Preview

Symbols In Bram Stoker's Dracula

Good Essays
Open Document
Open Document
840 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Symbols In Bram Stoker's Dracula
Dracula's message and theme

The words of dracula mean more than is read by most. The Symbols throughout Dracula, have often been thought to mean many diffrent things throughout history. It is believed by most that a large number of the themes are catholic oriented, Which is very understandable due to the books time period and what the book consists of. Also a number of the symbols stood against females being anything but a mother or wife. The battle of good versus evil, in this book, stood for much more than most would pick up, saying that God will protect you and that Christianity will always combat the evils of the world. The constant theme of blood througout the book also shows it connection to the Bible and Jesus. The charachter of Dracula is actually
…show more content…
During the novel you can tell that Victorian women were looked upon as either one of these, either a wife and a mother, pure, or a harlot. This was shown by the concept of good and evil in the book which centered around female sexuality. The Wierd sisters ,in the book, Represented the incorporationof the dreamand nightmares of the Victorian man's imagination of of sexually aggressive woman. The men desired the sister because they were not accepted by society in a social or moral way during this age thanks to thier open sexuality. The weird sister are made to fufill a man of the victourian ages every want. for instance when the offer harker sexual favors so much so in two paragraphs that not even his wife to be is comparable in this way. Because the women who are exceptionally over aggresive, such as the wierd sisters, threathen to ruin the male-dominated society they must be destroyed in the novel.Also the fact that dracula flees england to go back to his homeland using the boat named after a well known ,for her promicuious behavior, empress of Russia named Czarina

You May Also Find These Documents Helpful

  • Good Essays

    During the Victorian era, sexually transmitted diseases were rampant because of the prevalence of prostitution. This outbreak provoked a feeling of consternation amongst people, and there grew a stigma around women's sexual expression. In Dracula, Bram Stoker addresses this issue and suggests that women should remain chaste and suppress their dangerous sexuality, which wreaks havoc if unleashed. In the novel, Mina’s innocence is juxtaposed to Lucy’s coquettish behavior. The characters reflect how the loss of a woman’s virginity transforms her into a monstrous being. A sexually aggressive woman poses a threat to society and a man’s dominant role. Nevertheless, a woman must be punished for being overtly sexual and stepping out of her expected…

    • 973 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Victor's death: Usually death is symbolic for negative things, such as loss. In this novel, Victor's death represents finality. Throughout the novel, the Creature made his creator miserable by killing those close to him. When Victor died, his misery left with him. His death also marked the end of the chase between the Creature and Victor. Victor chased the Creature around Europe until the Creature led him back to the Antarctic, where he died. Shelley used this symbol to show how death is not always a bad thing.…

    • 363 Words
    • 2 Pages
    Good Essays
  • Good Essays

    She is a naïve virgin who excitedly marries a shallow rich and emotionless Marquis. She comes from a family who is not quite poor but with limited financial resources you need to get married to survive; she is aware that marquis is well endowed and insists that although she cannot resist him but does not love him; the marriage is simply how it ought to be. But, choosing to be swept away by glamour and wealth she continues to ignore the dangers. She always mentions how every time she looks at him he looks as though he is hiding behind a mask and it isn’t until the opera where she realizes one expression, lust; he sees her only as a sexual object. At the time this makes her excited due to her naivety, this is made clear when she says she recalls, "for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away." (11 Carter) Not aware that targeted her for her innocence and how easy it would be to corrupt her young mind. Showering her with symbols of bad luck (the opal ring) and doom (Ruby Chocker) unaware that him and his staff are always maintaining a gaze upon her; waiting for her to make mistakes so he could punish her. As time goes on, the more time she spends more time with her husband the excitement fades into loneliness and feelings of oppression; always performing for her husband and being molded by all…

    • 481 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Ayla Khan uncovers why Stoker wrote Dracula the way he did. Khan highlights Stoker’s use of format, signifying the way he wanted the point of view to be. Khan writes that since the book is written in letter format, “the reader is absorbed into an emotional and realistic state of mind” (Khan, 13). Because the novel was executed in this way, it steers away from seeming completely fictitious and it actually…

