Narrative Analysis The Kings Speech In Tom Hoopers Academy award winning film The Kings Speech, the narrative follows Bertie, the stammering, struggling Duke of York, who is second in line to the throne. His story intertwines with the more upbeat, friendly character of Lionel Logue, an Australian specialist in speech defects. Throughout the film, the unconventional friendship and interaction between Bertie, an aristocratic duke, and Lionel, a working class foreigner, is shown through multiple ways with various film techniques. Firstly, the set designs of the film give a clear indication of the differences between Lionel and Berties worlds. Lionels office, where the work on Berties stammer takes place, is brighter and clearer than previous locations we see in the film. The walls of the room have been designed to appear old and stripped but patches of different colours show. This is done to represent Lionels personality his office is shown as a portrayal of his own mind. During the first meeting between Lionel and Bertie, we see Bertie reluctantly standing in Lionels waiting room. This room and set design is an extensive contrast compared to Lionels office, despite it only being next door, its gloomy, dark and lifeless. The director, Tom Hooper, done this to show Berties world, and it is a clear visual contrast for the viewer when Bertie steps into Lionels colourful, cheerful office and out of his gloomy aristocratic bubble. After the failure of the first meeting between the two protagonists, Bertie swiftly leaves Lionels office and steps back into the bleak waiting room, which is a clear indication of his hurry to get back into his world where he feels comfortable, and out of Lionels unfamiliar working class world, done so to suggesting Berties lack of willingness to commit to anything that he is not familiar with. The social divide between the two characters is clearly shown throughout the film. Colin Firths performance as Bertie during his first conversation with Lionel says a lot about the character. Bertie heads directly towards and sits on a luxurious looking sofa, rather than the other available seats, which is a clear indication of where he feels he belongs in the room. Although the sofa has its clear luxurious appearance, it is also worn and falling apart. Hooper uses this as a strong depiction of the ideas of traditional aristocratic ways and divides during the 1930s being seen as stale and boring, people were becoming more tiresome of the social etiquettes after the First World War. However, Geoffrey Rushs character, Lionel, who is clearly one of the modern, forward thinkers of the 1930s, sits on an uncomfortable looking wooden desk chair, a fair distance away from Bertie, showing that both characters are submitting to the social conventions and protocol involved with working class meeting upper class. Bertie and Lionel are shown as complete opposites when it comes to the modern world. During an early sequence in the film, Lionel gets excited about a new device called the Silvertone that allows you to record sound and play it back on the same machine, stating This is brilliant, its the latest thing from America (The Kings Speech, 2010). Bertie remains unimpressed by the device, and seems to have no interest in these new modern technologies from abroad. This small bit of dialogue, mixed with Firths performance, shows the audience that Bertie dislikes change, and with him being from a royal family who have seen recent revolutions and kings dying, he probably sees change as a negative, distressing occurrence. The costume choices for both characters allow the audience to identify which social class they are watching. In the last sequence of the film, Lionel is in black tie. This is the first time the audience see him in such attire, which indicates that he is working within the upper class world. We can associate this with the upper class because the black tie outfits, worn by Lionel in this scene as well, is used as...
Bibliography: 1. The Kings Speech (2010) Directed by Tom Hooper Corah Norton PAGE 2 ZyNwbYi.Pc VYv7RcXAUk5dripC6QEdyy45.xYO h .Hw
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