It gets interesting when you examine the Harry Potter series through the aspect of commodity culture within the franchise. In her article, Harry Potter and the Technology of Magic, Elizabeth Teare aims to illustrate to her readers that while J.K. Rowling tends to poke fun at consumer culture in her novels, she takes equal measures in real life encouraging children to participate as consumers. Numerous examples from the books, contrast, and comparison to other works are techniques Teare skillfully uses to create a strong and convincing article.…
On a social/historical level, Goblin Market is about women's encounter with the male-dominated marketplace and their different accommodations to it. Lizzie, Laura, and Jeanie represent young country and village women. This poem also expresses one of the most vivid nightmares of female violation in the marketplace and a fantasy of the redemptive powers and pleasures of sisterly love. This poem does an excellent job illustrating the temptations and dangers woman and men faced during this Victorian time…
In "Goblin Market", Laura is a young woman enticed by the fruits of goblin men, who were considered taboo by her sister and presumably the community. Laura succumbs to the temptation and eats the fruits that were presented to her by these animalistic goblin men. Laura becomes obsessed with the fruit and her sister, Lizzie, becomes concerned. To break Laura’s obsession, Lizzie goes down to the goblins and rejects the fruit offered to her. The goblin men hit her and insult her until…
Christina Rossetti’s poem “Goblin Market” published in 1862 depicts sisters, Lizzie and Laura, as goblin men walk past selling their fruits. In the context of this essay, an allegory is meant to be interpreted as an alternative, figurative understanding of the text that lies underneath the literal meaning of the text. Some critics believe “Goblin Market” to be an allegorical attack on the Victorian woman and the society of Rossetti’s time. In this context, the Victorian woman is to be understood as the ideal woman under the societal norms of 19th century England where women were shackled to the domestic sphere and required to remain “pure”, ignorant of all sexuality. However, an alternative allegorical interpretation exists where the poem is understood as a representation of the Judeo-Christian Eden…
This excerpt from a book chapter, written by well-known feminist scholars Sandra Gilbert and Susan Gubar, examines the meaning of the poem Goblin Market in terms of female sexuality and economic exchange. Their book The madwoman in the attic: The woman writer and the nineteenth-century literary imagination explores female writers in the 19th century and the implications of their work on the feminist movement. Gilbert and Gubar are known for their work concerning feminist literature, with Madwoman in the Attic being one of their most popular collaborative works.…
In her essay, Welty remembers the importance of this store and how it shaped her family. The purpose of doing so is to describe the pure innocence of youth, in which a corner store can prove to be mesmorizing. Welty captures this youthful feeling as she describes the scene in which she “skipped [her] jumping rope up and down [the sidewalk], hopped it’s length through mazes of hopscotch, played jacks in its islands of shades, serpentined along it on [her] Princess bicycle, skated it backward and forward” (Welty par. 4). These seemingly playful and simple events are made complex and intricate with the use of words such as “serpentined” and “mazes”. By doing so, Welty is adding to the subject in which events of your childhood seem more interesting than as an adult. The tone of her essay is rather casual and playful. Welty captures her mental image of store when describing the “enchantment [that] is cast upon you by all those things you weren’t supposed to have need fore, it lures you close to wooden tops you’d outgrown, boy’s marbles and agates in little net pouches...” (Welty par. 8). This enchantment blinded Welty to what normally would be viewed as disguisting and dirty. For example, the tangible smells- “dill-pickle brine that had leaked through a paper sack in a fresh trail across the wooden floor” and “the smell of…
