Preview

The Doryphoros: Classical Greek Sculpture

Good Essays
Open Document
Open Document
422 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Doryphoros: Classical Greek Sculpture
The Doryphoros is one of the most iconic and well known sculptures from the classical period in Greek. It exhbits the characteristics of Classical Greek art all too well, as it shows a baby-faced man with a grown man body. Greece at the time tried to idealistically show what a “true man” would look like, as shown by the Doryphoros. The man in the sculpture is supposed to symbolize a Greek soldier, as Doryphoros means, spearbearer. The Greek would idealize all of their soldiers and held them to high regard in their society. That is why people like Polykleito would make these statues, they wanted to show the greatness of man, they wanted to represent the epitome of a Greek man at the time they were sculpting. Even if they were not all that realistic, they wanted something that Greek men could relate to and sort of help motivate them into looking as wonderful as the statues did. What made the sculpture so efficient to the people of Greece was the way that the muscles were made. The way that Polykeitos balanced the way the muscles looked compelled many at the time as it “created a visual heirarchy of forms that was intended to appeal to both eye and mind.” The fact that the Doryphoros was supposed to represent a solider makes the sculpture stand out …show more content…
But in reality, all the different and unique aspects of the sculpture gives the art a deeper meaning to it. It provides observers with deep thoughts, where the balancing of the Doryphoros speaks levels to the observers, as it is a mix of both tense yet relaxed muscles. The careful details on the sculpture makes up the way the muscles look to the viewer, as it was sculpted using a careful mathematic scheme that ultimately met its goal of making the figure look more realistic than sculptures before it. Though it is not the most realistic, it was a huge stepping stone to more realistic

You May Also Find These Documents Helpful

  • Good Essays

    By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Kritios was an Athenian sculptor, whose style and technique during the late archaic period helped revolutionize the archaic period into the Classical period. He has two main statutes that I am going to examine the first of which being the Kritios boy. Also referred to as “the first beautiful nude art” it is very important as it is a precursor to the later classical sculptures. It depicts a young boy in an idea form (so sculpted in the nude if they where in the ideal form) and is possibly a reflection of the Athenian cultural obsession with Pederasty. Yet it is more important in the sense that it smashes the Korous pose. The Kritios boy is so important as Kritios has mastered a complete understanding of how the different parts of the body act together, the statue supports the weight on the left leg meaning that the right one is bent at the knee and relaxed, and forces a chain of events as the pelvis is pushed diagonally upwards on the left side this causes the right buttock to relax and the spine to be placed in an “S” shaped curve causing…

    • 807 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Successful sculptural forms are created through careful attention to common artistic elements and techniques. In order to discover an artist’s intentions while looking at a sculptural piece, it is vital to note the artist’s visual cues. Such visual cues may include form, shape, texture, material, lighting, space, and dynamism. In addition, classical sculpture is commonly comprised of well-balanced idealized forms, with a sense of naturalistic beauty and elegance in mind. Great sculpture also must convey a strong sense of gracefulness and stability. The Lansdowne Bust of Athena of Velletri very successfully exhibits artistic qualities and sculptural…

    • 951 Words
    • 4 Pages
    Good Essays
  • Good Essays

    This statue differs from others in the past, more natural and life like a rounder thicker realistic version very surreal. Although later in this period you will see this style get more precise this is an outstanding example of the Classical period. Standing tall with head straight a relaxed confidant athlete, arms hanging to his sides with one leg bent as if he is turned around waiting with ease on others that have fallen behind him. Standing 3 foot 10 inches tall smaller than the typical life size statues normally found, the size does not take away it is not missing a single detail from any angle seen. This is a remarkable example of Classical Greek art that we should consider extremely lucky that we are able to few and study it as it was (though missing a few bites and pieces) when it was created so long…

