The Glass Menagerie Comparison
Similarities of Two Tales “The Glass Menagerie” and “A Raisin in the Sun” are about families with different backgrounds and are placed in different eras of American history. In “A Raisin in the Sun,” an African-American family struggles with keeping faith with their dreams and remaining optimistic. “The Glass Menagerie,” parallels to “A Raisin in the Sun,” with the family being Caucasian-American, struggling also to survive and to climb towards a better future. Despite the two families differences in background and eras, there are many connections between their economic, social, and individual scenarios. Each is a family of three dealing with poverty and with the absence of a father in the household. “The Glass Menagerie,” features Amanda
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The two stories are fundamentally parallel in two ways; their focal characters and the focal topic. Despite the fact that they do have likenesses, this doesn't prohibit them from discernible contrasts, including the adjustments to Tom and Walter Lee's character bends and how they responded to it. Basically, Tom let his dream aspirations guide him, while Walter Lee was constrained over into reality and bleakly grappled with it. Still, the subject of Reality versus Fantasy stays continuous, the essential bond interfacing these two sorts out. Its additionally recognizable how poverty can strike groups of all races and religion, shown by the Wingfield and Younger families. Truly, poverty can extend from different periods, be it the Great Depression of the 1930s or the Post-World War 2 isolated America in which these were written. This is additionally a central association, in which destitution is apparently interminable in the numerous homes and in the families it can begin in. With two substantial contentions supporting the similitudes between "A Raisin in the Sun" and "The Glass Menagerie," it could be gathered that maybe Lorraine Hansberry, the creator of "A Raisin in the Sun", took a few thoughts from Tennessee William's "The Glass Menagerie." Still, as the current contention finds some conclusion, it is noticed that while these two scholarly pieces have a few striking likenesses, the way they have taken care of the same subject utilizing differentiating points of view and gadgets that has made "A Raisin in the Sun" and "The Glass Menagerie" both diverse in their own specific
The two stories are fundamentally parallel in two ways; their focal characters and the focal topic. Despite the fact that they do have likenesses, this doesn't prohibit them from discernible contrasts, including the adjustments to Tom and Walter Lee's character bends and how they responded to it. Basically, Tom let his dream aspirations guide him, while Walter Lee was constrained over into reality and bleakly grappled with it. Still, the subject of Reality versus Fantasy stays continuous, the essential bond interfacing these two sorts out. Its additionally recognizable how poverty can strike groups of all races and religion, shown by the Wingfield and Younger families. Truly, poverty can extend from different periods, be it the Great Depression of the 1930s or the Post-World War 2 isolated America in which these were written. This is additionally a central association, in which destitution is apparently interminable in the numerous homes and in the families it can begin in. With two substantial contentions supporting the similitudes between "A Raisin in the Sun" and "The Glass Menagerie," it could be gathered that maybe Lorraine Hansberry, the creator of "A Raisin in the Sun", took a few thoughts from Tennessee William's "The Glass Menagerie." Still, as the current contention finds some conclusion, it is noticed that while these two scholarly pieces have a few striking likenesses, the way they have taken care of the same subject utilizing differentiating points of view and gadgets that has made "A Raisin in the Sun" and "The Glass Menagerie" both diverse in their own specific