From the beginning of time there has been a battle between good and evil. The urges that lie deep within the human spirit can be steered towards things that sustain life or forces that take away from it or take it away entirely. The curiosity to just have a taste of something, even though one has been warned of the potential of an ill outcome, can sometimes be too overwhelming to stave off after a glimpse. This has been the experience of Laura, a young lady in Christina Rossetti’s “Goblin Market”. Laura is warned by her sister, Lizzie, not to look at the goblins peddling their luscious fruits. In spite of the warning, Laura devours the fruit and is, thereafter, stricken with the obsession to have it. Her sister risks her life by returning to the goblins to get more fruit for her and upon her return, Laura is saved. The author’s devotion to the Anglican Church and the “persistent themes [of religion] in both her poetry and prose” (258) tell readers the true meaning behind this work. This interpretation challenges the work of those critics who have long assumed the symbolism and allegory used in this poem is about capitalism. Others have argued that the poem is literally about food adulteration and still others have seen the poem as a feminist tale with a female hero creation. Rossetti strived to use this poem as a religious guide for her readers. The only valid interpretation is the representation of temptation, the fall, and the redemption of man.…
Behrens, Laurence, and Leonard J. Rosen. “Fairy tales: a closer look at cinderella” “Writing and…
Literature allows us, as readers, to relate to stories in different ways while portraying a universal theme. As far as children’s stories go, the literal text will capture a child’s imaginations while an adult may push past that point and unravel a more critical message. By cunningly adapting hidden motives into the story, it allows the reader to open the door to more possibilities. When applied to Andrew Lang’s translation of Little Red Riding Hood, we are shown the sexual insinuations, and just how dangerous it is for children to be left alone.…
For centuries men have puzzled over the bond of women. Women share a lot in common with each other, not just physically but emotionally. They share their deepest secrets with their best friends, sisters or mother; never telling their husbands or other men in their life. Most men get jealous of their wife’s best friend because the friendship between two women is unlike any other. We see these bonds played out in “L’Amitie: To Mrs. M. Awbrey” by Katherine Philips and “Globlin Market” by Christina Rossetti. The bonds these females have with each other is strong and passionate, sacrificial even, making these alliances virtually indestructible.…
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that Cinderella isn’t really motherless and helpless as the old fairy tale wanted the readers to believe. Her mother played a vital role in her success in rising to a position of power and influence. (Pantajja, 1993, p. 644)…
Often written for children, traditional fairytales are fictitious works with magical qualities. However, “The Bloody Chamber” by Angela Carter and The Princess Bride by William Goldman, are no traditional fairytales. Although both poses the fictitious qualities and traits of traditional fairytales, neither work can be considered as being written for children. The use of violence in sex, pornographic imagery, and the objectification of women show that the stories are intended for mature readers.…
Through the actions demonstrated by fictional characters, short stories provide readers with vital lessons. It is demonstrated in The Stolen Party, The Necklace and The Gift of Magi, and it examines the significance of obedience, appreciation and the affection of selfless actions. First in foremost, from Rosaura’s consequence of disobedience, it presents the message of obeying your parents. For instance, it is revealed as Hermina refused her daughter, Rosaura, to attend a rich party in order to prevent her daughter to experience economic discrimination. Evidently, Hermina states, “I don’t like you going ... it’s a rich, people’s party” (Heker, 1). Moreover, Mathilde reveals the importance…
Christina Rossetti’s Goblin Market is primarily about two sisters who have a very close bond. The sisters live alone and are accustomed to get water every evening from the local stream as they are beginning to walk back they are aware that it is getting dark now. As always the sisters hear the calls that are coming from the goblins. These goblins sell fruits that not every merchant has, and they only offer these to young, beautiful, and untouched girls. “On the surface, a simple and direct storytelling style marked by childlike expressions makes "Goblin Market" appear to be a mysterious fantasy, an entertaining romance spun from the elements of folklore and fairy tale” (Brownley, Martine Watson). The story on the surface seems like a very pure…
Lizzie, being the wiser, older sister knows already the wiles of the worldly goblins, which represent the men of Rosetti’s life, perhaps even her brother’s company themselves. As Lizzie warns her sister, “Their offers should not charm us / their evil gifts would harm us” (65-66). Clearly Lizzie believes the goblins enticements to be no more than lures to seduce the naïve and eager Laura.…