Denholm, Chris. "Graffiti and the Law." TheSite.org. The Site, 10 Jan. 2010. Web. 29 Jan. 2013.…
Society considers graffiti as vandalism because “for many people they don’t understand it. It’s like a foreign language”(Davich). Graffiti is a strong form of expression, an artist should be allowed to make their thoughts and beliefs public. “Graffiti art has served as a social identity for generations of youth” (Davich) serving as a way for them to avoid violence and drugs. Making street art illegal and labeling it as vandalism limits the freedom of young artists to escape their struggles and instead represent their accomplishments through art. For the majority of people graffiti is nothing more than colorful splashes of paint on the wall. But it takes skill, determination and the sleight-of-hand to make a canvas for the whole world to see. Graffiti is a skill that is changing the world and criticism is a “part of what street art is”(Kakutani) and just accelerates its popularity and…
The dictionary definition of the word ‘graffiti’, “unauthorized writing or drawing on a surface in a public place, gives the word graffiti a bad tinge even before someone may know what graffiti is in its entirety. Graffiti has often been looked at as a sign of crime, gang activity, poverty, and vandalism. When walking in the city and one sees graffiti, it is much more probable that they get a little…
Art is generally seen as a canvas transformed into a beautiful and thought – provoking decoration. Genres and technique styles continue to evolve and transform over the centuries, creating new ways to influence the world through art. Graffiti is a controversial new genre and technique style that has taken the art community – and the urban streets by storm. The artists of this new genre call it “Street Art” and use the world as their canvas to provoke thoughts on controversial topics to the average man. A street art editorial written in 2013 states, “ Street art is contradictory: a form of artistic expression that resists institutional legitimacy while it simultaneously becomes more widespread, more accepted – an institution in its own right” (Sweeny, 2013). Stating that street art has ripple effect of its own in the art community.…
Graffiti has had a very long, illegal, and strong history since ancient Greek, Roman, and Egyptian times. Graffiti back then wasn't tagging walls with spray cans and stencils. Instead they were stone carvings, paintings with colored juices, and also ash drawings. They would often tell stories with animals and secret…
Do you think that graffiti is art or vandalism? Graffiti is the reason why today we have art on trains and some buildings. People paint on the walls to express feelings or send a message to the world. However, some people just paint on things to just be a rebel or do wrong. Relating to that, graffiti is a good or bad thing. In this case, graffiti is a terrible thing. Graffiti is a terrible thing for many reasons like the cost to get it off, the graffiti got more advanced, and It makes people feel unsafe.…
For centuries, street art has been perceived all around us in subways, schools, building and even in the bathroom. Graffiti however, is a form of street art that most people are aware of and seen before. Graffiti is used as a form of expression for many young children all around the world, but society has many misconceptions regarding graffiti. People interpret graffiti as a form of vandalism and breaking the law, but it’s diverse style of art can create a beautiful way for an individual to express their emotions and bring other perspectives together. This form of expression is not a simple task to accomplish and yet it does not get the positive attention that it should just because society doesn’t understand the conception of graffiti. With…
Graffiti artists often produce artworks which deliver social, political or religious issues in the urban space within a society. Graffiti artists are built to embody cultural groups and within their graffiti works reflect on a range of issues, in order to cause an impression on the audience who pass by (Young 2012, 297). Artists often represent social and political issues in their works in order to state combinations of statements and argue how they get accused or seized by the law in producing such meaningful artworks. Although artists may damage private authorities or places, they often create their graffiti works in a way that is sophisticated and pleasing to the viewers and also deliver a social or political to the viewers who get attracted…
Every piece of art has a meaning behind it, whether it be obvious or a little more vague. Graffiti is just another way for people to express themselves through art. Nobody got mad at Michelangelo when he painted all over the Sistine Chapel, and nobody called it vandalism. Although some say it is vandalism rather than art, graffiti should be considered art because it takes time, emotion, and creativity, just like any good painting, the only difference being the canvas.…
Do you want to know what I think of graffiti? Personally I have two opinions. I can argue from both points of views. Graffiti could sometimes be vandalism and sometimes art.…
The word "graffiti" is derived from the Latin term "graphium" which means "to write". Graffiti evolved during ancient times but first impacted on modern society in the late 1960's, when political activists used it as a medium of revolt against governing powers. Thereafter, individual artists began to gain recognition.…
Modern day graffiti has somewhat of a bad reputation and in most cases, is viewed by people in a negative way. When many of us think of graffiti, we usually think of the act of vandalism or destruction of property. However, the practice of modern day graffiti is considered to be a form of art as long as it is done legally. In Ancient Rome, graffiti was a respected form of writing with a more sophisticated meaning, not the kind of defacement that we often see on train cars or bathroom stalls. In Pompeii, graffiti was a common social practice and was widespread throughout their society. It was never thought of as a criminal act.…
Graffiti is a long living “symbol of youth and music culture, graffiti is one of the four elements of hip hop” (Wexler 6). Suzanne Wexler states that graffiti “first appeared on the New York subways in the 1970s, representing a form of public art” (6). For the most part, graffiti is tolerated, as long as it is aesthetically appealing and not defacing someone’s property. Problems arise when people go and deface a public place, such as an occupied business, building, house, car, etc. Then, the city has to pay money in order to hire people to go and remove the vandalism. There is a clear difference between malicious vandalism, the defacing of public property, and graffiti. Graffiti is an art form that takes a lot of thought on the image wanting to be portrayed, as well as practice to develop the ability to execute a permanent picture with spray paint, and the dedication to stick with this art form through having to avoid the police.…
One common objection is that graffiti is not art because it is vandalism and hence a criminal act. While it is true that it can be vandalism and a criminal act, these facts would not seem to have a bearing on its status of being art. The mere fact that something is illegal or classified as vandalism hardly seems sufficient to make something fall outside of the realm of art. After all, imagine a state in which music was a criminal act and labeled as a vandalism of the public sound space. It would hardly follow that music would thus cease to be art. As such, this objection fails.…
When graffiti first began to be done, it was very localized and homogenous. Graffiti was confined only to downstate New York. For example, in the documentary Style Wars one graffiti artist had been kept ignorant of graffiti while in upstate New York. When he came back to his home in downstate he was shocked to see this new form of art covering the trains “So when I got home I see writing on the train. I said ‘what’s this stuff here?’”. It was after seeing graffiti on trains that he decided to try it out himself. Graffiti was homogenous not in the sense that only a certain age group or ethnicity was doing it, but rather that all graffiti artists adhered to the same set of ideals when it came to graffiti. They all believed that graffiti was an art form meant for the artist, and that the more talent and creativity demonstrated in a piece the better. The wild, artistic type of graffiti that emerged from this ideal was later referred to by graffiti artists as ‘burners’. One young graffiti artist, Skeme, summarizes these beliefs in an interview with his mother “It’s a matter of bombing, knowing that I can do it... It’s for me. It’s not for nobody else to see. I don’t care- I don’t care about nobody else seeing it, or the fact if they…