To His Coy Mistress Research Paper

Few would argue that on the surface level of Marvel's "To His Coy Mistress" the speaker is a lover advancing a conventional 'carpe diem' line of thought. He systematically reasons with his desired object about the futility of delaying their interlude when the hours available to them are limited, but the lyric may simultaneously function as a metaphor for Marvel's endeavors as a metaphysical poet. Metaphysical writers view poetry as an intellectual exercise, an opportunity to develop ideas in a logical, argumentative structure; for them, the object of poetry is not to serve as an outlet for an effusion of emotional sentiments. If one approaches "To a Coy Mistress" as a discussion of the pressures which time places upon a writer, Marvel's apostrophe
The superficially apparent pleas of a lover seeking a relationship serve as a mirror to Marvel's struggle to conquer his artistic prowess.<br><br>The poem itself contains three distinct components of argumentation, all which occur within a syllogistic framework. The argumentation of each division begins with an acknowledged impossibility, represented by the conditional tenses of "Had we," "But," and "Now, therefore." Marvel comprehends his incapacity to master absolutely the antagonist of time, but in this poem, he achieves a victory through the creation of an interpretation of time unbounded by a linear backdrop. He uses a three tiered progression of argumentation: 1) a reflection of the writing process removed from traditional conceptions of time; 2) discourse on the urgency of creating written material within human time frames; and 3) the presentation of written material as a celebration of life.<br><br>In the first division, Marvel creates a world ideally conducive to his endeavors as a writer by distorting human measurement of time. In the beginning line, the vast and illimitable capacity of the backdrop blurs the relationship of space and