The Great Gatsby- Do s really love cars and money?
In F. Scott Fitzgerald's The Great Gatsby, Gatsby attempts to be obtain his American dream with conspicuous consumption. Fitzgerald uses symbols of conspicuous consumption in money, cars and houses to show that the American dream of wealth and possessions doesn't necessarily ensure happiness.
The concept of conspicuous consumption is greatly exemplified in The Great Gatsby, by all of the characters being in possession of excessive amounts of property and money. Money is the get-all give-all in Gatsby's version of the American dream. If one can obtain lots of money to impress the women, then he must have it made; Realists disagree with this mindset. "[Gatsby] wants her to see his house," she explained. "And your [Nick's] house is right next door (84)."' Gatsby wants to display his wealth to Daisy, so she will be impressed with him. The different eggs represent the standings of people's money. Gatsby in on the West, which is the people who don't have any real standing, even when they have lots of money. The West Egg represents the new money, or the money that was earned, not inherited. Daisy, the woman that Gatsby has always wanted, lives on East Egg. This is Gatsby displaying conspicuous consumption towards Daisy. Not only Gatsby displays this trait, however. Referring to Mr. Wolfshiem's cufflinks, which were "composed of oddly familiar pieces of ivory. Finest specimens of human molars,' he informed me (77)." This is a display of someone who has bought cufflinks merely for the reason of buying, using the excess money he has. This conspicuous consumption get a man nowhere but in awe of equally lost people. People who are stuck in spending money also display their level of social status with their car.
The automobile has always been a kind of status symbol in the United States. Expensive cars are associated with the possession of great wealth. Gatsby's car is described as the epitome of wealth.' Gatsby...
Cited: Fitzgerald, F. Scott. The Great Gatsby. Simon and Schuster Inc., New York: 1991.
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