    • 513 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Maltese Falcon

    • 1117 Words
    • 5 Pages

    The most prominent female character in the novel, Brigid O’Shaughnessy, employs her sexuality, secrecy and mysterious nature when trying to gain more power and control throughout the novel. This can be seen easily in her description at the beginning of the novel. “She was tall and pliantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow…The hair curling from under her blue hat was darkly red, her full lips more brightly red” (Hammett, 4). Her physical description gives her an air of sexuality and intrigue that can immediately be assumed will be beneficial to her throughout the story. However, it is not until later when her use of her sexuality can be interpreted as a desperate attempt to take power back from the leading male character. “‘I’ve thrown myself on your mercy, told you that without your help I’m utterly lost. What else is there?’ She suddenly moved close to him on the settee and cried angrily: ‘Can I buy you with my body?’” (Hammett, 57). The desperation, which is a common characteristic that can be seen among hard-boiled female characters, pushed her to blatantly offer her sexuality as a final shot to regain control and her power. Due to the complexity of her involvement in the plot, O’Shaughnessy’s struggle to obtain power can also be seen through the web of lies she constructs in…

    • 1117 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    ‘In Dracula, Lucy represents a 19th century ideal of femininity, whereas Mina embodies a more modern view of the role of women’.…

    • 1627 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    Dracula being written in the late 1800’s has a different audience then we would have today in the 20th century. As the years pass by generations will become accustomed to numerous new ideals, then lose those and become accustomed to new ones. People of the late 1800’s were…

    • 1874 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Gender Roles of Dracula

    • 743 Words
    • 3 Pages

    In the Victorian Era gender roles were very clear-cut and were not to be ignored. Men were masculine, tough, and considered protectors. Women were meant to be pure, kind, matronly, and frail. These were the stereotypical social behaviors of the genders and they were very strongly enforced. Women wouldn’t find a husband if they began to act at all masculine and subsequently, men would never find a wife if they began to act feminine or do “girly” things. The line between masculine and feminine was scarcely crossed and when it was the person doing the crossing was an oddity. The line of gender is frequently crossed in Dracula by Lucy, Mina, Jonathon, and especially Dracula himself.…

    • 743 Words
    • 3 Pages
    Good Essays
  • Best Essays

    In Bram Stoker’s Dracula, characters interact with each other in a number of different ways. Over the years this has lead to many different readings of Stoker’s novel, and it is one of the reasons that Dracula has survived for so many years as a noted literary text. In examining the characters, a multiplicity of layers seems to unravel themselves, one of which being the interesting relation they all have to one another. By examining the nature and interactions of the novel’s three main characters, Jonathon Harker, Mina Murray, and Dracula, the novel can be seen to engage and demonstrate a number of different gender constraints. These gender conflicts and constraints can be seen in the theories of theorists such as Judith Butler, Carl Jung and Chrys Ingraham. Each of Stoker’s characters fall into different aspects of theories of gender constraints, and based on their interactions, Dracula as a novel engages these matters and simultaneously destabilizes and affirms them.…

    • 2358 Words
    • 10 Pages
    Best Essays
  • Good Essays

    Symbolism Of Dracula

    • 227 Words
    • 1 Page

    The plot of Dracula itself mirrors colonization in Great Britain. Jonathan Harker, just like Great Britain, has to travel to far and unknown lands for the purpose of business. One of the main reasons for colonization in Great Britain was for economic growth. The plot continues to mimic this by Dracula buying property that is foreign to him. Eventually Jonathan Harker is imprisoned by Dracula and as time progresses he becomes very uneasy of his new surroundings and sees the powers of where he is by expressing, “there is something so strange about this place and all in it that I cannot but feel uneasy” (30). This beginning of the plot expresses the fear of the unknown. British people are traveling great lengths to discover new land. With this…

