Cited: Tanizaki, Junichiro. Some Prefer Nettles. New York: Alfred A. Knopf, Inc., 1955.
Cited: Tanizaki, Junichiro. Some Prefer Nettles. New York: Alfred A. Knopf, Inc., 1955.
In the book “Warriors of Japan as Portrayed in the War Tales”, as the title suggests, author Paul Varley studies numerous war tales from hundreds of years of Japanese history, throughout the rise of the samurai warrior culture and the societal change that went along with it. From ancient war tales like the Shōmonki to tales firmly in the medieval times like the Taiheiki, the changes in battlefield customs and warrior society are presented and studied as they change and evolve. Despite all the social changes occurring in these time periods, a certain element stays the same throughout all these tales, the warriors themselves.…
The Shinto religion is a tradition that has close ties to nature and the upkeep of nature’s beauty (Fisher, 2014, p. 222). Shinto traditions believe in giving honor to the spirits of nature, and partaking in traditional cultural festivals (Fisher, 2014, p. 222). The Shinto that lives close to nature has structured their lives to accommodate the turn of the seasons. Shinto’s respect the roles of the sun, the position of the lightning in their rice farms, likewise the moon (Fisher, 2014, p.223). The Shinto also notice the natural beauty in minor scale art; they feel as though the rock gardening flower arranging, poetry, tea ceremony, are all reverenced as being modest and natural (Fisher, 2014, p.224). However, the Shinto (Kami) is honored…
Art in the Renaissance era was very influential; this period experienced changes in art, new forms of artistic entertainment were introduced, and new techniques were developing. In Japan, a new style of artwork was beginning to blossom and grow in popularity: Ukiyo-e, “Pictures of the floating world.” Typical Ukiyo-e portrayed images of the earth and the arts. One artist, Toshusai Sharaku, was part of this movement, and he was active for less than a year. He created over four-hundred Ukiyo-e prints of Kabuki characters and courtesans.…
This was a time of ennui for Japanese society. Many people felt locked in to a meaningless existence, in which they just sought out the pleasures of earthly entertainment as they waited to pass on to the next…
Perhaps most visibly significant among the changes brought between the encounter of Western cultures with the Japanese are the changes of everyday practices. We are given a clear view of this at the introduction of Fukuzawa's…
This enactment had intriguing implications on Japan’s art Culture, which already had a unique style prior to this policy, isolation only made this more defined and pronounced. In terms of mediums “by the end of the seventeenth century, three distinct modes of creative expression flourished” ink paintings coming from craft schools, performing and visual arts which would give rise to Kabuki theatre, and lastly Japans well known ukiyo-e woodblock prints. The impact isolation had on subject matter within these modes led the Japanese to delve back into history, looking towards ancient literature for insperation and refining their own styles. An example of this is seen in Nagasawa Rosetsu’s set of folding screens titled, Landscape and Chinese Figures. The set consists of two sequential paintings which were made from six folding panels, the paintings depict an images from Chinese literature which Rosetsu pulled inspiration from.…
Literary works from the Heian and Kamakura periods allow us to follow the transformation, or stableness of Japanese culture between the two time periods. The Pillow Book by Sei Shonagon and Essays in Idleness by Kenko Yoshida both offer insights into the values of Japanese culture during their respective periods. The exploration of these texts will show us what changed in Japanese culture from the Heian to the Kamakura period.…
Studies of Japanese culture and history have always pointed to Shinto as the defining element of Japanese religion, having continually existed from prehistoric to modern times. There are those who go so far as to say that Shinto is even more than a religion, that it is and has always been the very nature and spirit of the Japanese people. Shinto is argued to be the unifying force among the Japanese people, bringing together the heterogeneity of rituals and practices and thus defining Japanese religion and culture. However, Kuroda Toshio, in his article "Shinto in the History of Japanese Religion," refutes the claim that Shinto is a native Japanese religion that has existed throughout history. He asserts that Shinto did not emerge as an independent religion until the end of the fifteenth century, and argues instead that kenmitsu Buddhism, which does include Shinto as one of its components, is the true native religion of the Japanese. He then questions the legitimacy of accepting Shinto as the dominant primitive religion simply because historic sampling has made it appear so, and casts doubt on what may be accepted as a "true picture of history" (Kuroda, 20). In this essay, I will be arguing for the validity of this question, while nonetheless asserting the importance of the pursuit of history. History cannot be accepted as an absolutely accurate representation of the past, but rather as a reformation of the past in light of today's concepts. At the same time, efforts to understand history accurately are essential because, as Robert Bellah shows, historical concepts may have important applications in today's world.…
