Preview

The Statue Of David By Michelangelo

Good Essays
Open Document
Open Document
266 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Statue Of David By Michelangelo
The statue of David produced by Michelangelo represented the republican status of Florence at the time. In this example of David, he is represented as an older man with the physique of one with a muscular body and a composure from head to toe that easily emits confidence and mystery. This is all of course in comparison to the rather younger more pre-pubescent version of David done by Donatello. Key characteristics done by Donatello here allow us to assume David is represented as someone much younger. Some examples include the boy like pose he was constructed in which is one rather feminine and the developing torso.

Moreover, I noticed a difference in hair. In Donatello’s version of David, David is seen with long hair, which is considerably
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Chapter 22 Beauty Science and Spirit of Italian Art
    • 1001 Words
    • 5 Pages

    Chapter 22 Beauty Science and Spirit of Italian Art

    (Figure 22-36) His remarkable sense of color and his ability to convey light through color emerge in the altarpiece, Assumption of the Virgin. Who was this artist? How did Michelangelo's David become a political statement?…

    • 1001 Words
    • 5 Pages
    Good Essays
    Read More
  • Good Essays

    Dutch Republic DBQ
    • 457 Words
    • 2 Pages

    Dutch Republic DBQ

    Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…

    • 457 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    research paper
    • 496 Words
    • 2 Pages

    research paper

    I am comparing Bernini’s David of the Baroque era and Michelangelo’s David from the Italian Renaissance. Michelangelo was considered the greatest living artist in his lifetime, and ever since then he has been held to be one of the greatest artists of all time. He was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Michelangelo’s David was a masterpiece sculpture, created between 1501 – 1504 that is a marble statue, of a standing male nude. The 17 foot statue was placed in Galleria dell’Accademia, Florence. The statue represents a Biblical hero named David, after he made his decision to fight Goliath but before the battle has actually taken place. A moment between conscious choice and action. Gian Lorenzo Bernini was an Italian artist and a prominent architect who worked principally in Rome. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture. Bernini’s David is a life-size marble sculpture, created between 1623-24, located in Galleria Borghese, Rome. This statue represents the biblical David, about to throw a stone at Goliath, which will allow David to behead him. The biggest difference in the two sculptures is the moment represented. Michelangelo chose the moment before the fight while Bernini chose the split second when David is launching the stone from his sling. Bernini’s body is violently twisting bursting with energy while Michelangelo had stored in his figure. Bernini has literally created an event frozen in time during the fight and Michelangelo’s was before the fight. The statues are similar because they both were innovative with respect of the ancient tradition that created works that were perfectly balanced, but not as perfectly evocative. The statues represent the same character, the David who beats Goliath, and they both embody the ideal of male form in a natural setting rather than posed.…

    • 496 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Different Styles Of Sculpting: Danatello And Michelangelo
    • 553 Words
    • 3 Pages

    Different Styles Of Sculpting: Danatello And Michelangelo

    In comparing and contrasting both pieces I have noticed that Donatello's "David" is more of a warrior and Michelangelo's does not have that warrior look but rather that of a shepherd boy. Michelangelo's has an extremely muscular abdomen and chest and it seems as though he is flexing his muscles. Donatello's on the other hand is quite opposite by being more relaxed. Michelangelo's looks as though he is sizing up his opponent. David's hands are out of proportion which makes it more Hellenistic where Donatello's is more…

    • 553 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo Vs David Research Paper
    • 517 Words
    • 3 Pages

    Michelangelo Vs David Research Paper

    The second David was done in bronze in the 1440’s, and is another nude – although this one is wearing a hat and boots. This later David is famous for two reasons. This statue is the first unsupported standing bronze ever, and it is also the first freestanding nude male statue made since antiquity. Another interesting fact about the Donatello David’s is that they both depict David standing with Goliath’s head on the ground between his…

    • 517 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    The Riace Bronzes
    • 939 Words
    • 4 Pages

