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The Pardoner In Chaucer's The Canterbury Tales

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The Pardoner In Chaucer's The Canterbury Tales
The premise of the poem, Canterbury Tales, written in iambic pentameter, allows Geoffrey Chaucer not only the chance to tell a number of very entertaining stories, but, more importantly, an opportunity to create a cast of enduring characters, still recognisable after six centuries. One of these is the ‘Pardoner’ who proves to be an intriguing character.
The passage begins with the words, ‘But let me make my purpose plain; I preach for nothing but greed of gain’. (p.243) These lines, in effect, sum up the Pardoner’s character. The main literary device Chaucer uses in his characterisation of the Pardoner is irony. The topic of the Pardoner’s sermons is ‘radix malorum est cupiditas ’(p) love of money is the root of all evil. The irony lies
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In this case it is an exemplum or parable about three unidentified Flemish youths who go to find Death after it has taken one of their friends. The Pardoner describes their evil ways in lurid detail, ‘With oaths so damnable in blasphemy, That it’s a grisly thing to hear them swear. Our dear Lord’s body they will rend and tear’ 245 and further with their aberrations ‘And girls with cakes and music, devil’s gauds To kindle and blow the fires of lechery That are so close annexed to gluttony.’ 245 He pursues Biblical allusions to Lot and Herod, Adam and Eve, villains of the Bible, as well as various historical figures, showing how they, too, sinned against the Lord and Nature, condemning these youths by the comparison. Of course, the irony lies in the fact that this litany of evil habits describes the Pardoner’s lifestyle in lurid detail as well. At the end of this (morality) tale, the Pardoner goes directly into his spiel to sell his ‘relics’, proving that this is one of his stock standard sermons designed to fleece his congregations. This is an allegorical tale where the three youths ‘ represent sin and are in pursuit of death, represented by the gold coins, by a crooked way both serpentine and

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