Figurative imagery was also used throughout the poem. The author uses them to express what the person is feeling or thinking. When he says, “her brain turns to water,” he is stating that she is not thinking about the real world because she is too busy concentrating on love. “The waitress floats towards you,” this explains how the speaker is in a crowded restaurant therefore the place is busy and the odds of her coming to take his order is very low, which makes her extraordinary and it seems like she is a angel floating. “His voice is a small boy turning somersaults in the green country of his blood,” which states that the old mans’ singing is calming and transports you to a joyful place, which helps forget the fact that it is just an old man on the bus.…
Larkin has used the first line of each stanza to tell us what that particular verse is going to be all about, in the subsequent lines Larkin then tells us his tale. In stanza one the scene is set, Larkin had a late start and the lunchtime train from Hull to London felt clammy because of the heat even though there was plenty of fresh air coming in through the windows, this is classic contradictory Larkin. As Larkin sat down on the hot train seat he began to feel a sense of relaxation. At last he could sit quietly and make his observations. The brilliant sunlight was almost blinding and the heat had further heightened the smell emanating from the already very smelly fish dock.…
The speaker starts by telling the waves to "break, break, break" onto the rocks. He then says that his "tongue" cannot "utter" the thoughts that are within him. The narrator is not thinking very much; the thoughts "arise in" him naturally without any form of effort. The speaker thinks that it is good that the fisherman's kids are yelling and playing with each other. The speaker says it is good that the sailor is singing in his boat. Due to the sad mood of the poem the speaker seems jealous. The speaker sees great ships pass by and go to their port under a hill. There must be a hill over the shore. The speaker doesn’t seem distracted by the ships, because he just keeps on speaking. The speaker wishes he could touch some ones "vanish'd hand" and hear their voice again. I think the speaker is talking about a dead loved one. The speaker talks to the waves again and tells them to “Break, break, break,” but this time the waves break on the crags instead of the rocks; the…
rest of the stanza. The next lines read “Words lined up in our throats / for a good whing. / Grief…
The lines of the first stanza bring to mind the picture of a father dancing with his child standing on the father’s feet. The father has had enough to drink to over-power the boy with the smell of his breath. The boy doesn’t seem to care as he hangs on “…like death” (3), a turn of phrase that depicts the strength of grip the boy must use to hold on to his obviously drunk and uncoordinated father.…
Language in literary texts often plays an integral role in shaping meaning. The Drowner (1996) is a contemporary Australian novel. Set in the lath 19th century and early 20th century the romance and historical epic follows the life of protagonist, William Dance, his relationship with Angelica Lloyd, and his journey from England through, Africa, to Western Australia. Poetic Language, in particular symbolism, imagery and metaphors, are extensively used to construct and juxtapose settings, characters and their relationships.…
The first thing that is very noticeable is the narrative structure. The speaker provides us with the image of the character’s footsteps through the structure of the poem, which indicates the struggle that he is going through. He uses gaps and indents throughout the poem to express his movement in the swamp and how he moves from one side to the other in order for him to be able to free himself from this struggle. The syntax of the poem cannot be described as stanzas or paragraphs, because the poem itself is one broken stanza which depicts the character’s misery while moving in the swamp.…
The poem takes a more satirical tone with the third stanza, calling to attention the way the entire world viewed the tragic event that occurred that day. The line, “And the world, shocked, mourns, as it ought to do / and almost never does.” (7-8), can be related to the impact events such as the Titanic affect society. While the world grieves for the lives lost in major tragedies, the single, more personal, deaths go on unnoticed. The…
The entirety of the poem is a metaphor of a man's crisis in life. The first part of the poem, or until "into the black, slack," is dark. This portion depicts the darkness's of life, such as death and the hard ships. The third stanza mentions " here/ is struggle, / closure --/ pathless, seamless / peerless mud "which is a reference to life. Life is full of struggles like the struggles one would have trying to cross a swamp. There is no clear path or a person aiding you while you cross the mode, as there is no one to help you through the "hipholes, hammocks" in life. The mans' " bones / knock together at the pale / joints " which shows that the man's struggles in life have been long and tedious. The struggle has been so lengthy that it has even begun to wear on the bones and joints in his body. Imagery is used to give the readers feeling of disgust and sorrow. Words such as "mud," "dark blurred / faintly belching bogs" give a negative connotation and make people think of darkness, specifically, the darkness's in life.…
Death pervades The Whitsun Weddings and in Ambulances is reflected on in terms of the significance of our response to seeing an ambulance stop. Passers-by view them as ‘confessionals’, secretive, mysterious places where we confront our deepest nature. They are impersonal and unpredictable, resting ‘at any kerb’ and reminding us of our mortality because ‘All streets in time are visited’. The contrast of the mundane reality of a visit to the shops with the ‘wild white face’ (note the alliteration and assonance denoting an interruption from the norm) shows how anyone can be randomly caught up in another’s loss, before the patient is dehumanisingly ‘stowed’ and it is this that leads in stanza 3 to the onlookers understanding the tenuousness of their own lives, ‘the solving emptiness’ which is infinite. Whether religious or colloquial, ‘Poor soul’ is not, therefore an expression of sympathy but of self-pity, ‘at their own distress’.…
This is a short, fun poem from the middle of Walt Whitman’s career. Even though it’s only ten lines long, it picks up a lot of the big themes in his writing, and it has a lot of depth, which you don’t necessarily see at first. This particular poem showed up in The Broadway, A London Magazine . In the magazine format, it appears in a group of five poems with the title "Whispers of Heavenly Death." In spite of that creepy association, though, this poem shows Whitman in his prime. In just ten lines, you can tell that he’s full of the energy, imagination, and excitement which have made him so popular for so many years.…
The poem is highly metaphorical and symbolic. The story, on the surface, really is about swimming in the ocean alone. However, as we readers examine further, it’s quite obvious that there are meanings behind this superficial image. As a matter of fact, the ocean is a metaphor of greatness and mystery. We can also perceive it to be a symbol of life as we all “swim” in this ocean and are truly uncertain about what will happen next. The image of seaweed shadows is apparent in the first stanza, and they can apparently be seen as obstacles that we encounter in the journeys of our lives. In the third paragraph, the poet addressed that in the end, it is only a “drifting body” or a “dolphin”. This seems paradoxical because drifting body is a symbol of death and mortality, whereas, in sharp contrast, dolphins are universally viewed as creatures that are nimble and lively. The use of two completely polar things implies the uncertainty of life and supports the idea that life is fundamentally fearsome.…
The speaker of the poem is dying, and it is possible to infer that her journey toward death has been a longer one. The family and friends surrounding her in the room because "the eyes beside had wrung them dry, and breaths were gathering sure." The people in the room have cried all there tears, and are confidant that their friend or family member (the speaker) is going to a better place. However, the narrator does not share with them this feeling of calm and assurance, as she waits for the "King" or godlike figure to be witnessed near her deathbed, the mundane presence of a fly buzzing in the room makes her doubt the sanctity and religious significance of her experience.…
I also noted that he used a lot of words that began with the letter S. He used words like stream, slow, sliding, and skimming. This gave me the sense of tranquility and peacefulness. The last and second to last stanza seemed to end those feelings and jar me back to a reality. He used words like plunge, drown, dry and ache.…
In stanza one, I think there is a narrator narrating what is going on. I think this is the case for stanza three and four as well. I think that stanza two is his friends and family speaking, and the final stanza the man is speaking.…