Variations In C Major On God Save The King Essay

The first song “Variations on God save the King” was composed by Paganini and played by Ruggerio Ricci on the violin did not sound like there was any tonality. I did hear a pattern which means it had a meter. The dynamics was soft because if I remember correctly it means a small amount of instruments or singers. The tone color was a violin and flute. There was a theme since it kept repeating itself. The tempo was Rubato. I can hear a chord that was all I was able to make out. The song is not pleasing to the ears so there was no consonance. I was having a hard time with the texture but I think it was polyphony. The song had low density, and there was no blend. The register was high with a wide range.
For the second song “Variations in C Major on God Save the King” which was played by Cziffra on the piano and composed by Beethoven; I was able to hear the chord starting with the beginning note and ending with the same note, so it sounded like tonality. There was a meter, and the dynamic was piano forte. The tone color was only the piano. The song had theme and variation, and the tempo was rubato. I think there was more than one chord. It was pleasing to the ears so the song had consonance. The texture was monophony. The song had low density, and there was no blend since it was only the piano. The register was
The dynamics was a form of loudness. The tone color was distinguishable between other tones. The song had theme and variation, and the tempo was rubato. It sounded like there was a mixture of many chords. This song was not pleasing to my ears; however, music critics probably say the song was consonance. I think the texture was homophony. The song had a high density, and there was a form of blend. The register was high and low with a wide