Talk Less, Say More: A Rhetorical Analysis of A Good Man Is Hard To Find
Flannery O’Connor establishes her style of language from the first sentence. Her voice is apparent throughout the entire story that in turn plays a factor in the delivery of the message. She keeps it real and only says enough to give the reader a mental picture of the situation with usually only providing a short summary leaving a lot of room for imagination. A Good Man Is Hard To Find is full of irony about going to the places of known existence fresh in consciousness without knowing the steps to get there were being taken. A family finds themselves executed after taking a wrong turn at the wrong time. Executed by the very men they sought to avoid. Point of view is the most crucial component of the substance and progression of the story.
It quickly becomes apparent that the seemingly small details are important. The limited omniscient narrator centers mostly on the grandmother. For example, the grandmother is the queen of giving up the foreshadowing irony. The method in which the discourse is played out is key. O’Connor does not show any sympathy towards the characters. She seems to bring out their worst qualities by exposing their superficialities, which troubles the reader. The apparent cynicism is a key component of giving the story its vibe and meaning. A vacation gone wrong happens to a seemingly good family running into the very thing they sought to avoid. Are there no coincidences? “Tennessee is just a hillbilly dumping ground,” John Wesley said, “and Georgia is a lousy state too.” “You said it,” June Star said. These people created their own fate without realizing it.
The cynical point of view of the author exploits normal human emotion. The characters seem almost absurd, exaggerated parodies of actual people. This in a sense creates a raw picture of what we are actually like, or at least what O’Connor saw us as. The grandmother dominates the story and it plays well with the...
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