    • 793 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Walking through LACMA there was a section that caught my eye and found it to be of interest to me. That section was the Greek, Roman, and Etruscan Art which was located on the Ahmanson Building, Level 3. There were various unique pieces such as vases, jewelry and sculptures. I chose the sculpture of Hope Athena to do my visual analysis because I found it to be beautiful. Athena was a Greek goddess of wisdom and war. The sculpture at LACMA is a Roman, 2nd century copy after a Greek original of the late 5th century BC School of Pheidias. The sculpture was made out of marble with neutral colors. In parts the color was dull with hues of ivory and golden brown. The shape of the body was rectangular with broad shoulders. The sculpture had her arms missing. Her head was round with hair coming down in vertical waves. She was wearing a warrior helmet from my view point I could not tell what the helmet had on it. The helmet gave her a powerful look. Her facial expression seemed reflective with facial features being symmetrical and smooth. The eye sockets were hollow and dark. Her nose was chipped and her upper and lower lips were thin. One of the focal points for me was how her robe or drapery had such detail throughout the sculpture. It wrapped around her body with great detail with vertical creases and folds giving the sculpture a realistic look. The vertical lines toward the bottom of robe had great detail and were distributed equally and her feet and toes…

    • 561 Words
    • 2 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Greek Progression

    • 625 Words
    • 2 Pages

    The transition to the Greek Classical period coincides with the defeat of the Persian invaders around. The Classical period is date from 480 BC to 323 BC. The disappearance of the “Archaic smile” most notably marks the transition into the Classical period. The Classical period also focuses on more realistic art rather than idealistic. One of the best-known sculptures from the Classical period is The Doryphoros of Polykleitos, depicting a nude muscular male athlete originally bearing a spear resting on his left shoulder. This sculpture is dated about 450 BC and was created by artist,…

    • 625 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The New York Kouros is one of the earliest examples of a Greek free standing statue that still stands strong today. The inspiration for these life-like statues came from the Egyptians. When we look back at when Greek statues started to come about, we notice that it is about the same time that the Egyptians started to let foreigners past their borders for trade and other matters. We notice that, at first, they used the same technique and proportions used for Egyptian works. This is probably why, in the New York Kouros, we see great resemblance to other Egyptian statues. We look at the position of the statue itself and notice that it stands in exactly the same pose as most of other Egyptian works. They call this the ‘Frontal Pose,' body and head facing forward with arms hanging parallel to the sides and the left leg in front of the other. When thought about, it looks as if the legs are set in a walking position but the body looks stiff and immobile. This would not have bothered the Greeks in their early work, it is likely that the legs are positioned like this to give the statue more support and help it stand up right. A significant difference between the cultures statues at this time is the fact that while the Egyptian piece is still retained in its original block of stone, the Greek figure is cut free. This is because the Greeks always tried to make their pieces as a replica of the human body. Also different to Egyptian pieces, the Greeks used a great deal of symmetry to help them. We can see that where the legs join the torso there is a large ‘V' shape indented in, this shape is mirrored through the belly button. There is a similar symmetry around the shoulder area. Again this symmetry helps in making these statues look more life-like but also helps in making the statue more of a thing of beauty.…

    • 516 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Greek Art History Honors

    • 1859 Words
    • 8 Pages

    Classical Greek Art is characterized by the emerging need among artists to imitate and perfect the ideal human form through idealized naturalism. The Classical period is marked by the introduction of the contrapposto position first seen in the Kritios Boy (ca 480 BC). The function of sculptures during this period was mostly to glorify gods and athletes usually depicted as male nudes. One of the most renowned sculptures of an athlete from that period is Polykleitos' Doryphoros a bronze original (ca 450 BC) that now only exists in marble copies. Polykleitos made it to serve as a standardization for future sculptures. He intended to perfect the human being using the contrapposto pose as well as measuring the body to be able to fit eight heads stacked on top of each other as the dimensions of the ideal. The flexed limbs and the relaxed limbs oppose each other diagonally, with right arm and left leg relaxed while left arm and right leg are ready for action. The head is turned in opposite direction of the slight twist of the hips and is a much more natural pose for a human than the stiff awkward poses of Ancient Egyptian Art. Classical Greek art also had innovations in bronze.…

    • 1859 Words
    • 8 Pages
    Good Essays
  • Good Essays

    Greek Gods In The Odyssey

    • 2166 Words
    • 9 Pages

    beauty.“Greek and roman culture is known for its sculpture of what has become the ideal of male…

