The Joy That Kills The omniscient narrator of “Story of an Hour” by Kate Chopin immediately informs the reader that the main character, Mrs. Mallard, suffers from heart trouble thus revealing to her the tragic news of her husband has to be done with great care. Mrs. Mallard does not “hear the story as many women have heard the same, with a paralyzed inability to accept its significance” but instead she wails with “wild abandonment” and steals away to be alone in her room, shunning her sister and slumping into one of her armchairs in a state of shock. Alone, she then begins to realize that she is now independent and suddenly fills up with joy. Chopin uses characterization, symbols, and setting to inspire women to seek independence and hint revolting against gender conformity or against social norms that limit women's possibilities in life.
Mrs. Mallard’s characteristics add to the theme in several ways. One of her characteristics, youth, is important to the story because it symbolizes a fresh, new start at her life of freedom. She is also passionate for living. She mentions that she will weep again when she is present at her husband's funeral, but is able to look past that grim moment and look forward to "the years to come that would belong to her absolutely." She readily admits that her husband was kind and loving; however, she feels joy when she believes that he has died, because she views her husband’s death (the end of their marriage) as a release from oppression. Chopin expresses her negative views on marriage in these following sentences: “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature.” The writer suggests that all marriages, even the kindest ones, are inherently oppressive.
The room to which Mrs. Mallard