Stylistic Analysis of James Joyces Eveline

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In the short story Eveline by James Joyce, the author challenges the morals of a young woman torn between desire and familial obligation. Joyce manipulates the theme of reflection as a tool for Eveline to make a life altering decision of staying in the comfortable atmosphere where she confined and controlled by her father and her boss, or to run off to the unknown with a man who loves her and offers her a life of security. This essay will analyze and explain the deixis, cohesion, process and participant type, discourse types and narrative structure in the text that enhance the emotion effect of the story. Joyce approaches this story from a third person perspective and creates examples of stream-of-consciousness narration. When we read the only three indirect thought processes; ‘He is in Melbourne now.'(IS) ‘Miss hill, don't you see these ladies are waiting?'(IS) ‘Look lively, Miss Hill, please. (IS)'we, the readers, are presented with outer observations only as they encroach on the continuous wave of thought, memory, feelings, and associations throughout the story. Joyce maintains an indirect thought process throughout the excerpt, referring to Eveline solely as she, her, herself, and adjusting the verb tense accordingly until he identifies her as Miss. Hill in paragraph six. Eveline throughout the story is a deeply feeble and compassionate woman. Sentences frequently project her as the powerless medium-t in material processes, and suggest that she is contemplating escape by watching the steady movement of others (Few people passed, she heard his footsteps clacking along…crunching… 2) while reflecting (watching, tired 1) on what she might leave behind, making the sensor in most mental processes. The opening sentence alone constructs implications of Evelines destiny, ‘She sat at the window watching the evening invade the avenue.' The square shape of a window alone, represent the shape of a cell and hence the notion of confinement. Her act of penetrating the view

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