Hoeller explains, “…the telling and origin of which can be placed in time and space and author. Once she talks to blacks-and removes herself from a white paradigm-she learns how to read the story now as ‘absolute’ truth but as part of racial commonwealth that belongs to all black people and that has been shaped and reshaped hundreds of times (424)” Meaning that Nella believes that it is not her fault the story was already told and that if anything Harlem Renaissance society should be credited to the story, not Sheila Kaye-Smith. “The racial nature of this paradigm shifts is accentuated by Larsen’s starkly racial description of the hospital. Apart from the old woman, her source and hospital ‘inmate’, no one is named; characters are just labeled as black or white
Hoeller explains, “…the telling and origin of which can be placed in time and space and author. Once she talks to blacks-and removes herself from a white paradigm-she learns how to read the story now as ‘absolute’ truth but as part of racial commonwealth that belongs to all black people and that has been shaped and reshaped hundreds of times (424)” Meaning that Nella believes that it is not her fault the story was already told and that if anything Harlem Renaissance society should be credited to the story, not Sheila Kaye-Smith. “The racial nature of this paradigm shifts is accentuated by Larsen’s starkly racial description of the hospital. Apart from the old woman, her source and hospital ‘inmate’, no one is named; characters are just labeled as black or white