Vladek In Maus
It doesn't require a psychiatrist to identify in Maus I that Vladek possesses many of the qualities which could be typically used to portray a survivor. Most of which are qualities emblematic not necessarily only of a survivor of the holocaust but a survivor of any great life or death struggle. His words and actions toward Art and especially Mala tacitly reveal a man still deeply impacted by tragic experiences decades later. Through his life story we are able to ascribe Vladek's various tendencies indirectly to his sufferings and survival instinct which he attained during the holocaust. With integrity he carries on with the rest of his life even with the heavy burden of his experiences in Poland and the suicide of his wife. This burden
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Not only does he seem to draw some distinction between the two in the context of money but he also keeps more pictures of Anja on his desk than his current wife and seemingly idealizes his relationship with her in comparison to his marriage to Mala (Spiegelman, 104). Somewhat peculiar because Mala went through the camps as well, he does not seem able to communicate well with her at all, possibly somewhat because his memory of Anja draws a wedge between the two of them. This is evidenced by his admittance to Vladek that he questions why he ever remarried to begin with (127). Perhaps since he went through the most harrowing experiences with Anja and with her experienced the greatest personal losses both of loved ones and property, he is more attuned to considering her to be his true partner. In contrast, he considers Mala to be largely concerned with only his money and devoted only to his pocketbook. His relationship with his son I would stereotype as being one of detachment, possibly lacking in true empathy. Art's life experiences and those of Vladek are not only severely disparate but furthermore estranged because of Art's interpretation of why his father raised him the way he did. Art allows this distance largely because of his inability to communicate the exact reasons that he was so hard on his son. The holocaust certainly made him more frugal, harsher, and more reliant on a strict work ethic. These are the experiences of many holocaust survivors, including
Not only does he seem to draw some distinction between the two in the context of money but he also keeps more pictures of Anja on his desk than his current wife and seemingly idealizes his relationship with her in comparison to his marriage to Mala (Spiegelman, 104). Somewhat peculiar because Mala went through the camps as well, he does not seem able to communicate well with her at all, possibly somewhat because his memory of Anja draws a wedge between the two of them. This is evidenced by his admittance to Vladek that he questions why he ever remarried to begin with (127). Perhaps since he went through the most harrowing experiences with Anja and with her experienced the greatest personal losses both of loved ones and property, he is more attuned to considering her to be his true partner. In contrast, he considers Mala to be largely concerned with only his money and devoted only to his pocketbook. His relationship with his son I would stereotype as being one of detachment, possibly lacking in true empathy. Art's life experiences and those of Vladek are not only severely disparate but furthermore estranged because of Art's interpretation of why his father raised him the way he did. Art allows this distance largely because of his inability to communicate the exact reasons that he was so hard on his son. The holocaust certainly made him more frugal, harsher, and more reliant on a strict work ethic. These are the experiences of many holocaust survivors, including