The Social Structure of the 1920s

Powerful Essays
Michael Morelli
06 November 2012

The Roots of the 1920’s Social Life
The Great War was very essential in providing the stepping stones into life during the 1920s as well as maintaining effects on the social atmosphere. In late 1918, the Great War had come to an end with the Allies achieving victory. This war had supposedly been the war to end all wars, and this victory brought confidence back home to the Americans. American troops came home at the end of 1918, and they came home to an America about to experience some of its most prosperous years. With this confidence and energy, Americans led themselves into the 1920s with optimism, activity, and economic growth that lasted through the majority of the era. The Roaring Twenties, the Golden Twenties, the Harlem Renaissance, and the Jazz Age: all names given to this famous era. America was rich. Wall Street was successful day after day with the stock market soaring. The 1920s was a time where tradition was tried and young men and women defied the traditionalist views. Along with this young and rowdy generation was the Prohibition era. Speakeasies across America were born, and bootlegging became a career for many. Americans would not give up their alcohol to any sort of constitutional amendment creating an active and dangerous lifestyle of Americans during the night time.
African-Americans made their mark on society during these times. The Harlem Renaissance brought out true African-American art through different visual arts, novels, dramas, short stories, and poetry. Civil rights were still non-existent for the African-Americans, but many still freely expressed themselves. Some expressed themselves through music, especially jazz. The 1920s brought about the Jazz Age. Big names such as Louis Armstrong and Duke Ellington came to fame during this age of musical expression. America soared during the 1920s; it’s no wonder the era has been called the Roaring/Golden Twenties. Social life during this time was vastly



Bibliography: Collier, James Lincoln. Louis Armstrong, an American Genius. New York: Oxford UP, 1983. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. Hasse, John Edward. "The Flourishing of Jazz." Jazz: The First Century. New York: William Morrow, 2000. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. Hughes, Langston, Arnold Rampersad, Dolan Hubbard, and Leslie Catherine Sanders. "The Negro Artist and the Racial Mountain." The Collected Works of Langston Hughes. Columbia: University of Missouri, 2001. Millay, Edna St. Vincent. "First Fig." First Fig and Other Poems. Mineola, NY: Dover Publications, 2000. [ 2 ]. Millay, Edna St. Vincent. "First Fig." First Fig and Other Poems. Mineola, NY: Dover Publications, 2000. [ 3 ]. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. 43. [ 5 ]. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. 73. [ 7 ]. Hill, Jeff. Prohibition. Detroit: Omnigraphics, 2004. 49. [ 8 ]. Hughes, Langston, Arnold Rampersad, Dolan Hubbard, and Leslie Catherine Sanders. "The Negro Artist and the Racial Mountain." The Collected Works of Langston Hughes. Columbia: University of Missouri, 2001. [ 9 ]. Hasse, John Edward. "The Flourishing of Jazz." Jazz: The First Century. New York: William Morrow, 2000. 28. [ 10 ]. Collier, James Lincoln. Louis Armstrong, an American Genius. New York: Oxford UP, 1983. 32. [ 11 ]. Hanson, Erica. The 1920s. San Diego, CA: Lucent, 1999. 108.

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