Singin In The Rain Analysis

Numerous critics and the American Film Institute itself considers the musical film Singin’ in the Rain the greatest American musical. Singin’ in the Rain qualifies itself for this title by perfectly integrating music into the narrative and evolving the musical genre. In terms of the musical genre, Singin’ in the Rain excels in its use of musical performances to exemplify character’s emotional state of mind and preserving realism. The musical Singin’ in the Rain excels in every category of the musical genre. Singin’ in the Rain perfectly integrates music into the film to proceed the narrative and evolves the musical genre; as a result, critics consider Singin’ in the Rain the greatest American musical. Electrifying, dazzling, and melodramatic
Just as dazzling musicals performances can underscore the narrative in the film, they can also underscore the character’s state of mind. Often in musicals the audience focuses solely on the characters’ costumes, environment, or the character’s dance moves and they ignore the thoughts and mental state of the characters. On the other hand, Singin’ in the Rain exemplifies and highlights the character’s mental or emotional state through the musical performances. For instance, Connor’s performance “Make ‘Em Laugh” affirms the jocular style of the character Cosmo Brown. Furthermore, Connor’s hilarious grunning exemplify his desire to alleviate Lockwood’s stress. Despite epitomizing a musical film, Singin’ in the Rain preserves the realism aspect of cinema. When Kelly’s character confesses his love to Kathy, for instance, the following musical performance seems realistic. Or even Connor’s comedic “Make ‘Em Laugh” appears logical as he attempts to uplift Lockwood’s pessimistic attitude about his career. The producers of Singin’ in the Rain utilize music to effectively develop the characters’ mental or emotional states and preserve the film’s realism. Consequently, Singin’ in the Rain excels in the musical