    • 227 Words
    • 1 Page
    Good Essays
  • Good Essays

    According to Dr. Askin Haluk Yildirim of Izmir Katip Celebi University in Turkey, the union of man and woman during this time was “seen to be a matter of survival for Victorian women” (Yildirim 47). Many articles investigating gender roles of this era often compare marriage to slavery. A woman was “legally the slave to her husband” and the union was one “based on power and force” (Yildirim 47; Sykes). Women were to marry older, wealthier men, to work in the home, educating and raising their children, and to be completely dependent on their husbands. It is for this reason that Victorian women sought out wealthy men. Marriage was of major importance and authors of the Victorian Era often included a marriage plot in their works. Charlotte Bronte and Elizabeth Barrett Browning are two writers who defy the expectations of Victorian women through their marriage plots. In Bronte’s Jane Eyre, Jane is almost certain that Rochester will marry Blanche. Blanche’s “rank and connections suited him [Rochester]” and the union of these two individuals would have been acceptable and predictable (Bronte 353). However, Bronte’s marriage plot does not follow the traditional Victorian path. Bronte’s characters Rochester and Jane develop a relationship one would not expect during this time period. Victorian marriage practices can be revealed in other ways…

    • 841 Words
    • 4 Pages
    Good Essays
  • Best Essays

    How literature shaped courtship and romantic ideals has already been discussed, but literature also encouraged independence as an alternative life choice. Fictional romance novels about the “belle gone bad” were very popular with young women. The idea of the “bad belle” was heavily encouraged by the oppressive nature of southern society. These stories encouraged women to use their femininity to their advantage, as a weapon of sorts. Betina Entzminger suggests that feminine weakness was the very foundation of feminine strength. A woman could use her charms to manipulate the male sex, and that is what the bad belle did. She was one who used her “women’s weapons” but did not play by the rules of womanhood. Much of this theory has to do with the idea of feminine sexuality. In this sense, a woman was no longer an object, but a subject. She could empower herself through her sexuality—through her body. A woman’s sexuality was directly associated with how she saw herself, and how others saw her: again, as a subject or an object. (Hall, 38) As an object, her sexuality served as the foundation for oppression. But as an object, sexuality serves as part of what and who she is. Fictional novels moved the belle as an object into the belle as a subject who could think and act based on her own inclinations.…

    • 3014 Words
    • 13 Pages
    Best Essays
  • Powerful Essays

    Depicting women as unnatural entities, voiceless and agent less, to their male role counterparts highlights the vulnerability of the weaker sex, and Conrad aligns all the women in the story with unreality to evolve the importance of separate realms within society. By holding ignorant ideas, such as Marlow's aunt, or exotic appearances, such as Kurtz's mistress, the women are discounted as illogical and impractical, or if they hold some merit or potential, they are viewed as strange or weird. Either way, they are shown to not be constructed of the sterner stuff that lives in the 'civilized' world of men and thus disaster befalls the men that dare breach the boundary between the two worlds.…

    • 1645 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Analysis Of Dracula

    • 725 Words
    • 3 Pages

    Today, the term “vampire” conjures up images of a hair-raising creature. The aristocratic attire, familiar widow’s peak, pale skin, and two prominent fangs protruding from its mouth are among many of the traits commonly associated with this being. The vampire infiltrates popular culture on many fronts: costume stores frequently feature the stereotypical garb each year around Halloween, while television shows like True Blood, movies such as the Twilight series, and books including Vampire Academy all work to solidify the role of this blood sucking monster in modern society. The vampire is not a new creation, however. Its history is rich, going back much further than 1897, the year in which Bram Stoker published his famed novel Dracula. The vampire’s roots trace back to Slavic folklore, and Jan Louis Perkowski devoted a significant amount of time as a scholar researching how the vampire evolved from its classical role as a demon to what it is today. Perkowski is a Professor Emeritus of the Department of Slavic Languages and Literatures at the University of Virginia, and this paper will use an outline derived from a part of his research. This outline is specifically designed for analysis of vampire folklore, and will be used to examine Tod Browning’s Dracula:…

    • 725 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Dracula Analysis

    • 1878 Words
    • 8 Pages

    Dracula, written by Bram Stoker, presents readers to possibly the most infamous monster in all of literature. The fictional character Count Dracula, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres unquestionably stem from his sense of romanticism and monster. Readers no doubt are attracted to his monstrous sensibilities, which provide a sense of looking first at his appearance, personality, and behavior at the beginning of the novel. Readers can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. The creation of Frankenstein’s Monster experiences this in the Mary Shelley story of the same name, as both characters are truly unable to be defined outside of a physical description which frequently relies on the horrific. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and should be analyzed based on how he interacts with the outside world to genuinely understand him.…

    • 1878 Words
    • 8 Pages
    Powerful Essays