Tim Burton Film Analysis

An Avant-Garde Revolution Some conceal their differences while some use their differences to an advantage. From a young age Burton has directed unique films. A great example of this is his 1982 Hansel and Gretel, which aired only once due to the strangeness in its entirety. Burton uses non-diegetic sounds, low key lighting, and long shots in his work to display how one who overcomes his fear of being different has the potential for success. Tim Burton, in Hansel and Gretel, uses non-diegetic sounds to grow an uneasy feeling upon the audience. Throughout the duration of the film, Burton developed an evil presence about the mother. By using childlike instruments to create a whimsical piece, this proposes an opposite feeling of being unsettling. Most of Tim’s films incorporate musical juxtaposition. The effect of the music and the mood helps develop an overall theme. Likewise, in Sweeney Todd Burton expertly includes non-diegetic sound throughout the film. This once again develops a mood. Overall amongst these films, non-diegetic sounds play a critical role in establishing the characters and an opinion.
Tim Burton, in Sweeney Todd, takes advantage to the use of low key lighting in order to give the movie a constant pinch of suspense. Being the psychotic barber Burton convinced the
Whilst the use of lighting was present among this scene, isolation cannot be conquered without distance. In the scene of Jack skimming the cemetery, the audience visually notices isolation and sorrow. Identically, Hansel and Gretel incorporate long shots in the woods scene to show fear within the children after the mother left them. This is important to the film as it can construct a poor connotation of the mother while Burton continues to smother the audience with bright popping colors. In both films, particularly with Hansel and Gretel, Burton is able to fabricate the main