Skateboarding Photography

Topics: Photography, Skateboarding, Spike Jonze Pages: 2 (573 words) Published: May 9, 2005
Over the last twenty years the world of skateboarding has changed greatly because of the exposure it has had through media. The originators of this media were skate magazines that highlighted many photographers and their talents. The photographs from twenty years ago were using nothing but a cheap old 35mm and came up with some incredible artistic shots. But those old cameras have been replaced by today's photographers with the top of line cameras and lenses.

The top two magazines in the skateboarding world today are Thrasher and Transworld Skateboarding magazine. Both of these magazines have been around since the early 80's and have covered every angle of skateboarding that's possible. Transworld has adopted an annual edition of there magazine for just photographs on every page and no articles. In the 2001 edition many photographers were interviewed and asked about their inspirations and there gear. Ryan Gee, a photographer out of Philadelphia, said "My first camera was some piece-of-crap Mamiya I found around '92, today I'm using a Hasselblad 501 CM, and a Canon EOS 1N RS", most photographers in the skate industry today are using a camera like the Canon 1N for shooting sequences of the more technical skateboard tricks. Some of these photographers also carry around a medium format camera like a Hasselblad for stills because of the great images that format creates. For lenses everyone seems to use a 15mm fisheye for those up close in the action shots and a good zoom telephoto for those long view shots. Fisheye shot, by Ryan Gee Telephoto shot, by Ryan Gee

Photographers like Ryan Gee know that without the photographers from the 80's they would not be doing what they are doing now. One huge inspiration in the industry would have to Spike Jonze. Jonze started out shooting photos of all the top pros for Transworld Magazine and became their senior photographer around the late 80's. He then decided to...
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