signals the violence of Christ's death. Giotto is the first artist since ancient Rome to depict…
• Leonardo da Vinci, The Last Supper, 1495-1498, tempra and oil on plaster, 15’ 2” x 28’ 10”…
Michelangelo Merisi da Caravaggio painted The Conversion of Saint Paul which is an oil on canvas. This painting was 100 ½” x 69” in which Michelangelo…
This masterpiece narrates the history in a New Testament. Central place in the composition of the drama takes Christ while Joseph Arimatean, Nicodemus, Mary, and John are participant. Holy mother of God kissed the dead face of Christ, Joseph supports the body of Christ, John, who is the beloved apostle of Christ, bent down and he took Jesus hand to put it on his face, and Nicodemus who kneeled and with both hand he hold the pliers with which retrieves nails of the feet of Christ nailed to the cross. The painting shows their attitudes, expressions…
Masaccio is a celebrated leading painter of the Italian Renaissance. The Expulsion from the Garden of Eden is one of his frescos. Painted around 1424-27, the fresco rest on the walls of the Florentine Brancacci Chapel. 1 (Fig 1.) It documents how Adam and Eve were evicted from the Garden of Eden. Similar to Masaccio’s Expulsion from the Garden of Eden; Masolino's magnificent Renaissance fresco, Temptation of Adam and Eve, (Fig 2.) is also found in the Brancacci Chapel of the Santa Maria del Carmine Church.2 Both frescos are two of the most representative depictions of Adam and Eve, but Masaccio’s approaches of working on shadow, composition, expressions, color and symbols made his Expulsion from the Garden of Eden more unique at that time.…
The most stunning painting is of Paul on the road to Damascus. According to the book of Acts, on the way to Damascus, Saul the Pharisee fell to the ground when he heard the voice of Christ saying to him, 'Saul, Saul, why do you persecute me?' Saul then temporarily lost his sight. It was reasonable to assume that Saul had fallen from a horse as he was a man of importance. Caravaggio paintings were very close to what the Bible describes. The horse is there and, to hold him, a groom, but the drama is internalized within the mind of Saul. He lies on the ground, stunned, his eyes closed as if dazzled by the brightness of God's light that streams down the white part of the skewbald horse, but that the light is heavenly is clear only to the believer, for Saul has no halo. In the spirit of Luke, Caravaggio makes religious experience look…
During the Italian Renaissance, paintings became more realistic. Many artists studied anatomy. The major themes of paintings during this time were religion and mythology. A lot of paintings depicted scenes from the Bible. A new concept that developed during this time in Italy was linear perspective. This helped the artists to realistically show space. Oil paint was also introduced during this time. An example of an Italian Renaissance painting is “The Last Supper” by Leonardo da Vinci. True to the Renaissance, this painting was of a religious scene and featured realistic figures. Like in many of his paintings, da Vinci carefully rendered the lighting to create the atmosphere. In the front of the painting, where the disciples are seated around Jesus, there is more light. The rest of the room is dimmer and more shadowy.…
First painting we look at is the famous painting "The conversion of St. Paul" by Michelangelo Caravaggio located in Santa Maria Del Popolo, Rome 1601. The painting is telling the story of the moment when Saul of Tarsus, is on his way to Damascus to confront the Christian…
From 1534 to 1541 Michelangelo painted the Last Judgement. The painting was a mixture of male and female nude bodies. Every figure is centered on Christ and appears to be in motion or tensed up like they are about to move. The composition was split into two tiers. In the celestial zone Christ is flanked by angels, saints, martyrs, patriarchs, and the apostles. The terrestrial zone below shows the resurrection of the dead to the left and the descending of the damned to hell on the right. “The elect show the emotion joy while the Damned show torment”(Last judgement…
During our tour at the Legion of Honor, we observed art starting from the early and High Renaissance. Next, we went to the Dutch Baroque period, British art, and ended at the impressionists. A most notable work of art from the tour was “The Annunciation” by Master of the Retable of the Reyes Católicos. This oil on wood panel painting was created in the late 1500s, during the High Renaissance period of the art historical cannon. It portrays the biblical event found in the Gospel of Luke in which the archangel Gabriel announces to Mary that she is pregnant with Jesus, the son of God. “The Annunciation” is a religious painting and is an example of the many great works of art from the High Renaissance.…
In 1505 the Pope Julius II recalled Michelangelo to Rome for two commissions. The most important one was for the frescoes of the Sistine Chapel ceiling. He worked high above the chapel floor, lying on his back on scaffolding painting for 5 years. Michelangelo painted some of the finest pictorial images of all time between "1508-1512." On the vault of the of the papal chapel, he devised an intricate system of decoration that included nine scenes from the book of Genesis, beginning with the God Separating Light from darkness and including the creation of Adam, the creation of eve, the temptation and fall of Adam and eve, and the flood. These centrally located narratives are surrounded by alternating images of prophets and sibyls on marble thrones, by other Old Testament subjects, and by the studies and cartoons, devising scores of figure types and poses. These awesome, mighty images, demonstrating Michelangelo's masterly understanding of human anatomy and movement, changed the course of painting in the West. Before the assignment of the Sistine Chapel ceiling in 1505, Michelangelo had been commissioned by Julius II to produce his tomb, which was…
In Baroque artwork, viewers can visualize the emotional impact the painting has. Everything is in action and the painting is like shot in the middle of what’s going on. In Caravaggio’s The Crucifixion of Saint Peter, everything is painted right in the middle of the crucifixion. Saint Peter is not even up yet but in the middle of getting there. The painting is activated and has complex movements. Gravity has a very powerful pull in this picture as well. Viewers can see the emotion in Saint Peter’s face that he is scared but brave. Caravaggio made sure to tell a story in this painting with emotion since you see a poor, innocent, and homeless looking man being crucified. Everything from the guy’s dirty feet and bottom who hoisting up Saint Peter is basically sticking out to the viewer’s face. The three men do…
Michelangelo and Caravaggio were possibly the two most renowned painters during the Renaissance period. Both Renaissance artists painted religious scenes, approaching their artworks in diverse ways according to their personal framework and attitudes. Where Michelangelo’s tortured soul was portrayed directly onto his paintings, Caravaggio’s almost arrogant attitude and need for action and drama resulted in his dark, melodramatic pieces.…
While walking through the Philadelphia Museum of Art, trying to decide which piece I should do further research on and write a paper on, I discovered The Crucifixion, with the Mourning Virgin and Saint John the Evangelist”. This is oil on panel painting by Rogeier van der Weyden in the Netherlands (historical name,15th-16th century), Europe in 1460. The time period that this was made in was Early Italian Renaissance. It is 71 x 73 3/8 inches. The vibrant colors in this painting is so enthralling that I could not help but be interested about it.…
In this essay you will be comparing and contrasting two different types of paintings. The same subject matter but different ideas of the same subject. I will be writing about The Last Supper, which was painted by Giampietrino, after Leonardo da Vinci. He used oil on canvas while painting the piece of art. The year that Giampietrino painted this picture was in 1520. Another work of art that I will be writing about will be The Last supper by Francesco Fontebasso. He painted this picture in 1762 using oil on canvas. As you can see from both types of arts, that they were both painted on oil on canvas and both have the same subject matter which is the last supper that Jesus Christ had. To both of these painting’s in person, you can go to the Royal academy of Arts in London to see the Giampietrino piece and Fontebasso’s piece is found in Museum Fund of the State Hermitage in St Petersburg.…