    • 2166 Words
    • 9 Pages
    Good Essays
  • Good Essays

    Ancient Greece art is beautifully decorated by the craftsmen. Art was made with bronze, gold, silver but the most that Greeks used to make is metal to make art. But there was something stronger than metal, it was…..iron, iron is harder than metal. Metal can be melted down and made into something else, many metal sculptures and other metal items were melted down so they could be for other things. The Greeks made many things like bowls and vases, cauldrons, knives and daggers, shields, armour, decorative drinking cups, and lanterns. They also made fine jewellery such as necklaces, bracelets, earrings, pins, and rings. Most the jewellery decorative was found on flowers and leaves, mythical creatures, lions, and snakes. Art in Greece has many hundreds…

    • 534 Words
    • 3 Pages
    Good Essays
  • Good Essays

    To start, his devotion towards the perfect looking god Aphrodite is big enough for him to create one hundred clay figures of her each in a different pose solely because she is flawless. The imagery comes into play because as Pygmalion works his hands around the clay, it is easy to visualize the poses in which Pygmalion is making those clay models in. In addition the fact that Pygmalion is going to use marble, a grand and great material in terms of sculpture his desire to make the statue of the god an artisan work. It is easy to foresee in the mind what the sculptor, Pygmalion will do with his…

    • 631 Words
    • 3 Pages
    Good Essays
  • Good Essays

    This sculpture was discovered off the coast of Cape Artemision at an ancient shipwreck. This piece is now being held at National Archaeological Museum in Athens, Greece. This piece belongs in the classical time period because you can see the focus is on the anatomy of the body not particularly how the body looked when it moved. Also, Zeus does not have much emotion on his face, which is another characteristic of classical art. Not only does Zeus have a stoic smile but he also possesses other qualities that make him a classical piece of work. His body is proportioned perfectly and he is aligned in a natural stance, which makes him look life like. It is very interesting to see how the Greeks knew the human body well enough to be able to sculpt the perfect proportions on a medium like marble or bronze. The Atemision Zeus is made out of Bronze, which was one of the preferred methods to sculpting because bronze was fairly easy to mold. The height of this Zeus sculpture is 6’10” and that again demonstrates how these sculptures were made to look very grand and…

    • 559 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Over time Greeks made their statues more lifelike - gods look like human beings. There are figures of people without clothes, and statues of athletes in action (a discus thrower, for example). The Romans collected Greek statues and made copies of them. Many later artists imitated the Greek styles…

    • 522 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Art of Ancient Greece

    • 5228 Words
    • 21 Pages

    The ancient Greeks are known as a self aware people. No other culture in western civilization history was quite as introspective as the Greeks. They prided themselves as the most civilized society in the world. In fact the term “barbarian” basically meant non Greek. The development of Greek civilization rises from the ashes of the ancient Mycenaean and Minion cultures. From After the decline and eventual fall of the Mycenaean culture in 1100 BCE, the Aegean Islands would experience a “dark age” period for about 200 – 300 years. By 800 BCE Greece would begin to show growth and stability in their government, economy and culture. This period is referred to as the Homeric Age. The writer Homer would write the stories of prehistoric Greek history (If you have not had to read The Iliad or The Odyssey in your academic career thus far, just wait, it is coming.) It is the Greek culture that would be the basis for western cultures for art, architecture, music, theater, philosophy, literature and politics.…

    • 5228 Words
    • 21 Pages
    Good Essays
  • Good Essays

    It was discovered in 1996 near the Croatian island of Losini in the northen Adriatic Sea. Both this statue and the Ephesian Apoxyomenos reproduce the same late-fourth-centruy B.C. work, but this replica is better-preserved. On contrary to the small-scaled Alexander the Great sculpture, the athlete sculpture is slightly over life-size by ancient standards. Produced in the first century B.C., it is composed of bronze and copper. The mature, but youthful man stands upright with his weight on the right leg and the left foot set to the side with heel raised with an overly muscular chest and wide shoulders. The smoothly idealized face has wide cheekbones and a rather short chin with copper accentuating the lips and nipples. The most distinct feature of the head is the hair. The rows of smaller and finely chiseled strands surrounding the forehead are swept in different directions, creating a realistically disheveled look of an athlete who has just finished his competition. The most noticeable difference from the Ephesian statue is the position of the head, which is not turned to the left, is inclined further forward, and is somewhat tilted. As a result, the figure’s gaze does not meet the…

    • 833 Words
    • 4 Pages
    Good Essays