    The Riace Bronzes

    The Mona Lisa, created by Leonardo Da Vinci in 1503 c.e. and David, created by Michelangelo in 1501-04 highlight the late Renaissance artistry techniques and the renewed desire to capture the beauty of individuals (Scailliérez, Cécile). I chose these pieces of art work because the Mona Lisa specifically focuses on individuality while its creation set a standard type of pose painting for the Renaissance artists and David became a symbol of liberty during the Renaissance. The David statue stood tall indicating Florence, where the sculpture was from, was ready for any…

    • 939 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Comparison Of The Davids
    • 595 Words
    • 3 Pages

    Comparison Of The Davids

    This statue portrays David as a young boy with feminine qualities, but that is holding a sword instead of a sling. He represented David as a boastful hero as compared to Michelangelo who represented him as a humble hero. However, Donatello did not represent him admiring the head of his victim, Goliath rather he is admiring his graceful, powerful body as a result of him winning the battle. This David has long hair, which highlights the time period and it almost looks like Donatello used this sculpture to move away from the biblical representation This is one amongst many sculptures of the Renaissance art whereby admiration of self-worth was mainly the…

    • 595 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    A Comparison of the Three Davids
    • 574 Words
    • 3 Pages

    A Comparison of the Three Davids

    Donatello’s David differs form Michael Angelo’s in that it is probably a more realistic depiction of what David actually looked like. David was young and inept in comparison to the soldiers who fought in the battle at Jerusalem. That’s why his defeat of Goliath was impressive. Donatello’s sculpture of David is a bronze sculpture of a young boy, he even looks a little feminine, standing on top of Goliaths head with an assured expression on his face. Donatello’s sculptures…

    • 574 Words
    • 3 Pages
    Good Essays
    Read More
  • Powerful Essays

    Renaissance Art Influence
    • 1347 Words
    • 6 Pages

    Renaissance Art Influence

    Therefore, “David,” is a fit symbol of courage and civic duty to guard the city. Standing 13’5″ tall, the double life-sized David is depicted patiently waiting for battle, prepped with slingshot in one hand and stone in the other. Michelangelo, in his mid twenties, carved the David after he had already carved the Pieta in Rome. He carved this sculpture from a huge block of marble that had been abandoned decades earlier by another sculptor: Michelangelo took on the challenge of living up to Donatello and other precursors who had sculpted the same heroic figure. Instead of creating David to look relaxed and confident after his victory, Michelangelo's David looks tense and ready for combat. His brow is furrowed, the tendons in his neck are taut, as are the muscles in his nose and lips, and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed “contrapposto” position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself. The statues hands and head appear to be disproportionally large for his body, possibly because they were deemed more visually important for viewers who would see the statue high up…

    • 1347 Words
    • 6 Pages
    Powerful Essays
    Read More
  • Good Essays

    Renaissance Comparison
    • 453 Words
    • 2 Pages

    Renaissance Comparison

    Donatello was an artist in the early Renaissance. His interpretation of David is the earliest known life-size bronze nude European art (Stokstad and Cothren 321). The sculpture stands over five feet tall. Originally it was documented in the courtyard of Medici Palace in Florence in 1469. Florentines thought Donatello’s David to represent heroism and virtue (Stokstad and Cothren 321). During high Renaissance in 1501, Florentine commissioned Michelangelo for a statue of David (Stokstad and Cothren 344). Originally sought to display atop a cathedral, the sculpture was placed beside the Palazzo della Signoria for better viewing by the city (Stokstad and Cothren 344). Upon completion, Michelangelo’s David stands seventeen feet tall out of marble. Both statues are representation of biblical story of the giant Goliath and David is sculpted nude. However, Michelangelo sculpted David as in the story before defeating giant, standing for right over might. The artist positioned body (tall, muscular definition, and larger right hand), facial expression (staring off with brow as to be in thought) with just weapon (slingshot) on shoulder to show viewers the psychological preparation for upcoming battle (Stokstad and Cothren 344). Florentines used this as a symbol in their own military pressure. Looking back, Donatello’s David was sculpted as in the story after conquering the giant Goliath. He portrays David’s facial expression to show liberation, body is more slouched and less defined as Michelangelo portrays, holding sword in right hand with no apparent difference in size as Michelangelo, and also wearing helmet. Overall, both statues are significant to…

