of each movie are poetically punished for their voyeurism following an eloquent, skin crawling suspense, causing both the audience and characters to reflect and question the voyeurism we are somewhat predetermined to do.…
Hitchcock is leaving you with your own imagination. When the camera track’s back, you imagine what is going on behind the windows…
The Life of Alfred Hitchcock "Always make the audience suffer as much as possible". Alfred Hitchcock. Alfred Hitchcock was one of the first celebrity director. Alfred Joseph Hitchcock was born on August 13, 1899 in Heytonstone, England. His early life could be compared to a Charles Dickens novel full of hard work.…
For this essay I will be focusing on the scene in which Melanie is heading to the school to see Annie when they are suddenly attacked by numerous birds while trying to get the school children to safety. I will be focusing on the two micro features, sound and cinematography. The sound that is used in a film can be used to deliver information about what the atmosphere of the scene is or what a character’s state of mind is during the specific scene while cinematography supplies the audience with appropriate ways to ‘read’ the specific scene.…
Renowned as ‘the master of suspense’ Hitchcock achieves tension and suspense by taking innocent, ordinary characters and placing them in a situation beyond their control where a vulnerable victim is murdered. The combination of thriller with crime is illustrated through the use of several cinematic devices such as sound and lighting. Throughout the final scenes where Jefferies is confronted by Thorwald, the re-curing flash of the camera light bulb which dissolves into complete darkness heightens suspense and the anticipated thrill within Hitchcock’s respective audience, reflecting his subtle subversion of the genre to suit his purpose. The juxtaposition of silence and urgent whispering with the digetic booming sounds of Thorwald’s menacing footsteps forebodes the characterisation employed by Hitchcock to enable the establishment of a villain detective reflecting how the text engages with crime and its associated social and moral…
The first time a saw the movie I really didn’t see the voyeurism of the film, mostly because it was in my high school humanities class and was told to figure out the story behind the thriller. The teacher told us to find out the mystery of Mr. Thorwald. But after refreshing myself of the movie a noticed that Hitchcock was a very smart, nosy man, just like the rest of society. I pictured Hitchcock in the wheelchair watching all those people out of his window, and then myself and came to realize that anyone would watch if it were open to you. This led me to recognize that the movie, behind the crime investigation, was all about voyeurism and how people love to see without being seen. I watched it with my brother, who is a film major at UCF, and he too thought the same thing. We discussed the movie afterwards and he came to appreciate the movie for being shot in one area.…
As the movie shown Norman’s psychotic mind, we but give great evidence of how the environment had influence on him. With the comparison of other character’s personalities, audiences are actually persuaded back to see the similarity of his mind to normal people’s. Traps are also discussed in this significant dialogue, to show his logical thinking of his situation. As scenes of logics shown from Norman comes up one by one, Norman’s rational process of thinking give as a big question ‘Is he really a Psycho or just the smartest…
For it being made in 1960, this film is edited very well. There is perfect transitions into the story and what is going on. It definitely draws you in, whether you like classic movies or not. The editing goes at a slower pace and then builds up as the stabbing starts to happen. The editing creates super suspense. The shot being utilized in this scene is the direct cut. The editing in this clip is quite good. The editing builds up the suspense of the scene just right. The editing creates an illusion in this scene that makes you feel like you are there so you do not fully notice that you are not seeing any nudity or the knife actually stabbing the body. “It is deservedly one of the most…
In another scene where Lang uses off-screen sound and precision silence effectively with the killer’s whistling motif, the killer is standing outside a storefront on a busy day and the street rumblings of the city can be heard off-screen. The sounds are loud and hectic, until the killer focuses on the reflection of a little girl in the shop window, then all the loud sounds come to a halt and the film makes you focus on his urges in dead silence, making the scene leave a lasting imprint by witnessing him fall apart just at the sight of a little girl.…
The way films are created and pieced together has progressed greatly over the past century, where before 1910 there was little use of film techniques such as special effects, animation, complex transition sequences and many more. However the introduction of film techniques have helped films gain a sense of genre and establishment as they were used to create specific intensities set out by the director; this is where roles corresponding to certain areas were introduced such as cinematographers, production designers and lighting directors. A classic example of a well-known director would be Alfred Hitchcock (1899 – 1980) who is famous for creating suspense films like The Birds or Psycho. I am mentioning him as he had revolutionised the way films…
Its director managed to apply the low budget and brilliant cast and create one of the best works of American cinematography. The most essential thing in this film is not its terrifying effect but the thought which it provokes. It does not resemble thousands of other horror movies because of its ability to render the particular idea to the viewer. Despite the fact that John Carpenter portrays the deeds of the psycho, they still have the hidden truth. With the help of this movie, the director has manifested his viewpoint on life, its laws, and possible aftermath. This movie was his inner response towards the sexual revolution and debauchery, which dominated over human moral dignity and ethics in the 1980s. The director showed that human actions have consequences and that people have to take this fact into account. People’s life is in their hands, and each individual is responsible for the aftermath of his or her…