The differences in art of feudal Europe and Japan were very significant. Europeans tended to focus more on religious forms of arts and architecture whereas the Japanese focused on writings and poetry. European art…
The style of the Japanese paintings that were produced by woodblock prints that was most popular between the seventeenth and twentieth centuries was called Ukiyo-e, a.k.a, (floating world). Ukiyo-e wasn’t the only style but it was the most prevalent of them all. Because of the popularity of these prints… they were sold in the small town shops and on the streets going at the minimum of the price of a bowl of noodles. These prints were bought by the elite and collected in albums or glued to their walls. The only participation the Ukiyo-e artist had in the production of their prints was painting them and selling the prints to publishers who reproduced them.…
Think about your friends, family, and your loved ones for a second. Think about what luxuries you have and how you have come to love them. Doesn’t it make you feel blessed and lucky to be who you are? Now imagine being thrown onto enemy territory, a lonely and dangerous place with nothing. In order to survive you must communicate with the enemy and learn to live their way—the total opposite culture you hate. In the movie, The Last Samurai, the author portrays a Civil War veteran, Captain Algren, commander and trainer of Japan’s new technology-efficient military. His task is to defeat a rebellion of the remaining Samurai in Japan. After Algren is captured, he is taken into their village as an information tool. He begins to learn their way of life and finds himself caught up in two situations. As Algren misses his old way of life, he tends to love the way of the Samurai, along with a woman. The captain has now become the enemy he initially wanted to kill. This story presents the finest meaning of finding true identity and communication, through verbal and nonverbal expression. It shows the way a person’s identity and self-concept can be influenced through culture, gender, age, and even by stereotype.…
In 1872 it was decided that western dress should be worn for all court and official ceremonies. Later the morning coat became standard dress on all formal occasions. Instead of a traditional samurai top knot, in 1870 western style haircuts were ‘all the rage’ in Japan. A popular song of the period quoted “If you slap a barbered head, it sounds back civilisation and enlightenment”. Things like black rolled umbrellas, gold watches, fitted tables and chairs, western calendars and telegraphs were all introduced during this ‘enlightened’ period. Changes also happened for eating patterns in Japan. A quote from a school child; “If we hadn’t opened the country up, we’d still just be eating rice all the time”. Food like meat, bananas, beer, bread and other dairy products were all introduced and encouraged to enjoy by the emperor who frequently ate large meals at banquets of foreign…
The kimono is a traditional form of clothing worn by Japanese women and men. There are many different forms of Japanese kimono. The word kimono literally as known as "clothing", and up until the mid 19th century it was the form of dress worn by everyone in Japan.…
The main aim of this activity is to allow young Japanese to tap on this opportunity to seek advice from their elders on how to wear a kimono and the appropriate kimonos for different occasions.…
During the period generally referred to as the Edo Era, during which much of the development of kabuki took place, distinctions between the warrior class and the commoners was more rigidly observed than at any other time in Japan 's history. Mainly the merchants cultivated the art of kabuki in those days. They had become increasingly powerful economically, but had to remain socially inferior as they belonged to the commoner class. To them kabuki was most significant as the artistic means by which to express their emotions under the prevailing conditions. Thus, the fundamental themes of kabuki plays are conflicts between humanity and the feudalistic system. It is largely due to this humanistic quality of the art that it gained such an enduring popularity among the general public of those days and remains this way today.…