Harmon Brothers accomplishes this by threading off-color toilet humor throughout the advertisement, in phrases such as “can’t get the last scoop out of the carton,” “smooth stream of fro-yo that glides like a virgin swan,” and “faster than Pegasus laying a sweet sherbet dookie.” The unicorn also receives the sophisticated treatment applied to the prince, as depicted by its artful recitation of a haiku: “O Squatty Potty, you fill me with endless joy, yet leave me empty.” By employing extensive use of alliteration and metaphoric euphemism, the writers engage their audience in a topic that is generally taboo, without having to resort to scatological or obscene language. With the implementation of a medieval setting, the inclusion of perceived nobility, and the anthropomorphism of the unicorn, the writers create a feeling of fantasy that ultimately blunts the edge of unpleasantness related to the
Harmon Brothers accomplishes this by threading off-color toilet humor throughout the advertisement, in phrases such as “can’t get the last scoop out of the carton,” “smooth stream of fro-yo that glides like a virgin swan,” and “faster than Pegasus laying a sweet sherbet dookie.” The unicorn also receives the sophisticated treatment applied to the prince, as depicted by its artful recitation of a haiku: “O Squatty Potty, you fill me with endless joy, yet leave me empty.” By employing extensive use of alliteration and metaphoric euphemism, the writers engage their audience in a topic that is generally taboo, without having to resort to scatological or obscene language. With the implementation of a medieval setting, the inclusion of perceived nobility, and the anthropomorphism of the unicorn, the writers create a feeling of fantasy that ultimately blunts the edge of unpleasantness related to the