Time Capsule

Topics: Renaissance, Caravaggio, Early modern period Pages: 5 (1385 words) Published: October 12, 2014
Time Capsule: The Renaissance and the Age of Baroque
The European Renaissance was a time of cultural transition in Europe from a society rooted in religious focus and compliance to humanism and artistic expression. Although the majority of Europe remained loyal to the Papacy and Catholicism, the Renaissance brought about scholars that encouraged human artistic expression and self-fulfillment. Prior to the Renaissance, devout Catholics led simple lifestyles, with few amenities or luxuries. They believed worldly pleasures were offensive to God. Renaissance Humanists did not believe this to be true. They encouraged the enjoyment of music and other forms of art, well prepared foods, and the pursuit of a more secular lifestyle (Fiero, 2011). The Age of Baroque, meaning irregular shaped pearl, which took place from 1550 to 1750, was an era filled with much scientific and technological exploration and discovery, as well as a reformation of the Catholic Church (Fiero, 2011). The advent of Protestantism brought about a great deal of religious turmoil throughout Europe, which led to The Catholic Reformation. Throughout history, religion influenced the arts, architecture, and philosophy, but The Age of Baroque brought about more human creativity filled with grandiosity and elaborate design. Time Capsules

Cultural Anthropologists have made many extraordinary discoveries throughout history. Many of these discoveries are emblematic of the contents that might comprise time capsules from various periods of recorded human history. Although various forms of art, philosophy, and literature were produced during each era, there are distinct differences between the ordinary and those that represent or capture the essence of each respective period. With regard to the arts, philosophy, and literature, The Renaissance and The Age of Baroque share similarities, but also exemplify the effects of humanism and how The Humanities influenced change from one period to the next. The Renaissance

Art and architecture. As Italy was the birthplace of the Renaissance, Italian art seems an appropriate choice for Renaissance art to be placed in a time capsule, but Jan van Eyck’s painting “The Virgin of Chancellor Rolin” stands out among Renaissance paintings. The columns in the painting reflect classical influence, while the scenery beyond the columns is indicative of linear perspective painting. It also captures the artist’s reverence for religion without disregarding Chancellor Rolin’s status. Van Eyck also uses detail in the piece to enhance the portrait’s aesthetics. Leonardo Da Vinci’s “Embryo in the Womb” reflects the joining of artistic expression with scientific depiction, which became increasingly relevant during the Renaissance. Music also changed significantly during the Renaissance. It became more secular and geared toward human enjoyment, rather than religion. A very popular type of vernacular song during the sixteenth century was the Madrigal, which was a type of song suited for three to six voices. “Matona mia cara” (“My lady, my beloved”) was a very popular among Madrigals (www.allmusic.com, 2013). Flemish composer, Ronald de Lassus, composed this song at the age of 18, and went on to compose more than 2000 songs, 200 of which were madrigals. Architecture of the Renaissance was nothing short of remarkable. The architects of the era, with their limited resources and capabilities found ways to produce miraculous structures that are difficult to fathom even by today’s standards. Such a design is the dome atop St. Peter’s Basilica, the design of which was initially contrived by Michelangelo Buonaratti. Although he died before the completion of the Church, he is credited with the design. The discovery of such a design in a time capsule would likely be venerated and studied with amazement. Philosophy. Among Renaissance philosophers Francis Bacon, an English philosopher, is one of the most famous of his time. His works as a philosopher in the...

References: Fiero, G. K. (2011). The Humanistic Tradition (6th ed.). New York, NY: McGraw Hill.
Plato.stanford.edu. (2012, December). Stanford Encyclopedia of Philosophy. Retrieved from http://plato.stanford.edu/entries/francis-bacon/
www.allmusic.com. (2013, May). Orlande de Lassus. Retrieved from http://www.allmusic.com/composition/matona-mia-cara-villanelle-for-4-voices-s-x-93-mc0002361487
www.newworldencyclopedia.org. (2013, May). New World Encyclopedia. Retrieved from http://www.newworldencyclopedia.org/entry/Baroque_period
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