Their children, however, want the exact opposite. They desire the comfort and organization of a normal life. In The Glass Castle, they slowly get fed up with their parents, and face many obstacles on their way to security and independence. Jeannette tells this story in first point of view, which proves effective in various ways.
One way the telling her story in first point of view is effective in storytelling is creating intimacy with the reader/audience. …show more content…
We see how certain events in the story affect her and alter her perspective on the world; events such as sexual abuse, bullying, racism, hypocrisy, and more. We watch Jeanette go from a clueless daddy’s girl to a young woman who understands their situation and knows who to blame.
While first point of view is effective in The Glass Castle, it does have its limitations. An obvious limitation of first point of view is that we can only read about that person’s emotions and experiences. In this case, it’s Jeannette’s feelings and thoughts. We don’t know what’s going through any of the other character’s head. An example of first point of view that shows its limitations is Lori’s eyesight. The reason why she didn’t join Brian and Jeannette’s adventures outside is because everything seemed blurry to her. Because we only had access to Jeannette’s thoughts and emotions, we didn’t know about her vision until nearly halfway through the memoir. A memoir and an autobiography are both narratives that tell the experiences of the author.
However, because of key differences, The Glass Castle is better told as a memoir rather than …show more content…
Just as Gore Vidal states in his own memoir, Palimpsest, “A memoir is how one remembers one's own life, while an autobiography is history, requiring research, dates, facts double-checked. It is more about what can be gleaned from a section of one’s life than about the outcome of the life as a whole.”
As can be seen, using first point of view was effective in Jeannette Walls’ memoir, The Glass
Castle. It helped create a connection between us and Walls in the very beginning. We, the readers, are able to see her innocence slowly taken away from her because of this perspective. As great of a literary device first point of view is in The Glass Castle, it did prove to have limitations, such as not having access to other character’s thoughts and emotions. In addition, writing The Glass Castle as a memoir rather than an autobiography is another decision that made the storytelling more effective. It made Walls’ story more than just history and facts. As Susan
Cheever has said, “I believe that the memoir is the novel of the 21st century; it’s an amazing form that we haven’t even begun to tap…we’re just getting started figuring out what the rules