the beauty of the beast in picture of Dorian Grey2

Topics: Oscar Wilde, The Picture of Dorian Gray, Lippincott's Monthly Magazine Pages: 20 (7284 words) Published: April 27, 2015
CONTENTS
Introduction………………………………………………………………………...3 Part 1. Oscar Wild – the novelist of the England…………………………………..5 1.1. Literary works of O. Wild……………………………………...……………...6 1.2. The novel ‘The Picture of Dorian Gray’ and its significance…………………9 1. 3. Aestheticism in the novel …………………………………………………...10 Part 2. Lexical and syntactical stylistic devices used in the novel “The Picture of Dorian Gray” by O. Wild…………………………………………………………14 2.1. Phonetic stylistic devices……………………………………………………..14 2.2. Lexical expressive means and stylistic devices………………………………15 2.3. Syntactical expressive means and stylistic devices………………………….20 Conclusions……………………………………………………………………….25 List of references………………………………………………………………….26

Introduction
Oscar Wilde is one of the most famous writers of the nineteenth century. He is an author, and great wit. He preached the importance of style in both life and art, and he attached Victorian narrow-mindedness and complacency. Most writers, whatever their professions, wrote with something of the emphasis and authority of the schoolmaster addressing his pupils. In spite of this common feature, Victorian writers are very different in their styles. They were individualists, and each had his own personality, which was strongly presented in their style. [2, 217] Oscar Wilde was one of the Victorian aesthetes and tried to write the work that should be beautiful in its colour and cadence. His writing is highly wrought. Despite the fact that O. Wilde has probably been written about more than most nineteenth-century writers, his place and reputation continue to be uncertain. Wilde’s extraordinary personality and wit have so dominated the imaginations of most biographers and critics that their estimates of his work have too often consisted of sympathetic tributes to a writer whose literary production was little more than a faint reflection of his brilliant talk or the manifestation of what a reviewer for the “Times Literary Supplement” called his “lawlessness”. Indeed, Wilde’s remark that he had put his genius into his life and only his talent into his art has provided support to those who regard his life as the primary object of interest [1, 158]. The aim of the work is the analysis of those lexical and syntactical devices which are capable of making utterances emotionally coloured in the play of O. Wilde. The subject of the work is to take only those stylistic devices which are based on some significant point in an utterance whether it consists of one sentence or a string of sentences. This theme is actual enough, because a great amount of outstanding and up to date writers use stylistic devices in their works. Stylistic and its devices are also present in people’s every day speech. It is impossible to imagine our utterances without emphasizing, comparability and expressing our negative and positive emotions. A good style of writing has three qualities, which may be described as accuracy, ease and grace. There are always three influences that will exert their pressure on a writer’s style. One is his own personality; his own way of thinking and feeling that determines his mode of expression. The second is the occasion on which he is writing, the particular purpose that directs his pen at the moment of writing, so that the same man may employ different styles on different occasions. The third is the influence of the age in which he lives. In other words, a writer's style is his individual and creative choice of the resources of the language. The limitations upon the choice are superimposed by the writer's period, his genre and his purpose. Since style is something ingrained in writing, it follows that a man’s way of writing will be an expression of his personality and his way of looking at life. The structure of the work is top-down: from general to more specific considerations. The work consists of an introduction, two parts, conclusions, and references. In the introduction the choice of the aim, subject and...

References: 1.1. Literary works of O. Wild
Oscar Wilde was born in Dublin on October 16, 1854
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