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Topics: Folk music, Philippines, Classical music Pages: 11 (2913 words) Published: June 23, 2013
Cordillera’s Music
The music of the Cordillera region of the Philippines is similar to the music of continental Southeast Asia. It has rhythmic, speech-like enunciation. Genres include epics. Musical instruments in the region include graduated flat gongs, nose flutes, bamboo buzzers, clappers, quill-shaped percussion tubes and bamboo jew's harps. Leader-chorus singing is common.

‘Hudhud ni Aliguyon’ :

In the mountainous regions of Northern Luzon, a hudhud is a long tale sung during special occasions. This particular long tale is sung during harvest. A favorite topic of the hudhud is a folk hero named Aliguyon, a brave warrior.|

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Once upon a time, in a village called Hannanga, a boy was born to the couple named Amtalao and Dumulao. He was called Aliguyon. He was an intelligent, eager young man who wanted to learn many things, and indeed, he learned many useful things, from the stories and teachings of his father. He learned how to fight well and chant a few magic spells. Even as a child, he was a leader, for the other children of his village looked up to him with awe.|

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Upon leaving childhood, Aliguyon betook himself to gather forces to fight against his father’s enemy, who was Pangaiwan of the village of Daligdigan. But his challenge was not answered personally by Pangaiwan. Instead, he faced Pangaiwan’s fierce son, Pumbakhayon. Pumbakhayon was just as skilled in the arts of war and magic as Aliguyon. The two of them battled each other for three years, and neither of them showed signs of defeat.|

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Their battle was a tedious one, and it has been said that they both used only one spear! Aliguyon had thrown a spear to his opponent at the start of their match, but the fair Pumbakhayon had caught it deftly with one hand. And then Pumbakhayon threw the spear back to Aliguyon, who picked it just as neatly from the air.|

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At length Aliguyon and Pumbakhayon came to respect each other, and then eventually they came to admire each other’s talents. Their fighting stopped suddenly. Between the two of them they drafted a peace treaty between Hannanga and Daligdigan, which their peoples readily agreed to. It was fine to behold two majestic warriors finally side by side.|

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Aliguyon and Pumbakhayon became good friends, as peace between their villages flourished. When the time came for Aliguyon to choose a mate, he chose Pumbakhayon’s youngest sister, Bugan, who was little more than a baby. He took Bugan into his household and cared for her until she grew to be most beautiful. Pumbakhayon, in his turn, took for his wife Aliguyon’s younger sister, Aginaya. The two couples became wealthy and respected in all of Ifugao.|

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Musical Forms of Luzon
-Music of the lowlands of Luzon1 devotional and prayer
music of the Lowland Folk Villages
The Way of the Fiesta
The music of the so-called Hispanized lowland Christian, and village peoples of Luzon, Visayas, Mindoro, and Palawan. Their culture is essentially Southeast Asian, fused with a strong animistic core, though with elements of Latin culture (Mexican, Italian or Hispanic). The lowland folk are composed mostly of farmers, fishermen, artisans, vendors and traders, and common folk. They have a deep faith in God, whom they serve with utmost devotion. Their key celebration is the fiesta, which revolves around the Sto. Niño, Virgin Mary, Jesus Christ or a patron saint. The devotional orientation of the lowland folk is a valuable resource for creative yet painstaking and repetitive tasks that require great patience like weaving, embroidery, carving, and metalwork. Their music is often referred to as folk music (ex. pasyon, balitaw, daigon). Some notable examples of Filipino folk music are: Putungan_, a Marinduque traditional ritual for welcoming important guests; _Pamulinawen, a...
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