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The Oppression Of Women In Howard Hawks's Tragedies

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The Oppression Of Women In Howard Hawks's Tragedies
Hawks could make his distinctive mark on any genre and can be easily recognized throughout his long film career, “westerns, musicals, screwball comedies, war pictures, historical epics, romantic adventures, films noir, gangster sagas, and even science fiction“(imdb, Howard Hawks). Here is just sample of classic films he has directed, Scarface (1932), Bringing Up Baby (1938), His Girl Friday (1940), Sergeant York (1941), Air Force (1943), To Have and Have Not (1944), The Big Sleep (1946), and Rio Bravo (1959). He nearly won the Oscar in 1941 for Best Director of Sergeant York; Hawks was “nominated for Best Director only that one time, despite making some of the best films in the Hollywood canon“ (imdb, Howard Hawks). By the 1960s and 1970s the …show more content…
Before this film women were viewed as a threat and deadly to unsuspecting men entangled by their hidden motives and evil natures as mentioned by Hirsch, “The anti-woman bias that runs through American films reaches an apotheosis in noir, where beautiful spider women proliferate. There are other kinds of women in the films -- me meek wives infected with a fuddy-duddy morality, strong women like Lauren Bacall who achieve something of a parity with the men they fall for” (Hirsch 20). Marlowe and Mrs. Rutledge are one equal ground and both need each other in some capacity in order to survive the mayhem encircling them. In closing, The Big Sleep is an excellent movie with suspense, screams, intrigue, gunshots, murder mystery, lies, cover-up, gang of killers, and even romance, with atmospheric rain and thunder as our intrepid detective tries to unravel the puzzling clues he discovers mostly at night as he encounters numerous suspects along the way, making this a top rated film noir genre that

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