After John had performed Boko-maru with Mona, he told her she could not do it with anyone else. At this time – which was right after he agreed with Frank to become president – he felt as if he had power he didn’t actually have.
She was still on the floor, and I, now with my shoes and socks back on, was standing. I felt very tall, though I’m not very tall; and I felt very strong, though I’m not very strong; and I was a respectful stranger to my own voice. My voice had a metallic authority that was new. (208)
Although this sense of superiority didn’t last long, John seemed to turn into someone he wasn’t, just because he was given the title president. John himself became “a respectful stranger to [his] own voice”(208). He realized that even before he officially became president of San Lorenzo that he “was already starting to rule”(208). Also, the fact that John becomes president to be the voice of Frank is another reference back to the cat’s cradle. Frank says he and his father were “no good at facing the public” (198) which is the reason he asks John to be president. That way Frank could keep doing his science and John could share those ideas to the public. Frank also shared some history of him as a kid. Kids used to make fun of him, call him X-9 and didn’t think he did much but make “model airplanes and jerk off all …show more content…
These targets represent different people, for example, Hitler, Karl Marx, and “some old Jap”(229) and are made from “cardboard cutouts shaped like men”(229). This example perfectly shows people taking things and trying to make them into something completely different, like how the cat’s cradle came from a piece of string. There are many more examples like this in Vonnegut’s Cat’s Cradle, which is why using the cat’s cradle for what it symbolizes was such an appropriate theme for this