    • 453 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Cultural Artifacts In The Renaissance
    • 852 Words
    • 4 Pages

    Cultural Artifacts In The Renaissance

    This statue in particular portrays different examples of humanism. The statue of David originated from a biblical story of David and Goliath; he is considered a hero and champion. It was his greatest victory and an ideal situation for a human. Therefore the sculptor, Michelangelo depicts David in the most idealistic form of a human; where he represents a strong being, exuding concentration and self-confidence. Michelangelo sculpted what would be considered the perfection of a human and this was largely attributed his own study of the human form. Giorgio Vasari, from his Lives of the most excellent painters, sculptors and architects, states “For in it may be seen most beautiful contours of legs, with attachments of limbs and slender outlines of flanks that are divine; nor has there ever been seen a pose so easy, or any grace to equal that in this work, or feet, hands and head so well in accord, one member with another, in harmony, design, and excellence of artistry”. (Michelangelo's…

    • 852 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Donatello Research Paper
    • 1695 Words
    • 7 Pages

    Donatello Research Paper

    Donatello rapidly matured his art and soon began creating his own style. In 1408 he finished the life-size sculpture of David. The figure was made out of marble. The figure follows a Gothic style, popular at the time, with long graceful lines and an expressionless face. The work reflects the influences of sculptors of the time. It's very well executed, but it lacks the emotional style and innovative technique that would mark Donatello’s later work. Originally, the sculpture was intended for placement in the cathedral. It was set up in the town hall as a symbol of defiance of authority to Florentines. Michelangelo’s admiration for Donatello is documented for the time of the marble David by a sketch after Donatello’s David. The statue of David would become the most famous body of work by Donatello. He developed his own style of relief known as schiacciato. This technique involved extremely shallow carving and utilized light and shadow to create the full pictorial scene(web). Observations were made that Donatello refrained from giving his works a high finish ,even at the risk of making them seem less attractive at close range ,in order to preserve the vividness of his “artistic handwriting” (Janson 20; vol.2). The harmony of his work melts as in a “fiery glow”, and his personality grows demon-like into his gigantic proportions out of the sturdy workshop tradition of the middle…

    • 1695 Words
    • 7 Pages
    Good Essays
    Read More
  • Good Essays

    The Influence of Humanism in the Renaissance
    • 833 Words
    • 4 Pages

    The Influence of Humanism in the Renaissance

    What is regarded as definite step in Renaissance taste is Donatello's statue David. The statue is the first freestanding nude since Roman antiquity. According to an analysis by Professors Lawrence Cunningham and John Reich, Donatello wanted to show the beauty of David's adolescent form wearing only greaves and a shepherd's hat (Cunningham 12).…

    • 833 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo's David
    • 779 Words
    • 4 Pages

    Michelangelo's David

    When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.…

    • 779 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    David with the Head of Goliath
    • 312 Words
    • 2 Pages

    David with the Head of Goliath

    The painting itself with its dark dramatic lighting, earthly tones and realistic characters, is strikingly similar to the same scene paint by Caravaggio. The two paintings almost scream for a comparison. The expression of Vignon’s David seems to be one of intense contemplation. As if David is in deep thought and/or shock over the event that had just occurred. David’s facial expression gives the painting a somber and almost remorseful tone; rather than a victorious mood one would expect. Another aspect of Vignon’s painting is the way David is dressed. Draped in fabric obviously not true to the time, David appears both royal as well as somewhat feminine. However David’s feminine appearance could be a highlight of how amazing his accomplishment really was. The depiction of Vignon’s David conquering such a beast is more impressive than if David was portrayed in a more manly fashion. One of the most effective techniques is Vignon’s usage of light. The artist’s choice of lighting immediately draws the viewer’s eye towards David. The eye then follows the beam of light down to the massive visage of the lifeless Goliath; giving the work of art “flow.”…

    • 312 Words
    • 2 Pages
    Good Essays
    Read More

Related Topics