The structure in the poem illustrates the freedom of youth and playfulness. The poem is written in free verse to emphasize the significance of her as being free as she fantasizes about being unstoppable and not being ordinary. In lines 23 and 24, the enjambments are crucial to the whole liberal tone of the poem. Through the rhetorical question, “[c]an it be there was only one summer that I was ten?”…
Distinctive voices can change our perceptions and views towards an individual. This is shown in the novel “Life and Crimes of Harry Lavender” by Marele Day. The novel tells the story of Claudia Valentine, a private female detective and Harry Lavender, a ruthless individual who believes he has power over all of Sydney. The distinctive voices of both Harry and Claudia change our perspective towards the story and characters.…
“Speak” is book about a young girl who loses her voice after being raped and slowly gains it back over time. Laurie Halse Anderson uses an internal voice throughout the book to show the havoc that is attacking Melinda’s mind. This adds to the theme of being outcast and isolated because the she has no one to really talk to.…
A story can exhibit a great deal of information and present the reader with a tale rich in plot and atmosphere. A story can have these and more, but who translates the words on the paper into what becomes the experience of the story abundant with emotion and life? To Thomas Lux the answer would be the voice inside each person’s head. Lux sets forth the argument in his 1997 poem The Voice You Hear When You Read Silently that the voice emanating from within the reader’s head whenever the reader is silently reading is the true writer of the literary work because the words on the paper are inert until the reader’s unique voice translates them into life in ways that reflects their experiences and their views on topics.…
The actions of Emma lead to the emotional pain that Harriet went though. She gave a poem to her from Mr. Elton, convincing herself and Harriet that it was a marriage proposal.(88) When Emma broke the new of Mr. Eltons true love to her, she was heartbroken. Harriet later got over the pain and found a new love. She confessed to Emma her love for Mr. Knightly.(471) Unfortunately for Harriet, Emma also loves Mr. Knightly. This is a dangerous situation for Emma because she does not want to hurt Harriet anymore than what she already had. Emma took the risk and told Harriet the truth of her heart. Again, Harriet’s emotions were hurt. (480)…
The Voices give poetry to the play by giving the listener Thomas's view of the town. The two voices are Thomas's opportunity to act as a guide to Llareggub. He uses the Voices throughout the play, the first Voice starts and ends the play, the characters seem to interact with the voices, and for example the characters often finish off lines that the voices started. One example of this is in the introduction of Mr Pugh, the retired school teacher.…
The poetic piece is a ballad intended to be read to the tune of ‘St James’ Infirmary’. Auden has created a regular pattern of quatrains as well as a regular rhythm which progresses the general flow of the poem and creates the atmosphere of a story for the reader. The initial exposition is extremely sympathetic towards Miss Gee. “Now let me tell you a little story about Miss Edith Gee” is a cruel way to open the narrative as Auden instantly belittles her character and makes her seem insignificant, whereas she is actually the main, if not only character we meet in detail. This technique is effectives the reader then feels that she is insignificant, and although it is she who lends her name to the poem, is an outcast and a quiet individual. She is continually referred to as small, further lowering the impressions of the character to the reader.…
The next element that I enjoyed from this poem is the tone that the author uses. I think there are two different tones that she is portraying, a sad tone and a stern tone. At the beginning when she is talking about the man holding is dead wife in his arms the tone seems sad. Then it changes when she is talking about the love and chivalry he is showing as well. I imagine her talking about the man’s courage in a very stern tone of voice.…
There is a noticeable mood change in the poem in the third stanza, going from the last sentence in the second stanza, “She stank of deceit,” To the first sentence in the third stanza, “ I loved her.” These are both used to great effect in the poem, not only because they have very different messages, one talks of hate, the other love. However they are both short sentences, going hand-in-hand with the massive contrast of words to create a more tense feeling within the poem.…
The poem has a continuous rhythm, with an underlying aggressive tone. The continuous rhythm is sculpted by the structure of the poem; each stanza has the same layout. The first line is the question, the second is Lizzie’s response, the third is repetition, the fourth is the threat. The fourth line of each stanza rhymes. The repetitive structure of the poem could suggest the repetitive nature of child abuse; it is a continuous cycle that only gets worse.…
The narrative technique used in this passage is clearly free indirect discourse. There is a definite blur between the narrator and the character, who in this case is Emma, as it often is. The very first sentence delves into Emma’s plotting thoughts of connecting…
In the story Poe uses a first person narrative as the narrator and because of that it bring suspense to readers, he carefully portrays his words in such manner that it…
The poem is written in the first person and addresses a lover. There are lines that hint at a conversation with a lover, but we only hear one person's side of the dialogue: "Yes I'm angry" and "Am I embarrassing you?" The poem seems even more intimate; we are almost made to feel as if we're eavesdropping.…
While Plath was a successful writer in her own right, Hardy and Emma lived at a time when men were, generally, more successful in their careers and Hardy was seen as more talented than Emma at writing, overshadowing her, causing jealousy in their relationship. However, Hardy gives Emma the voice in death that she did not have while she was alive, such as in 'The Haunter '. Yet, Hardy manipulates this voice to, perhaps, reassure himself that her death was not his fault, giving Emma the role of a "good haunter" and a ghost that perpetually devotes herself to him. This can be viewed as a selfish way of dealing with his grief in the way that it allows Hardy to, effectively, comfort himself with a sense of complacency by giving Emma a voice that implies she does not hold him responsible, replacing "the real Emma with an ideal image of herself" [4] that he can utilise to console himself. Contrary to this, Hughes reflects in his poem 'Error ' the idea that he "brought", or "sleepwalked" Plath "into" "[his] dreamland", implying that he manipulated her, the use of the term "sleepwalked" suggesting that it was against her will or, at least, that she was unaware, Hughes accepting responsibility of this "error". The fact that he refers to it as his personal "dreamland" also suggests that he was aware that Plath did not perceive Devon in this way, showing he fully understood that it was not somewhere she wanted to be and it was a decision forced upon her. Plath 's opinions about England are reflected further with references regarding death such as "rotting like a coffin", Hughes effectively giving Plath a pessimistic voice in his poetry by representing her views, which show that it was not a pleasant place for Plath. We know these are not Hughes’ own views of England from his previous writings regarding it; he “had loved growing up in the Yorkshire countryside” [5]. However, while Hughes…
Although Charlotte Bronte has long perished, her emotions and thoughts still live. As clichéd as it sounds, poetry has the power to surpass it’s mortal creator and become an eternal glimpse into the poet’s soul. Although this observation is no secret, it should not be overlooked. It is such a potent and remarkable concept that when one reads a poem they are literally getting the condensed and encrypted emotions left behind to be interpreted. While not tangible, poetry has the power to communicate emotions across an indefinite time-space by using three things: diction, syntax, and tone.…