The Simon’s Admiration of Nature Through His Point of View in the Lord of the Flies

Topics: Character, William Golding, Fiction Pages: 7 (2643 words) Published: June 20, 2013
Lord of The Flies is a novel which iswritten by William Golding. The plot of the novel is focused on a group of English boys who are stranded in a deserted island after their plane’s get crashed during the flight. The setting was took during the World War II and in a deserted island which no grownups live there, even the pilot of their plane’s, the dark forest which the younger kids or littluns in their groups scary about and a beautiful beach where they build their shelter and wait for help. The story is about the civilization that they make to maintain the rules which they make and about the changing of the characters to become savage and barbaric. There are some major characters in this novel, Ralph whom symbolized as civilization through his part as a chief of the pack, Ralph whom symbolized as barbarism through his brutality of his actions and behavior along with his group of choir, Piggy whom symbolized as the democratic system through his actions and statements to maintain the civilization which they have built in the beginning, even before he meet his death and Simon whom symbolized as a spiritual side of nature through his actions and death.

This paper will analyze the Simon’s admiration of nature through his point of view in The Lord of The Flies novel. The writer will discuss about Simon’s admiration of the nature though his point of view from the beginning when Simon met Ralph at the first time at the beach until his tragic death, when the other boys murder him savagely because they think that he is the beast. This paper has four sections. The paper consist of introduction, followed by the theoretical background which support this paper, the analysis of the novel to prove the theories and the topic are related each other and finally the conclusion of this paper.

1. Theories of Characters
In a novel, things happen because the people have certain personalities or character (moral, intellectual and emotional qualities) and given their natures because they respond plausibly to other personalities. What their names are and what they look like may help us to understand them, but the best guide to characters is what they do. As we get to know more about their drives and goals, especially the choices they make, we can enjoy seeing the writer complete portraits, finally presenting us with a coherent and credible picture of people in action. (Barnet and Cain, 2003). If we want to know about the character in detail and to gain the all-important grasp of how they fit into text as a whole, we can focused on their involvement with a major theme (Marsh, 2002).

According to William Kenney (1966), there are two kinds of character. One is simple (flat) characters and the other one is complex (round) characters. Kenney said that the simple, or flat, character is less the representation of a human personality than the embodiment of a single attitude or obsession in character. On the other hand, the complex, or round, character is obviously more lifelike than the simple character because in life people are not simply embodiments of single attitudes. Hill and Martin have said that: “The characters in a novel are usually a mixture of main characters, who tend to be ‘round’, and minor characters, who tend to be ‘flat’.” (1996: p.20)

Consistency should not be a problem with simple characters. What many readers object to in simple characters is that they are consistent at the price of complexity, and their lack of complexity violates our sense of the human personality. Simple character can perform in many important functions in a fiction. The use of simple characters is to fulfill minor roles in a work of fiction. The simple character can serve very well as a minor character in fiction (Kenney, 1966). 2. Theory of Setting

Everything that happens somewhere is one of the elements of fiction, we call it setting....

References: Barnet, Sylvan and William E. Cain. (2003). A Short Guide to Writing About Literature. London: Pearson Longman
Golding, William. (1954). Lord of the Flies. New York: Penguin Group
Kenney, William. (1966). How to Analyze Fiction. New York: Simun and Schuster
Madden, Frank. (2002). Exploring Fiction: Writing and Thinking About Fiction. Boston: Addison Wesley Longman, Inc
Martin, Alex and R. Hill. (1996). Introduction to Modern English Literature for Students of English: Modern Novel. Englewood Cliff. New Jersey: Prentice-Hall
Marsh, Nicholas. (2002). How to Begin Studying English Literature. Basingstoke. United Kingdom: Palgrave Macmillan
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