This is why the constant theme in chapter two, music, comes as a shock. As soon as Doreen begins cohorting with Lenny and his friends at the bar, references of music are seen. Lenny is a “twelve o’clock disc jock” (Plath 14) and soon begins boisterously singing country songs “And when I marry I’ll be wed in Kansas” (Plath 15). Sound and music images continue, Plath describes “Lenny’s ghost voice boomed” (Plath 16). The theme of noise and music is an instrumental part of chapter two and goes in tandem with the drinking, the “jitterbug[ing]” (Plath 16), and the references of “a ballroom strewn with confetti” (Plath 17). With shimmering images like these and a dazed narrative tone by Esther, it is clear chapter two is a tumultuous chapter that demonstrates a part of Esther’s psyche of confusion and need for love as the numerously states she becomes depressed
This is why the constant theme in chapter two, music, comes as a shock. As soon as Doreen begins cohorting with Lenny and his friends at the bar, references of music are seen. Lenny is a “twelve o’clock disc jock” (Plath 14) and soon begins boisterously singing country songs “And when I marry I’ll be wed in Kansas” (Plath 15). Sound and music images continue, Plath describes “Lenny’s ghost voice boomed” (Plath 16). The theme of noise and music is an instrumental part of chapter two and goes in tandem with the drinking, the “jitterbug[ing]” (Plath 16), and the references of “a ballroom strewn with confetti” (Plath 17). With shimmering images like these and a dazed narrative tone by Esther, it is clear chapter two is a tumultuous chapter that demonstrates a part of Esther’s psyche of confusion and need for love as the numerously states she becomes depressed